Marco Alicea

62 Titles

Is this you? Add a Profile

Supervising Assistant , Supervising Sound Assistant

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Top Gun: Maverick | ShotOnWhat?

Assistant Sound Effects Editor: Skywalker Sound

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Knives Out | ShotOnWhat?

Assistant Sound Editor

Knives Out (2019)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Avengers: Infinity War | ShotOnWhat?

Assistant Sound Editor

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Mummy | ShotOnWhat?

Audio/video Transfer

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Book of Henry | ShotOnWhat?

Audio/video Transfer

The Book of Henry (2017)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Audio/video Transfer

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Secret Life of Pets | ShotOnWhat?

Audio/video Transfer

The Secret Life of Pets (2016)

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Rogue One: A Star Wars Story | ShotOnWhat?

Audio/video Transfer

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

Racing Extinction | ShotOnWhat?

Audio/video Transfer

Racing Extinction (2015)

Directed by: Louie Psihoyos

Cinematography by: John Behrens, Shawn Heinrichs, Sean Kirby, Petr Stepanek

Edited by: Geoffrey Richman, Lyman Smith, Jason Zeldes

Creed | ShotOnWhat?

Audio/video Transfer

Creed (2015)

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Inside Out | ShotOnWhat?

Audio/video Transfer

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Guardians of the Galaxy | ShotOnWhat?

Audio/video Transfer

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Rio 2 | ShotOnWhat?

Digital Transfer

Rio 2 (2014)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Don Jon | ShotOnWhat?

Digital Audio Transfer

Don Jon (2013)

Directed by: Joseph Gordon-Levitt

Cinematography by: Thomas Kloss

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Oblivion | ShotOnWhat?

Digital Transfer

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

A River Changes Course | ShotOnWhat?

Digital Transfer

A River Changes Course (2013)

Directed by: Kalyanee Mam

Cinematography by: Kalyanee Mam

Edited by: Chris Brown

Cameras: Canon EOS-5D Mark II Camera

Fruitvale Station | ShotOnWhat?

Digital Audio And Video Transfer

Fruitvale Station (2013)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Ultra 16 Lenses

Epic | ShotOnWhat?

Digital Audio Transfer

Epic (2013)

Directed by: Chris Wedge

Cinematography by: Renato Falcão

Edited by: Andy Keir

Despicable Me 2 | ShotOnWhat?

Digital Audio Transfer

Despicable Me 2 (2013)

Directed by: Pierre Coffin, Chris Renaud

Edited by: Gregory Perler

The Bling Ring | ShotOnWhat?

Digital Transfer

The Bling Ring (2013)

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

Prince Avalanche | ShotOnWhat?

Digital Transfer

Prince Avalanche (2013)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Colin Patton

Cameras: ARRI ALEXA Camera

Lenses: Bausch & Lomb Super Baltar Lenses

Kaze tachinu | ShotOnWhat?

Adr Recordist - English Version

Kaze tachinu (2013)

Directed by: Hayao Miyazaki

Cinematography by: Atsushi Okui

Edited by: Takeshi Seyama

How to Survive a Plague | ShotOnWhat?

Digital Audio Transfer

How to Survive a Plague (2012)

Directed by: David France

Cinematography by: Derek Wiesehahn

Edited by: Woody Richman, Tyler H. Walk

Madagascar 3: Europe's Most Wanted | ShotOnWhat?

Digital Audio Transfer

Madagascar 3: Europe's Most Wanted (2012)

Directed by: Eric Darnell, Tom McGrath, Conrad Vernon

Edited by: Nick Fletcher

Editing System: Avid Editing System

LUV | ShotOnWhat?

Digital Audio Transfer

LUV (2012)

Directed by: Sheldon Candis

Cinematography by: Gavin Kelly

Edited by: Jeff Wishengrad

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses

Flight | ShotOnWhat?

Digital Transfer

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Lincoln | ShotOnWhat?

Digital Audio Transfer

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Ice Age: Continental Drift | ShotOnWhat?

Digital Transfer

Ice Age: Continental Drift (2012)

Directed by: Steve Martino, Mike Thurmeier

Cinematography by: Renato Falcão

Edited by: Christopher Campbell, James Palumbo, David Ian Salter

The Lorax | ShotOnWhat?

Digital Transfer

The Lorax (2012)

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Brave | ShotOnWhat?

Digital Audio Transfer

Brave (2012)

Directed by: Mark Andrews, Brenda Chapman, Steve Purcell

Edited by: Nicholas C. Smith

People Like Us | ShotOnWhat?

Digital Audio Transfer

People Like Us (2012)

Directed by: Alex Kurtzman

Cinematography by: Salvatore Totino

Edited by: Robert Leighton

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

ParaNorman | ShotOnWhat?

Digital Audio Transfer

ParaNorman (2012)

Directed by: Chris Butler, Sam Fell

Cinematography by: Tristan Oliver

Edited by: Christopher Murrie

Cameras: Canon EOS-5D Mark II Camera

Lenses: Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Mud | ShotOnWhat?

Digital Audio Transfer

Mud (2012)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Beasts of the Southern Wild | ShotOnWhat?

Digital Audio Transfer

Beasts of the Southern Wild (2012)

Directed by: Benh Zeitlin

Cinematography by: Ben Richardson

Edited by: Crockett Doob, Affonso Gonçalves

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Super Speed Lenses

Editing System: Avid Editing System

John Carter | ShotOnWhat?

Digital Audio Transfer

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

The Master | ShotOnWhat?

Digital Audio Transfer

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

Jack & Diane | ShotOnWhat?

Digital Audio Transfer

Jack & Diane (2012)

Directed by: Bradley Rust Gray

Cinematography by: Anne Misawa

Edited by: Bradley Rust Gray, So Yong Kim

The Odd Life of Timothy Green | ShotOnWhat?

Digital Audio Transfer

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Beaver | ShotOnWhat?

Digital Transfer

The Beaver (2011)

Directed by: Jodie Foster

Cinematography by: Hagen Bogdanski

Edited by: Lynzee Klingman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses

Machine Gun Preacher | ShotOnWhat?

Digital Audio Transfer

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

Cowboys & Aliens | ShotOnWhat?

Digital Audio Transfer

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Drive Angry | ShotOnWhat?

Digital Audio Services

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Rio | ShotOnWhat?

Audio Transfer

Rio (2011)

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Thin Ice | ShotOnWhat?

Digital Transfer

Thin Ice (2011)

Directed by: Jill Sprecher

Cinematography by: Dick Pope

Edited by: Lee Percy

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Digital Transfer

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Take Shelter | ShotOnWhat?

Digital Audio Services

Take Shelter (2011)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Parke Gregg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

War Horse | ShotOnWhat?

Digital Audio Transfer

War Horse (2011)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Digital Transfer

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

The Extra Man | ShotOnWhat?

Digital Transfer

The Extra Man (2010)

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Terry Stacey

Edited by: Robert Pulcini

Skateland | ShotOnWhat?

Digital Transfer

Skateland (2010)

Directed by: Anthony Burns

Cinematography by: Peter Simonite

Edited by: Robert Hoffman

The Conspirator | ShotOnWhat?

Digital Transfer

The Conspirator (2010)

Directed by: Robert Redford

Cinematography by: Newton Thomas Sigel

Edited by: Craig McKay

TRON | ShotOnWhat?

Digital Transfer

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Let Me In | ShotOnWhat?

Digital Transfer

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Coraline | ShotOnWhat?

Digital Transfer

Coraline (2009)

Directed by: Henry Selick

Cinematography by: Pete Kozachik

Edited by: Christopher Murrie, Ronald Sanders

Cameras: Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Editing System: Avid Editing System

Leaves of Grass | ShotOnWhat?

Digital Transfer

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

My Bloody Valentine | ShotOnWhat?

Digital Transfer

My Bloody Valentine (2009)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Cynthia Ludwig, Patrick Lussier

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Whip It | ShotOnWhat?

Digital Transfer

Whip It (2009)

Directed by: Drew Barrymore

Cinematography by: Robert D. Yeoman

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Digital Transfer

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Océans | ShotOnWhat?

Digital Transfer

Océans (2009)

Directed by: Jacques Perrin, Jacques Cluzaud

Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli

Edited by: Ellen Keneshea, Catherine Mauchain, Gregory F. Plotts, John Damien Ryan, Vincent Schmitt

Brief Interviews with Hideous Men | ShotOnWhat?

Digital Transfer

Brief Interviews with Hideous Men (2009)

Directed by: John Krasinski

Cinematography by: John Bailey

Edited by: Zene Baker, Rich Fox

Cameras: Panavision Panaflex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Redwoods | ShotOnWhat?

Digital Transfer

Redwoods (2009)

Directed by: David Lewis

Cinematography by: Joe Rivera

Edited by: Mathias Hilger

©2012 - 2025 ShotOnWhat?

20254.20