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Oscar Nominee: Best Film Editing | 222 Titles

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The Constant Gardener (2005) 2005 : 78th Academy Awards

Aspect Ratio: 1.85:1

129 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Fernando MeirellesCinematography by ~ César CharloneEdited by ~ Claire SimpsonWritten by ~ Jeffrey Caine, John le Carré
Starring | Ralph Fiennes Rachel Weisz Danny Huston Hubert Koundé

Lenses | Angenieux HR Zoom Lenses

Oscar Winner: Best Actress in a Supporting Role

Cinderella Man (2005) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

144 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Ron HowardCinematography by ~ Salvatore TotinoEdited by ~ Daniel P. Hanley, Mike HillWritten by ~ Cliff Hollingsworth, Akiva Goldsman, Cliff Hollingsworth
Starring | Russell Crowe Renée Zellweger Craig Bierko Paul Giamatti

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Walk the Line (2005) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

136 Minutes

Oscar Nominee: Best Film EditingDirected by ~ James MangoldCinematography by ~ Phedon PapamichaelEdited by ~ Michael McCuskerWritten by ~ Johnny Cash, Johnny Cash, Gill Dennis, James Mangold, Patrick Carr
Starring | Joaquin Phoenix Reese Witherspoon Ginnifer Goodwin Robert Patrick

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

Oscar Winner: Best Actress in a Leading Role

Munich (2005) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

164 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Steven SpielbergCinematography by ~ Janusz KaminskiEdited by ~ Michael KahnWritten by ~ Tony Kushner, Eric Roth, George Jonas
Starring | Eric Bana Daniel Craig Marie-Josée Croze Ciarán Hinds

Editing System | Moviola Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

The Aviator (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 2.39:1

170 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Martin ScorseseCinematography by ~ Robert RichardsonEdited by ~ Thelma SchoonmakerWritten by ~ John Logan
Starring | Leonardo DiCaprio Cate Blanchett Kate Beckinsale John C. Reilly

Editing System | Lightworks Editing System

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Crash (2004) 2005 : 78th Academy Awards

2D

Aspect Ratio: 2.39:1

112 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Paul HaggisCinematography by ~ James M. MuroEdited by ~ Hughes WinborneWritten by ~ Paul Haggis, Paul Haggis, Bobby Moresco
Starring | Don Cheadle Sandra Bullock Thandie Newton Karina Arroyave

Editing System | Avid Editing System

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

Finding Neverland (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 2.39:1

106 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Marc ForsterCinematography by ~ Roberto SchaeferEdited by ~ Matt ChesseWritten by ~ Allan Knee, David Magee
Starring | Johnny Depp Kate Winslet Julie Christie Radha Mitchell

Editing System | Avid Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Oscar Winner: Best Music Original Score

Ray (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 1.85:1

152 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Taylor HackfordCinematography by ~ Pawel EdelmanEdited by ~ Paul HirschWritten by ~ Taylor Hackford, James L. White, James L. White
Starring | Jamie Foxx Regina King Kerry Washington Clifton Powell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Collateral (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Michael MannCinematography by ~ Dion Beebe, Paul CameronEdited by ~ Jim Miller, Paul RubellWritten by ~ Stuart Beattie
Starring | Tom Cruise Jamie Foxx Jada Pinkett Smith Mark Ruffalo

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Million Dollar Baby (2004) 2004 : 77th Academy Awards

2D

Aspect Ratio: 2.39:1

132 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Clint EastwoodCinematography by ~ Tom SternEdited by ~ Joel CoxWritten by ~ Paul Haggis, F.X. Toole
Starring | Hilary Swank Clint Eastwood Morgan Freeman Jay Baruchel

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Lord of the Rings: The Return of the King (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

201 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jamie SelkirkWritten by ~ J.R.R. Tolkien, Fran Walsh, Philippa Boyens, Peter Jackson
Starring | Elijah Wood Viggo Mortensen Ian McKellen Orlando Bloom

Editing System | Avid Editing System

Finishing System | Autodesk Finishing System

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Seabiscuit (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

140 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Gary RossCinematography by ~ John SchwartzmanEdited by ~ William GoldenbergWritten by ~ Laura Hillenbrand, Gary Ross
Starring | Tobey Maguire Jeff Bridges Elizabeth Banks Chris Cooper

Editing System | Avid Editing System

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Master and Commander: The Far Side of the World (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

138 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Peter WeirCinematography by ~ Russell BoydEdited by ~ Lee SmithWritten by ~ Patrick O'Brian, Peter Weir, John Collee
Starring | Russell Crowe Paul Bettany Billy Boyd James D'Arcy

Finishing System | Autodesk Lustre Finishing System

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Cold Mountain (2003) 2003 : 76th Academy Awards

2D

Aspect Ratio: 2.39:1

154 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Anthony MinghellaCinematography by ~ John SealeEdited by ~ Walter MurchWritten by ~ Charles Frazier, Anthony Minghella
Starring | Jude Law Nicole Kidman Renée Zellweger Eileen Atkins

Editing System | Final Cut Pro Editing System

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Oscar Winner: Best Actress in a Supporting Role

The Lord of the Rings: The Two Towers (2002) 2002 : 75th Academy Awards

2D

Aspect Ratio: 2.39:1

179 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Michael HortonWritten by ~ J.R.R. Tolkien, Fran Walsh, Philippa Boyens, Stephen Sinclair, Peter Jackson
Starring | Elijah Wood Ian McKellen Viggo Mortensen Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Hours (2002) 2002 : 75th Academy Awards

2D

Aspect Ratio: 1.85:1

110 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Stephen DaldryCinematography by ~ Seamus McGarveyEdited by ~ Peter BoyleWritten by ~ Michael Cunningham, David Hare
Starring | Meryl Streep Nicole Kidman Julianne Moore Stephen Dillane

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Oscar Winner: Best Actress in a Leading Role

City of God (2002) 2003 : 76th Academy Awards

2D

Aspect Ratio: 1.85:1

130 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Fernando Meirelles, Kátia LundCinematography by ~ César CharloneEdited by ~ Daniel RezendeWritten by ~ Paulo Lins, Bráulio Mantovani
Starring | Alexandre Rodrigues Leandro Firmino Matheus Nachtergaele Phellipe Haagensen

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, Aaton XTR Prod Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Chicago (2002) 2002 : 75th Academy Awards

2D

Aspect Ratio: 1.85:1

113 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Rob MarshallCinematography by ~ Dion BeebeEdited by ~ Martin WalshWritten by ~ Bill Condon, Bob Fosse, Fred Ebb, Maurine Dallas Watkins
Starring | Renée Zellweger Catherine Zeta-Jones Richard Gere Taye Diggs

Editing System | Avid Editing System, Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

The Pianist (2002) 2002 : 75th Academy Awards

2D

150 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Roman PolanskiCinematography by ~ Pawel EdelmanEdited by ~ Hervé de LuzeWritten by ~ Ronald Harwood, Wladyslaw Szpilman
Starring | Adrien Brody Thomas Kretschmann Frank Finlay Emilia Fox

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Gangs of New York (2002) 2002 : 75th Academy Awards

2D

Aspect Ratio: 2.39:1

167 Minutes

Oscar Nominee: Best Film EditingDirected by ~ Martin ScorseseCinematography by ~ Michael BallhausEdited by ~ Thelma SchoonmakerWritten by ~ Jay Cocks, Jay Cocks, Steven Zaillian, Kenneth Lonergan
Starring | Leonardo DiCaprio Cameron Diaz Daniel Day-Lewis Jim Broadbent

Editing System | Lightworks Editing System

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses