Contact Lens Painter
Society of the Snow (2023)
Directed by: J.A. Bayona
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Contact Lens Painter
'Stranger Things' Chapter Nine: The Piggyback (2022)
Cinematography by: Caleb Heymann
Contact Lens Painter
'Stranger Things' Chapter Eight: Papa (2022)
Cinematography by: Caleb Heymann
Edited by: Katheryn Naranjo
Contact Lens Painter
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Contact Lens Painter
'Stranger Things' Chapter Three: The Monster and the Superhero (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Contact Lens Painter
'Stranger Things' Chapter One: The Hellfire Club (2022)
Cinematography by: Caleb Heymann
Edited by: Dean Zimmerman
Contact Lens Painter
Resident Evil: Welcome to Raccoon City (2021)
Directed by: Johannes Roberts
Cinematography by: Maxime Alexandre
Edited by: Dev Singh
Lenses: Hawk V-Lite Lenses
Special Effects Contact Lenses
Iron Sky: The Coming Race (2019)
Directed by: Timo Vuorensola
Cinematography by: Mika Orasmaa
Contact Lens Painter
'Mindhunter' Episode #2.5 (2019)
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Contact Lens Painter
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Contact Lens Painter
Shazam! (2019)
Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Contact Lens Painter
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Contact Lens Painter
The Girl in the Spider's Web (2018)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Contact Lens Painter
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Special Effects Contact Lenses
Atomic Blonde (2017)
Directed by: David Leitch
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Contact Lens Painter - 1 Episode, 2019
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Special Effects Contact Lenses
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Contact Lens Painter - 2 Episodes, 2017-2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Special Effects Contact Lenses
Trainwreck (2015)
Directed by: Judd Apatow
Cinematography by: Jody Lee Lipes
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke 5/i Lenses
Special Effects Contact Lenses
Maggie (2015)
Directed by: Henry Hobson
Cinematography by: Lukas Ettlin
Edited by: Jane Rizzo
Special Effects Contact Lenses
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Contact Lenses
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Contact Lens Painter
Follow (2015)
Directed by: Owen Egerton
Cinematography by: Ellie Ann Fenton
Edited by: Sean McQueeney
Cameras: Sony PMW-F55 Camera
Special Effects Contact Lenses - 2012-2014
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Special Effects Contact Lenses - 2012-2014
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Special Effects Contact Lenses - 2012-2014
'Vikings' Paris (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' Scarred (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Special Effects Contact Lenses - 2012-2014
'Vikings' The Usurper (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' Born Again (2015)
Directed by: Helen Shaver
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Special Effects Contact Lenses - 2012-2014
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Special Effects Contact Lenses - 2012-2014
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Special Effects Contact Lenses
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Special Effects Contact Lenses - 2012-2014
'Vikings' The Lord's Prayer (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Special Effects Contact Lenses - 2012-2014
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' Boneless (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Special Effects Contact Lenses - 2012-2014
'Vikings' Blood Eagle (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' Unforgiven (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Special Effects Contact Lenses - 2012-2014
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' Eye for an Eye (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Special Effects Contact Lenses - 2012-2014
'Vikings' Treachery (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses - 2012-2014
'Vikings' Invasion (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Special Effects Contact Lenses - 2012-2014
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Special Effects Contact Lenses
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Special Effects Contact Lenses
Evil Dead (2013)
Directed by: Fede Alvarez
Cinematography by: Aaron Morton
Edited by: Bryan Shaw
Cameras: Sony CineAlta F65 Camera
Special Effects Contact Lenses
Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Special Effects Contact Lenses
Carrie (2013)
Directed by: Kimberly Peirce
Cinematography by: Steve Yedlin
Cameras: ARRI ALEXA Camera
Special Effects Contact Lenses
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Special Effects Contact Lenses
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
Special Effects Contact Lenses - 20 Episodes, 2014-2015
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
![[REC] 3: Genesis | ShotOnWhat?](/images/1649444-small.jpg "Details for [REC] 3: Genesis")
Special Effects Contact Lenses
[REC] 3: Genesis (2012)
Directed by: Paco Plaza
Cinematography by: Pablo Rosso
Edited by: David Gallart
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses
Special Effects Contact Lenses
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Contact Lenses
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Special Effects Contact Lenses
Lockout (2012)
Cinematography by: James Mather
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Special Effects Contact Lenses
Silent Hill: Revelation (2012)
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Contact Lenses
The Impossible (2012)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Lenses: Zeiss Master Prime Lenses
Special Effects Contact Lenses
The Divide (2011)
Directed by: Xavier Gens
Cinematography by: Laurent Barès
Edited by: Carlo Rizzo
Special Effects Contact Lenses
Age of the Dragons (2011)
Directed by: Ryan Little
Edited by: John Lyde
Special Effects Contact Lenses
The Howling: Reborn (2011)
Directed by: Joe Nimziki
Cinematography by: Benoit Beaulieu
Edited by: James Coblentz
Special Effects Contact Lenses
Barney's Version (2010)
Directed by: Richard J. Lewis
Cinematography by: Guy Dufaux
Edited by: Susan Shipton
Cameras: ARRIFLEX Camera
Special Effects Contact Lenses
L'immortel (2010)
Directed by: Richard Berry
Cinematography by: Thomas Hardmeier
Edited by: Camille Delamarre
Special Effects Contact Lenses
Arthur 3: la guerre des deux mondes (2010)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Special Effects Contact Lenses
The Dead Matter (2010)
Directed by: Edward Douglas
Cinematography by: Alex Esber
Special Effects Contact Lenses
Undisputed 3: Redemption (2010)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Special Effects Contact Lenses
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Contact Lenses
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Special Effects Contact Lenses
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Special Effects Contact Lenses
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Special Effects Contact Lenses
Dadnapped (2009)
Directed by: Paul Hoen
Cinematography by: David A. Makin
Edited by: Terry Stokes
Special Effects Contact Lenses
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Special Effects Contact Lenses
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Special Effects Contact Lenses
The Tomb (2009)
Directed by: Michael Staininger
Cinematography by: Chris Benson
![[Rec] 2 | ShotOnWhat?](/images/1245112-small.jpg "Details for [Rec] 2")
Special Effects Contact Lenses
[Rec] 2 (2009)
Cinematography by: Pablo Rosso
Edited by: David Gallart
Cameras: Panasonic Cameras, Sony HDW-750 Camera
Lenses: Canon HJ11ex4.7B 4.7-52 mm f1.9
Special Effects Contact Lenses
Agora (2009)
Directed by: Alejandro Amenábar
Cinematography by: Xavi Giménez
Edited by: Nacho Ruiz Capillas
Special Effects Contact Lenses
La horde (2009)
Cinematography by: Julien Meurice
Edited by: Dimitri Amar
Special Effects Contact Lenses
Blood: The Last Vampire (2009)
Directed by: Chris Nahon
Cinematography by: Hang-Sang Poon
Edited by: Marco Cavé
Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Special Effects Contact Lenses
Living Hell (2008)
Directed by: Richard Jefferies
Cinematography by: Eric Leach
Edited by: Russell Denove
Cameras: Panavision Cameras
Editing System: Final Cut Pro Editing System
Special Effects Contact Lenses
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Special Effects Contact Lenses
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Special Effects Contact Lenses
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Special Effects Contact Lenses
The Burrowers (2008)
Directed by: J.T. Petty
Cinematography by: Phil Parmet
Cameras: Panavision Cameras
Special Effects Contact Lenses
Transporter 3 (2008)
Directed by: Olivier Megaton
Cinematography by: Giovanni Fiore Coltellacci
Lenses: Cooke S4 Lenses
Special Effects Contact Lenses
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Special Effects Contact Lenses
The Rage (2007)
Directed by: Robert Kurtzman
Cinematography by: Robert Kurtzman
Edited by: Andrew Sagar
Special Effects Contact Lenses
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Special Effects Contact Lenses
Los cronocrímenes (2007)
Directed by: Nacho Vigalondo
Cinematography by: Flavio Martínez Labiano
Edited by: José Luis Romeu
Special Effects Contact Lenses
The Ferryman (2007)
Directed by: Chris Graham
Cinematography by: Aaron Morton
Edited by: Nigel Galt
Special Effects Contact Lenses
Jack Brooks: Monster Slayer (2007)
Directed by: Jon Knautz
Cinematography by: Joshua Allen
Edited by: Matthew Brulotte
Special Effects Contact Lenses
Pumpkinhead: Blood Feud (2007)
Directed by: Michael Hurst
Cinematography by: Erik Wilson
Edited by: Robin Hill
Special Effects Contact Lenses
Tooth and Nail (2007)
Directed by: Mark Young
Cinematography by: Gregg Easterbrook
Edited by: Mark Young
Special Effects Contact Lenses
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Special Effects Contact Lenses
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Special Effects Contact Lenses
Incubus (2006)
Directed by: Anya Camilleri
Cinematography by: John Lynch
Edited by: Andy McGraw
Special Effects Contact Lenses
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Special Effects Contact Lenses
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Special Effects Contact Lenses
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Special Effects Contact Lenses
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Special Effects Contact Lenses
Hellraiser: Hellworld (2005)
Directed by: Rick Bota
Cinematography by: Gabriel Kosuth
Edited by: Anthony Adler
Special Effects Contact Lenses
Because of Winn-Dixie (2005)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Special Effects Contact Lenses
Hellraiser: Deader (2005)
Directed by: Rick Bota
Cinematography by: Vivi Dragan Vasile
Edited by: Anthony Adler
Special Effects Contact Lenses
Hellraiser: Hellseeker (2002)
Directed by: Rick Bota
Cinematography by: John Drake
Special Effects Contact Lenses
Book of Shadows: Blair Witch 2 (2000)
Directed by: Joe Berlinger
Cinematography by: Nancy Schreiber
