Still Photographer
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Still Photographer
'Mindhunter' Episode #2.1 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Still Photographer
'Mindhunter' Episode #2.2 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Still Photographer
'Mindhunter' Episode #2.3 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Still Photographer
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Still Photographer
'Mindhunter' Episode #1.6 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Still Photographer - 9 Episodes, 2017-2019
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Still Photographer
'Mindhunter' Episode #1.5 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Still Photographer
'Mindhunter' Episode #1.2 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Still Photographer
'Mindhunter' Episode #1.3 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Still Photographer
'Mindhunter' Episode #1.4 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Still Photographer
'Mindhunter' Episode #1.1 (2017)
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Still Photographer
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Jon Gregory
Cameras: ARRI ALEXA XT Series Cameras
Additional Still Photographer
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Still Photographer - 1 Episode, 2015
Bloodline (2015)
Directed by: Mikael Håfström, Todd A. Kessler, Ed Bianchi, Michael Morris, Jean de Segonzac, Johan Renck, Daniel Zelman, Mario Van Peebles, Daniel Attias, Adam Bernstein, Simon Cellan Jones, Tate Donovan, Carl Franklin, Alex Graves, Dennie Gordon, Stephen Williams, Michael Apted, David Manson
Edited by: Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget
Cameras: Sony PMW-F55 Camera
Still Photographer
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Still Photographer
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Still Photographer
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Still Photographer
The Bling Ring (2013)
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Still Photographer
Ruby Sparks (2012)
Cinematography by: Matthew Libatique
Edited by: Pamela Martin
Lenses: Cooke Speed Panchro Lenses
Still Photographer
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Still Photographer
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Still Photographer
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Still Photographer
Somewhere (2010)
Directed by: Sofia Coppola
Cinematography by: Harris Savides
Edited by: Sarah Flack
Still Photographer
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Still Photographer
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Still Photographer
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Still Photographer
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Still Photographer
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Still Photographer
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Still Photographer
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Still Photographer
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Still Photographer: Los Angeles
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Still Photographer
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Still Photographer
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Still Photographer
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Still Photographer
Down in the Valley (2005)
Directed by: David Jacobson
Cinematography by: Enrique Chediak
Still Photographer
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Still Photographer
A Man Apart (2003)
Directed by: F. Gary Gray
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Still Photographer
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Still Photographer
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Special Still Photographer
The Four Feathers (2002)
Directed by: Shekhar Kapur
Cinematography by: Robert Richardson
Edited by: Steven Rosenblum
Still Photographer
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Special Still Photographer
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Still Photographer
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Still Photographer
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Still Photographer
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Still Photographer
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Still Photographer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Still Photographer
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Still Photographer
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Still Photographer
Out of Sight (1998)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Still Photographer
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Still Photographer
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Still Photographer
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Still Photographer
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Still Photographer
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Still Photographer
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Still Photographer
Bad Girls (1994)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Still Photographer
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Still Photographer
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Still Photographer
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Still Photographer
Misery (1990)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Still Photographer
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Special Still Photographer
Mississippi Burning (1988)
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Cameras: Panavision Panaflex Gold Camera
