Compositor: Cinesite
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Compositor: DNegTV
'Doctor Who' The Ghost Monument (2018)
Directed by: Mark Tonderai
Cinematography by: Tico Poulakakis
Edited by: Becky Trotman
Compositor: DNegTV
'Doctor Who' The Woman Who Fell to Earth (2018)
Directed by: Jamie Childs
Cinematography by: Denis Crossan
Edited by: David Fisher
Compositor: DNegTV
'Doctor Who' The Battle of Ranskoor Av Kolos (2018)
Directed by: Jamie Childs
Cinematography by: Sam Heasman
Edited by: David Fisher
Compositor: DNegTV
'Doctor Who' It Takes You Away (2018)
Directed by: Jamie Childs
Cinematography by: Denis Crossan
Edited by: David Fisher
Compositor: DNegTV
'Doctor Who' The Witchfinders (2018)
Directed by: Sallie Aprahamian
Cinematography by: Tim Palmer
Edited by: Helen Murphy
Compositor: DNegTV
'Doctor Who' Kerblam! (2018)
Directed by: Jennifer Perrott
Cinematography by: Simon Chapman
Edited by: Ulrike Münch
Compositor: DNegTV
'Altered Carbon' Fallen Angel (2018)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Compositor: DNegTV - 1 Episode, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Compositor: DNegTV
'Doctor Who' Arachnids in the UK (2018)
Directed by: Sallie Aprahamian
Cinematography by: Tim Palmer
Edited by: Helen Murphy
Compositor: DNegTV
'Doctor Who' The Tsuranga Conundrum (2018)
Directed by: Jennifer Perrott
Cinematography by: Simon Chapman
Edited by: Ulrike Münch
Compositor: Cinesite
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Compositing Artist: Cinesite
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Paint And Roto: Cinesite
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Compositor: Cinesite
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Cinesite
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
2d Artist: The Senate VFX
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Digital Compositor
'Merlin' The Diamond of the Day: Part Two (2012)
Directed by: Justin Molotnikov
Cinematography by: Sam McCurdy
Edited by: Simon Reglar
Digital Compositor
'Merlin' The Diamond of the Day: Part One (2012)
Directed by: Justin Molotnikov
Cinematography by: Sam McCurdy
Edited by: Simon Reglar
Digital Compositor
Now Is Good (2012)
Directed by: Ol Parker
Cinematography by: Erik Wilson
Edited by: Peter Lambert
Lenses: Zeiss Master Prime Lenses
Digital Compositor: Lipsync Post
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Digital Compositor
'Merlin' The Kindness of Strangers (2012)
Directed by: Declan O'Dwyer
Cinematography by: Ashley Rowe
Edited by: Mark Thornton
Digital Compositor
'Merlin' The Drawing of the Dark (2012)
Directed by: Declan O'Dwyer
Cinematography by: Ashley Rowe
Edited by: Mark Thornton
Compositor: LipSync Post
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Compositor: LipSync Post
Shadow Dancer (2012)
Directed by: James Marsh
Cinematography by: Rob Hardy
Edited by: Jinx Godfrey
Digital Compositor
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Digital Compositor
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Digital Compositor: Lip Sync Post
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Digital Compositor
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Digital Compositor: Lipsync Post
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Digital Compositor
Blitz (2011)
Directed by: Elliott Lester
Cinematography by: Rob Hardy
Edited by: John Gilbert
Digital Compositor
The Deep Blue Sea (2011)
Directed by: Terence Davies
Cinematography by: Florian Hoffmeister
Edited by: David Charap
Digital Compositor: LipSync Post
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Digital Compositor: LipSync Post
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: LipSync Post
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Roto/prep Artist
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
Made in Dagenham (2010)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Michael Parker
Compositor: LipSync Post
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Digital Compositor: LipSync Post
The First Grader (2010)
Directed by: Justin Chadwick
Cinematography by: Rob Hardy
Edited by: Paul Knight
Roto/prep Artist
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Roto/prep Artist
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Digital Compositor: Lip Sync Post
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Roto/prep Artist
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Prep Artist: MPC
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Roto/prep Artist
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Digital Compositor - 4 Episodes, 2012
Merlin (2008)
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Roto/prep Artist
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Roto/prep Artist
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Roto/prep Artist
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Roto/prep Artist
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Roto/prep Artist
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Roto/prep Artist
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Roto Artist
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Compositor: DNegTV - 8 Episodes, 2018
Doctor Who (2005)
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
