George Chavez

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Captain America: The Winter Soldier | ShotOnWhat?

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Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

The Homesman | ShotOnWhat?

Lab Color Timer: Deluxe

The Homesman (2014)

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

The Grand Budapest Hotel | ShotOnWhat?

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The Grand Budapest Hotel (2014)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Editing System: Avid Editing System

Divergent | ShotOnWhat?

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Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Noah | ShotOnWhat?

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Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Need for Speed | ShotOnWhat?

Color Timer

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Iron Man Three | ShotOnWhat?

Thor: The Dark World | ShotOnWhat?

Color Timer

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Grown Ups 2 | ShotOnWhat?

Color Timer

Grown Ups 2 (2013)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Prisoners | ShotOnWhat?

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Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Heat | ShotOnWhat?

Color Timer

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Pacific Rim | ShotOnWhat?

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Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

August: Osage County | ShotOnWhat?

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August: Osage County (2013)

Directed by: John Wells

Cinematography by: Adriano Goldman

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Wanderlust | ShotOnWhat?

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Wanderlust (2012)

Directed by: David Wain

Cinematography by: Michael Bonvillain

Edited by: David Moritz, Robert Nassau

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Hitchcock | ShotOnWhat?

Color Timer

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

That's My Boy | ShotOnWhat?

Color Timer

That's My Boy (2012)

Directed by: Sean Anders

Cinematography by: Brandon Trost

Edited by: Tom Costain

End of Watch | ShotOnWhat?

Lab Color Timer

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Argo | ShotOnWhat?

Color Timer

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Mud | ShotOnWhat?

Color Timer

Mud (2012)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Casa de mi Padre | ShotOnWhat?

Color Timer

Casa de mi Padre (2012)

Directed by: Matt Piedmont

Cinematography by: Ramsey Nickell

Edited by: David Trachtenberg

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

50/50 | ShotOnWhat?

Color Timer: Deluxe

50/50 (2011)

Directed by: Jonathan Levine

Cinematography by: Terry Stacey

Edited by: Zene Baker

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Jumping the Broom | ShotOnWhat?

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Jumping the Broom (2011)

Directed by: Salim Akil

Cinematography by: Anastas N. Michos

Edited by: Terilyn A. Shropshire

Cameras: Sony CineAlta F35 Camera

Larry Crowne | ShotOnWhat?

Color Timer

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Just Go with It | ShotOnWhat?

Color Timer

Just Go with It (2011)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Spy Kids: All the Time in the World in 4D | ShotOnWhat?

Color Timer

Spy Kids 4: All the Time in the World (2011)

Directed by: Robert Rodriguez

Cinematography by: Jimmy Lindsey, Robert Rodriguez

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses

In Time | ShotOnWhat?

Color Timer

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Rise of the Planet of the Apes | ShotOnWhat?

Color Timer

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Dilemma | ShotOnWhat?

Color Timer

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dream House | ShotOnWhat?

Color Timer

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Water for Elephants | ShotOnWhat?

Color Timer

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Change-Up | ShotOnWhat?

Color Timer

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Moneyball | ShotOnWhat?

Color Timer

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

We Bought a Zoo | ShotOnWhat?

Color Timer

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Secretariat | ShotOnWhat?

Color Timer

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

True Grit | ShotOnWhat?

Color Timer

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Wall Street: Money Never Sleeps | ShotOnWhat?

Color Timer

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

London Boulevard | ShotOnWhat?

Color Timer: Deluxe

London Boulevard (2010)

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Step Up 3D | ShotOnWhat?

Color Timer

Step Up 3D (2010)

Directed by: Jon M. Chu

Cinematography by: Ken Seng

Edited by: Andrew Marcus

Cameras: Sony CineAlta F23 Camera

Machete | ShotOnWhat?

Color Timer

Machete (2010)

Directed by: Ethan Maniquis, Robert Rodriguez

Cinematography by: Jimmy Lindsey

Edited by: Rebecca Rodriguez, Robert Rodriguez

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

Date Night | ShotOnWhat?

Color Timer

Date Night (2010)

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

The Company Men | ShotOnWhat?

Color Timer

The Company Men (2010)

Directed by: John Wells

Cinematography by: Roger Deakins

Edited by: Robert Frazen

Grown Ups | ShotOnWhat?

Color Timer

Grown Ups (2010)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

When in Rome | ShotOnWhat?

Color Timer

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Predators | ShotOnWhat?

Color Timer

Predators (2010)

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Jennifer's Body | ShotOnWhat?

Lab Color Timer

Jennifer's Body (2009)

Directed by: Karyn Kusama

Cinematography by: M. David Mullen

Edited by: Plummy Tucker

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses

Film Color Timer

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

State of Play | ShotOnWhat?

Color Timer

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mother and Child | ShotOnWhat?

Color Timer

Mother and Child (2009)

Directed by: Rodrigo García

Cinematography by: Xavier Grobet

Edited by: Steven Weisberg

A Serious Man | ShotOnWhat?

Color Timer

A Serious Man (2009)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Race to Witch Mountain | ShotOnWhat?

Color Timer

Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

X-Men Origins: Wolverine | ShotOnWhat?

Color Timer

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

I Love You, Man | ShotOnWhat?

Color Timer

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Prom Night | ShotOnWhat?

Color Timer

Prom Night (2008)

Directed by: Nelson McCormick

Cinematography by: Checco Varese

Edited by: Jason Ballantine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

College Road Trip | ShotOnWhat?

Color Timer

College Road Trip (2008)

Directed by: Roger Kumble

Cinematography by: Theo van de Sande

Edited by: Roger Bondelli

High School Musical 3: Senior Year | ShotOnWhat?

Color Timer

High School Musical 3: Senior Year (2008)

Directed by: Kenny Ortega

Cinematography by: Daniel Aranyó

Edited by: Don Brochu

Swing Vote | ShotOnWhat?

Color Timer

Swing Vote (2008)

Directed by: Joshua Michael Stern

Cinematography by: Shane Hurlbut

Edited by: Jeff McEvoy

Doubt | ShotOnWhat?

Color Timer

Doubt (2008)

Directed by: John Patrick Shanley

Cinematography by: Roger Deakins

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Revolutionary Road | ShotOnWhat?

Color Timer

Revolutionary Road (2008)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Thomas Kinkade's Christmas Cottage | ShotOnWhat?

Color Timer

Thomas Kinkade's Christmas Cottage (2008)

Directed by: Michael Campus

Cinematography by: Robert Brinkmann

Edited by: Don Brochu

Gardens of the Night | ShotOnWhat?

Color Timer

Gardens of the Night (2008)

Directed by: Damian Harris

Cinematography by: Paula Huidobro

Edited by: Michal Shemesh

You Don't Mess with the Zohan | ShotOnWhat?

Color Timer

You Don't Mess with the Zohan (2008)

Directed by: Dennis Dugan

Cinematography by: Michael Barrett

Edited by: Tom Costain

Cameras: Panavision Genesis Camera

City of Ember | ShotOnWhat?

Color Timer

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Bordertown | ShotOnWhat?

Color Timer

Bordertown (2007)

Directed by: Gregory Nava

Cinematography by: Reynaldo Villalobos

Edited by: Padraic McKinley

The Seeker: The Dark Is Rising | ShotOnWhat?

Color Timer

The Seeker: The Dark Is Rising (2007)

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Color Timer

I Now Pronounce You Chuck & Larry (2007)

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Lars and the Real Girl | ShotOnWhat?

Color Timer

Lars and the Real Girl (2007)

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Flock | ShotOnWhat?

Color Timer

The Flock (2007)

Directed by: Andrew Lau Wai-Keung

Cinematography by: Enrique Chediak

Edited by: Tracy Adams, Martin Hunter

Rendition | ShotOnWhat?

Color Timer

Rendition (2007)

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Lust, Caution | ShotOnWhat?

Color Timer

Lust, Caution (2007)

Directed by: Ang Lee

Cinematography by: Rodrigo Prieto

Edited by: Tim Squyres

Perfect Creature | ShotOnWhat?

Color Timer

Perfect Creature (2006)

Directed by: Glenn Standring

Cinematography by: Leon Narbey

Edited by: Chris Blunden

First Snow | ShotOnWhat?

Color Timer

First Snow (2006)

Directed by: Mark Fergus

Cinematography by: Eric Alan Edwards

Edited by: Jay Cassidy

Nacho Libre | ShotOnWhat?

Color Timer

Nacho Libre (2006)

Directed by: Jared Hess

Cinematography by: Xavier Grobet

Edited by: Billy Weber

Let's Go to Prison | ShotOnWhat?

Color Timer

Let's Go to Prison (2006)

Directed by: Bob Odenkirk

Cinematography by: Ramsey Nickell

Edited by: Eric L. Beason, Dennis Thorlaksen

The Oh in Ohio | ShotOnWhat?

Color Timer

The Oh in Ohio (2006)

Directed by: Billy Kent

Cinematography by: Ramsey Nickell

Edited by: Paul Bertino, Michael R. Miller

Tsotsi | ShotOnWhat?

Color Timer

Tsotsi (2005)

Directed by: Gavin Hood

Cinematography by: Lance Gewer

Edited by: Megan Gill

Cameras: Moviecam Compact Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Variable Prime Lenses

Nanny McPhee | ShotOnWhat?

Color Timer

Nanny McPhee (2005)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Justin Krish, Nick Moore

Pretty Persuasion | ShotOnWhat?

Color Timer

Pretty Persuasion (2005)

Directed by: Marcos Siega

Cinematography by: Ramsey Nickell

Edited by: Nicholas Erasmus

Cameras: Panavision Cameras

A Little Trip to Heaven | ShotOnWhat?

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A Little Trip to Heaven (2005)

Directed by: Baltasar Kormákur

Cinematography by: Óttar Guðnason

Edited by: Virginia Katz, Richard Pearson

Napoleon Dynamite | ShotOnWhat?

Color Timer

Napoleon Dynamite (2004)

Directed by: Jared Hess

Cinematography by: Munn Powell

Edited by: Jeremy Coon

Cameras: Panavision Cameras

Editing System: Final Cut Pro Editing System

El padrino | ShotOnWhat?

Color Timer

El padrino (2004)

Directed by: Damian Chapa

Cinematography by: Pierre Chemaly

Edited by: Glenn Garland

Cameras: ARRI Cameras

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