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Oscar Nominee: Best Visual Effects | 104 Titles

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The Hobbit: An Unexpected Journey (2012) 2012 : 85th Academy Awards

3D

Digitally Created 3D, Native 3D

Aspect Ratio: 2.39:1

169 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Peter JacksonCinematography by ~ Andrew LesnieEdited by ~ Jabez OlssenWritten by ~ Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro, J.R.R. Tolkien
Starring | Martin Freeman Ian McKellen Richard Armitage Andy Serkis

Editing System | Avid Editing System

Finishing System | SGO Mistika

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Life of Pi (2012) 2012 : 85th Academy Awards

3D

Aspect Ratio: 1.85:1

127 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Ang LeeCinematography by ~ Claudio MirandaEdited by ~ Tim SquyresWritten by ~ Yann Martel, David Magee
Starring | Suraj Sharma Irrfan Khan Adil Hussain Tabu

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Avengers (2012) 2012 : 85th Academy Awards

3D

Converted 3D

Aspect Ratio: 1.85:1

143 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Joss WhedonCinematography by ~ Seamus McGarveyEdited by ~ Jeffrey Ford, Lisa LassekWritten by ~ Joss Whedon, Zak Penn, Joss Whedon
Starring | Robert Downey Jr. Chris Evans Scarlett Johansson Jeremy Renner

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Panavision Frazier Lenses, Panavision Lenses

Oscar Nominee: Best Visual Effects

Snow White and the Huntsman (2012) 2012 : 85th Academy Awards

2D

Aspect Ratio: 2.39:1

127 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Rupert SandersCinematography by ~ Greig FraserEdited by ~ Conrad Buff IV, Neil SmithWritten by ~ Evan Daugherty, John Lee Hancock, Hossein Amini, Evan Daugherty
Starring | Kristen Stewart Chris Hemsworth Charlize Theron Sam Claflin

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Real Steel (2011) 2011 : 84th Academy Awards

2D

Aspect Ratio: 2.39:1

127 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Shawn LevyCinematography by ~ Mauro FioreEdited by ~ Dean ZimmermanWritten by ~ John Gatins, Dan Gilroy, Jeremy Leven, Richard Matheson
Starring | Hugh Jackman Evangeline Lilly Dakota Goyo Anthony Mackie

Editing System | Avid Editing System

Finishing System | DaVinci Resolve Finishing System

Cameras | Sony CineAlta F35 Camera

Lenses | Cooke Lenses, Cooke S4 Lenses

Oscar Nominee: Best Visual Effects

Transformers: Dark of the Moon (2011) 2011 : 84th Academy Awards

2D, 3D

Aspect Ratio: 2.39:1

154 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Michael BayCinematography by ~ Amir MokriEdited by ~ Roger Barton, William Goldenberg, Joel NegronWritten by ~ Ehren Kruger
Starring | Shia LaBeouf Rosie Huntington-Whiteley Tyrese Gibson Josh Duhamel

Editing System | Avid Editing System

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Harry Potter and the Deathly Hallows: Part 2 (2011) 2011 : 84th Academy Awards

2D, 3D

Converted 3D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ David YatesCinematography by ~ Eduardo SerraEdited by ~ Mark DayWritten by ~ Steve Kloves, J.K. Rowling
Starring | Daniel Radcliffe Emma Watson Rupert Grint Michael Gambon

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Hugo (2011) 2011 : 84th Academy Awards

3D

Aspect Ratio: 1.85:1

126 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Martin ScorseseCinematography by ~ Robert RichardsonEdited by ~ Thelma SchoonmakerWritten by ~ John Logan, Brian Selznick
Starring | Asa Butterfield Chloë Grace Moretz Christopher Lee Ben Kingsley

Editing System | Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Finishing System | Filmlight Baselight Finishing System, Quantel Pablo

Cameras | ARRI ALEXA Camera

Lenses | Cooke 5/i Lenses, Cooke S4 Lenses

Rise of the Planet of the Apes (2011) 2011 : 84th Academy Awards

2D

Aspect Ratio: 2.39:1

105 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Rupert WyattCinematography by ~ Andrew LesnieEdited by ~ Conrad Buff IV, Mark GoldblattWritten by ~ Rick Jaffa, Amanda Silver, Pierre Boulle
Starring | James Franco Andy Serkis Freida Pinto Karin Konoval

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Oscar Nominee: Best Visual Effects

Iron Man 2 (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

124 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Jon FavreauCinematography by ~ Matthew LibatiqueEdited by ~ Dan Lebental, Richard PearsonWritten by ~ Justin Theroux, Stan Lee, Don Heck, Larry Lieber, Jack Kirby
Starring | Robert Downey Jr. Mickey Rourke Gwyneth Paltrow Don Cheadle

Editing System | Avid Editing System

Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Oscar Nominee: Best Visual Effects

Inception (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

148 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Christopher NolanCinematography by ~ Wally PfisterEdited by ~ Lee SmithWritten by ~ Christopher Nolan
Starring | Leonardo DiCaprio Joseph Gordon-Levitt Ellen Page Ken Watanabe

Editing System | Avid Editing System

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera

Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Harry Potter and the Deathly Hallows: Part 1 (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

146 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ David YatesCinematography by ~ Eduardo SerraEdited by ~ Mark DayWritten by ~ Steve Kloves, J.K. Rowling
Starring | Daniel Radcliffe Emma Watson Rupert Grint Bill Nighy

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Hereafter (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

129 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Clint EastwoodCinematography by ~ Tom SternEdited by ~ Joel Cox, Gary RoachWritten by ~ Peter Morgan
Starring | Matt Damon Cécile de France Bryce Dallas Howard Thierry Neuvic

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oscar Nominee: Best Visual Effects

Alice in Wonderland (2010) 2010 : 83rd Academy Awards

3D

Converted 3D

Aspect Ratio: 1.44:1, 1.78:1 (16x9), 1.85:1

108 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Tim BurtonCinematography by ~ Dariusz WolskiEdited by ~ Chris LebenzonWritten by ~ Linda Woolverton, Lewis Carroll
Starring | Mia Wasikowska Johnny Depp Helena Bonham Carter Anne Hathaway

Editing System | Avid Editing System

Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Panavision Primo Anamorphic Lenses

Oscar Winner: Best Costume Design

Star Trek (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 2.39:1

127 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ J.J. AbramsCinematography by ~ Dan MindelEdited by ~ Maryann Brandon, Mary Jo MarkeyWritten by ~ Roberto Orci, Alex Kurtzman, Gene Roddenberry
Starring | Chris Pine Zachary Quinto Simon Pegg Leonard Nimoy

Editing System | Autodesk Smoke Editing System, Avid Editing System

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oscar Winner: Best Makeup

Avatar (2009) 2009 : 82nd Academy Awards

3D

Aspect Ratio: 1.78:1 (16x9), 2.39:1

162 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ James CameronCinematography by ~ Mauro FioreEdited by ~ James Cameron, John Refoua, Stephen E. RivkinWritten by ~ James Cameron
Starring | Sam Worthington Zoe Saldaña Sigourney Weaver

Editing System | Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Finishing System | DaVinci Finishing System, Quantel Pablo

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

District 9 (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.85:1

112 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Neill BlomkampCinematography by ~ Trent OpalochEdited by ~ Julian ClarkeWritten by ~ Neill Blomkamp, Terri Tatchell
Starring | Sharlto Copley David James Jason Cope Nathalie Boltt

Editing System | Adobe Premiere Editing System

Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera

Lenses | Angenieux Lenses, Cooke S4 Lenses

Iron Man (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

126 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Jon FavreauCinematography by ~ Matthew LibatiqueEdited by ~ Dan LebentalWritten by ~ Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway, Stan Lee, Don Heck, Larry Lieber, Jack Kirby
Starring | Robert Downey Jr. Gwyneth Paltrow Terrence Howard Jeff Bridges

Editing System | Avid Editing System, Final Cut Pro Editing System

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

The Dark Knight (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 1.44:1, 2.39:1

152 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ Christopher NolanCinematography by ~ Wally PfisterEdited by ~ Lee SmithWritten by ~ Jonathan Nolan, Christopher Nolan, Christopher Nolan, David S. Goyer, Bob Kane
Starring | Christian Bale Heath Ledger Aaron Eckhart Michael Caine

Editing System | Avid Editing System

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Curious Case of Benjamin Button (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

166 Minutes

Oscar Nominee: Best Visual EffectsDirected by ~ David FincherCinematography by ~ Claudio MirandaEdited by ~ Kirk Baxter, Angus WallWritten by ~ Eric Roth, Eric Roth, Robin Swicord, F. Scott Fitzgerald
Starring | Brad Pitt Cate Blanchett Tilda Swinton Julia Ormond

Editing System | Final Cut Pro Editing System

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses