Special Effects Foreman
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Special Effects Foreman
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Special Effects Technician
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Special Effects Technician: Pyrotechnics
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Special Effects
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Pyrotechnician
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Pyrotechnician
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Special Effects Technician: Hawaii
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Special Effects Foreman: Pyrotechnics
S.W.A.T.: Firefight (2011)
Directed by: Benny Boom
Cinematography by: Don Davis
Cameras: Sony CineAlta F35 Camera
Special Effects
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Special Effects Technician
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Technician
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Technician
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Pyrotechnician
Pineapple Express (2008)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Special Effects Technician
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Crew / Special Effects
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Special Effects Set Foreman
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Special Effects Crew
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Special Effects Technician
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Pyrotechnician
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Special Effects Set Coordinator
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Technician
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Special Effects Crew
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Special Effects Technician
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Pyrotechnician
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Special Effects Crew
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects
Blue Streak (1999)
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Special Effects: F/X Concepts, Inc.
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Pyrotechnic / Pyrotechnician
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Special Effects Technician
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Set Coordinator
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Special Effects Technician
Last Man Standing (1996)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Special Effects Foreman
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Special Effects Technician
Money Train (1995)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Special Effects Technician
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Special Effects
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Special Effects Pyrotechnics
Ed and His Dead Mother (1993)
Directed by: Jonathan Wacks
Cinematography by: Francis Kenny
Edited by: Lisa Day
Mechanical Coordinator
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Special Effects Technician
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Special Effects Technician
Teenage Mutant Ninja Turtles III (1993)
Directed by: Stuart Gillard
Cinematography by: David Gurfinkel
Special Effects Assistant
Encino Man (1992)
Directed by: Les Mayfield
Cinematography by: Robert Brinkmann
Special Effects Technician
Defending Your Life (1991)
Directed by: Albert Brooks
Cinematography by: Allen Daviau
Edited by: David Finfer
Special Effects Crew
Child's Play 3 (1991)
Directed by: Jack Bender
Cinematography by: John R. Leonetti
Special Effects Technician
Misery (1990)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Special Effects
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Special Effects Technician
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Special Effects
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Special Effects Crew
Throw Momma from the Train (1987)
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Special Effects
A Fine Mess (1986)
Directed by: Blake Edwards
Cinematography by: Harry Stradling Jr.
Cameras: Panavision Panaflex Gold Camera
Mechanical Effects
Baby: Secret of the Lost Legend (1985)
Directed by: Bill Norton
Cinematography by: John Alcott
Cameras: ARRI Cameras
Special Effects Technician
Cannonball Run II (1984)
Directed by: Hal Needham
Cinematography by: Nick McLean
Special Effects Technician
Firestarter (1984)
Directed by: Mark L. Lester
Cinematography by: Giuseppe Ruzzolini
Special Effects Crew / Special Effects
Something Wicked This Way Comes (1983)
Directed by: Jack Clayton
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Special Effects Crew
Twilight Zone: The Movie (1983)
Special Effects Technician
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Gold Camera
Special Effects Technician
Under the Rainbow (1981)
Directed by: Steve Rash
Cinematography by: Frank Stanley
Edited by: David E. Blewitt
Special Effects Technician
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Special Effects Technician
The Last Flight of Noah's Ark (1980)
Directed by: Charles Jarrott
Cinematography by: Charles F. Wheeler
Edited by: Gordon D. Brenner
Cameras: Panavision Cameras
