Oliver Ward

40 Titles

Is this you? Add a Profile

"The Grand Tour" The Holy Trinity | ShotOnWhat?

Aerial Camera Operator

'The Grand Tour' The Holy Trinity (2016)

Television Episode

Directed by: Phil Churchward

Cinematography by: Ben Joiner

Edited by: Chris Denton, James Hart, Dan James

"The Grand Tour" Operation Desert Stumble | ShotOnWhat?

Specialist Camera

'The Grand Tour' Operation Desert Stumble (2016)

Television Episode

Directed by: Kit Lynch Robinson, Phil Churchward

Cinematography by: Ben Joiner

Edited by: Chris Denton, Dan James

The Grand Tour | ShotOnWhat?

Aerial Camera Operator / Specialist Camera - 2 Episodes, 2016

The Grand Tour (2016)

Television Series

Directed by: Kit Lynch Robinson, Phil Churchward, Brian Klein, Gavin Whitehead

Cinematography by: Ben Joiner, Steve Lidgerwood

Edited by: Chris Denton, James Hart, Dan James, Adam Hutchings, Steve Flatt, Stephen Bainbridge, Chris Denton, Tom Rich, Mark Roverts

Cameras: ARRI AMIRA Series Cameras, Panasonic Lumix DMC-GH4 Camera

Lenses: ARRI / Fujinon Lenses, Canon Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Remote Head Technician

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The Monuments Men | ShotOnWhat?

Aerial Camera Technician

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Captain Phillips | ShotOnWhat?

Aerial Camera Technician

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

The World's End | ShotOnWhat?

Aerial Technician

The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Rush | ShotOnWhat?

Helicopter Technician

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Hyde Park on Hudson | ShotOnWhat?

Wescam Technician

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

Johnny English Reborn | ShotOnWhat?

Aerial Camera Technician

Johnny English Reborn (2011)

Directed by: Oliver Parker

Cinematography by: Danny Cohen

Edited by: Guy Bensley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera

Lenses: Zeiss Master Prime Lenses

Blitz | ShotOnWhat?

Technician: Aerial Unit

Blitz (2011)

Directed by: Elliott Lester

Cinematography by: Rob Hardy

Edited by: John Gilbert

StreetDance 3D | ShotOnWhat?

Aerial Technician

StreetDance 3D (2010)

Directed by: Max Giwa, Dania Pasquini

Cinematography by: Sam McCurdy

Edited by: Tim Murrell

The Last Airbender | ShotOnWhat?

Camera Assistant: Wescam / Camera Technician: Wescam Camera

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Whiteout | ShotOnWhat?

Camera Technician: Wescam Camera

Whiteout (2009)

Directed by: Dominic Sena

Cinematography by: Christopher Soos

Edited by: Martin Hunter

Pirate Radio | ShotOnWhat?

Technician: Aerial Unit

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Outlander | ShotOnWhat?

Camera Technician: Wescam Camera

Outlander (2008)

Directed by: Howard McCain

Cinematography by: Pierre Gill

Edited by: David Dodson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Jumper | ShotOnWhat?

Camera Technician: Wescam Camera

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

The Oxford Murders | ShotOnWhat?

Camera Technician: Wescam Camera

The Oxford Murders (2008)

Directed by: Álex de la Iglesia

Cinematography by: Kiko de la Rica

Edited by: Alejandro Lázaro

Hot Fuzz | ShotOnWhat?

Camera Technician: Wescam Camera

Hot Fuzz (2007)

Directed by: Edgar Wright

Cinematography by: Jess Hall

Edited by: Chris Dickens

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

The Golden Compass | ShotOnWhat?

Camera Technician: Wescam Camera, Second Unit

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Hunting Party | ShotOnWhat?

Camera Technician: Wescam Camera

The Hunting Party (2007)

Directed by: Richard Shepard

Cinematography by: David Tattersall

Edited by: Carole Kravetz Aykanian

Stardust | ShotOnWhat?

Camera Technician: Wescam Camera

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

Pirates of the Caribbean: At World's End | ShotOnWhat?

Camera Technician: Wescam Camera: Greenland

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

The Bourne Ultimatum | ShotOnWhat?

Camera Technician: Wescam Camera

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

The Holiday | ShotOnWhat?

Camera Technician: Wescam Camera

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Mission: Impossible III | ShotOnWhat?

Camera Technician: Wescam Camera

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Eight Below | ShotOnWhat?

Camera Technician: Wescam Camera

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

The Da Vinci Code | ShotOnWhat?

Camera Technician: Wescam Camera

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Nanny McPhee | ShotOnWhat?

Aerial Camera Assistant: Wescam

Nanny McPhee (2005)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Justin Krish, Nick Moore

Lassie | ShotOnWhat?

Camera Technician: Wescam Camera

Lassie (2005)

Directed by: Charles Sturridge

Cinematography by: Howard Atherton

Edited by: Peter Coulson, Adam Green

In My Country | ShotOnWhat?

Camera Technician: Wescam Camera

In My Country (2004)

Directed by: John Boorman

Cinematography by: Seamus Deasy

Edited by: Ron Davis

Enduring Love | ShotOnWhat?

Assistant Camera: Wescam, Helicopter Unit

Enduring Love (2004)

Directed by: Roger Michell

Cinematography by: Haris Zambarloukos

Edited by: Nicolas Gaster

The Core | ShotOnWhat?

Camera Technician: Wescam Camera

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Stander | ShotOnWhat?

Camera Technician: Wescam Camera

Stander (2003)

Directed by: Bronwen Hughes

Cinematography by: Jess Hall

Edited by: Robert Ivison

High Heels and Low Lifes | ShotOnWhat?

Camera Technician: Wescam Camera

High Heels and Low Lifes (2001)

Directed by: Mel Smith

Cinematography by: Steven Chivers

Edited by: Chris Blunden

Gladiator | ShotOnWhat?

Camera Technician: Wescam Camera

Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Chocolat | ShotOnWhat?

Camera Technician: Wescam Camera

Chocolat (2000)

Directed by: Lasse Hallström

Cinematography by: Roger Pratt

Edited by: Andrew Mondshein

The Princess and the Warrior | ShotOnWhat?

Camera Technician: Wescam Camera

The Princess and the Warrior (2000)

Directed by: Tom Tykwer

Cinematography by: Frank Griebe

Edited by: Mathilde Bonnefoy

Armageddon | ShotOnWhat?

Aerial Camera Technician

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Those Who Love Me Can Take the Train | ShotOnWhat?

Camera Technician: Wescam Camera

Those Who Love Me Can Take the Train (1998)

Directed by: Patrice Chéreau

Cinematography by: Eric Gautier

Edited by: François Gédigier

©2012 - 2025 ShotOnWhat?

20254.20