Special Effects Foreman
'Modern Family' A Year of Birthdays (2019)
Directed by: Steven Levitan
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' A Moving Day (2019)
Directed by: Iwona Kanclerz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' Blasts from the Past (2019)
Directed by: Fred Savage
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Foreman
'Modern Family' Whanex? (2019)
Directed by: Elaine Ko
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Foreman
'Modern Family' We Need to Talk About Lily (2019)
Directed by: Abraham Higginbotham
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' SuperShowerBabyBowl (2019)
Directed by: Helena Lamb
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Foreman
'Modern Family' Red Alert (2019)
Directed by: Julie Bowen
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' Stand by Your Man (2019)
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' The Wild (2019)
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Edited by: Giselle Murillo
Special Effects Foreman
'Modern Family' Can't Elope (2019)
Directed by: Jeffrey Walker
Cinematography by: James R. Bagdonas
Special Effects Foreman
'Modern Family' Commencement (2019)
Directed by: Eric Dean Seaton
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Technician
'Modern Family' Royal Visit (2018)
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Technician
'Modern Family' Dear Beloved Family (2018)
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Technician
'Modern Family' Spanks for the Memories (2018)
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Special Effects Technician
'Modern Family' Written in the Stars (2018)
Directed by: Jaffar Mahmood
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Technician
'Modern Family' In Your Head (2018)
Directed by: Steven Levitan
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Technician
'Modern Family' He Said, She Shed (2018)
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Technician
'Modern Family' Wine Weekend (2018)
Directed by: Beth McCarthy-Miller
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Technician
'Modern Family' Daddy Issues (2018)
Directed by: Chris Koch
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Technician
'Modern Family' CHiPs and Salsa (2018)
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Technician
'Modern Family' Clash of Swords (2018)
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Technician
'Modern Family' The Escape (2018)
Directed by: Steven Levitan
Cinematography by: James R. Bagdonas
Edited by: Giselle Murillo
Special Effects Technician
'Modern Family' Mother! (2018)
Directed by: Eric Dean Seaton
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' The Graduates (2017)
Directed by: Steven Levitan
Edited by: Tony Orcena
Special Effects Foreman
'Modern Family' Sarge & Pea (2017)
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' Do You Believe in Magic (2017)
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' Do It Yourself (2017)
Directed by: Jeffrey Walker
Cinematography by: James R. Bagdonas
Edited by: Tony Orcena
Special Effects Foreman
'Modern Family' Heavy Is the Head (2017)
Directed by: Ken Whittingham
Cinematography by: James R. Bagdonas
Edited by: Tony Orcena
Special Effects Foreman
'Modern Family' Finding Fizbo (2017)
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Edited by: Tony Orcena
Special Effects Foreman
'Modern Family' Pig Moon Rising (2017)
Directed by: Chris Koch
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' Basketball (2017)
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' Five Minutes (2017)
Directed by: Gail Mancuso
Cinematography by: James R. Bagdonas
Edited by: Tony Orcena
Special Effects Foreman
'Modern Family' Frank's Wedding (2017)
Directed by: Beth McCarthy-Miller
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' All Things Being Equal (2017)
Directed by: Michelle MacLaren
Edited by: Tony Orcena
Special Effects Foreman
'Modern Family' Alone Time (2017)
Directed by: James Alan Hensz
Edited by: Christian Miglio
Special Effects Foreman
'Modern Family' Ringmaster Keifth (2017)
Directed by: James Alan Hensz
Cinematography by: James R. Bagdonas
Edited by: Christian Miglio
Special Effects Foreman / Special Effects Technician
'Modern Family' Lake Life (2017)
Directed by: James R. Bagdonas
Cinematography by: Hugo Cortina
Edited by: Giselle Murillo
Special Effects Foreman / Special Effects Technician
'Modern Family' The Long Goodbye (2017)
Directed by: James Alan Hensz
Edited by: Christian Miglio
Special Effects Foreman / Special Effects Technician
'Modern Family' Catch of the Day (2017)
Directed by: Fred Savage
Edited by: Giselle Murillo
Special Effects Foreman / Special Effects Technician
'Modern Family' Sex, Lies & Kickball (2017)
Directed by: John Riggi
Edited by: Giselle Murillo
Special Effects Foreman / Special Effects Technician
'Modern Family' It's the Great Pumpkin, Phil Dunphy (2017)
Directed by: Beth McCarthy-Miller
Edited by: Christian Miglio
Special Effects Foreman / Special Effects Technician
'Modern Family' Ten Years Later (2017)
Directed by: Fred Savage
Edited by: Christian Miglio
Special Effects Foreman / Special Effects Technician
'Modern Family' Winner Winner Turkey Dinner (2017)
Directed by: Beth McCarthy-Miller
Edited by: Christian Miglio
Special Effects Foreman / Special Effects Technician
'Modern Family' Brushes with Celebrity (2017)
Directed by: Jeffrey Walker
Edited by: Giselle Murillo
Special Effects Foreman / Special Effects Technician
'Modern Family' Tough Love (2017)
Directed by: John Riggi
Edited by: Christian Miglio
Special Effects Foreman / Special Effects Technician
'Modern Family' No Small Feet (2017)
Directed by: James R. Bagdonas
Edited by: Giselle Murillo
Gang Boss
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Special Effects Technician
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Special Effects Foreman
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Special Effects Foreman
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Special Effects Coordinator
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Special Effects Technician
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Pyrotechnician
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Special Effects Technician
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Special Effects Technician
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Propshop Technician
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Special Effects Foreman
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Assistant / Special Effects Foreman
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Special Effects Technician: Brazil
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Technician
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Special Effects Foreman / Special Effects Technician - 47 Episodes, 2017-2019
Modern Family (2009)
Directed by: Gail Mancuso, Steven Levitan, Michael Spiller, Beth McCarthy-Miller, Jason Winer, James R. Bagdonas, James Alan Hensz, Fred Savage, Chris Koch, Jeffrey Walker, Ryan Case, Alisa Statman, Eric Dean Seaton, Scott Ellis, Reginald Hudlin, Randall Einhorn, Bryan Cranston, Ken Whittingham, John Riggi, Julie Bowen, Abraham Higginbotham, Iwona Kanclerz, Helena Lamb, Seth Gordon, Kevin Rodney Sullivan, Dean Parisot, Adam Shankman, Jeff Melman, Fred Goss, Lev L. Spiro, Claire Scanlon, Phil Traill, Michelle MacLaren, Kat Coiro, Jaffar Mahmood, Elaine Ko
Edited by: Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Special Effects Foreperson: Second Unit
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Technician
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Foreman
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Special Effects Technician
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Special Effects Foreman
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
On-set Special Effects: Bahamas
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects On-set Technician
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Special Effects
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Special Effects Technician
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Special Effects
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Special Effects Technician
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Special Effects Technician
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Special Effects Technician
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Special Effects Assistant / Special Effects Technician
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Special Effects Technician
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
