A Camera Operator: Second Unit
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Camera Operator
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Camera Operator
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Camera Operator "a" Camera / Steadicam Operator
'Marco Polo' The Wayfarer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Camera Operator
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Camera Operator "a" Camera / Steadicam Operator - 1 Episode, 2014
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Camera Operator
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Camera Operator
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Camera Operator: Second Unit
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Camera Operator: "b" Camera, Additional Photography
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Camera Operator: Scond Unit
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Camera Operator: "b" Camera
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Camera Operator
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Camera Operator: "b" Camera
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Steadicam Operator: Additional Second Unit, UK
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Focus Puller
Land of the Blind (2006)
Directed by: Robert Edwards
Cinematography by: Emmanuel Kadosh
Edited by: Ferne Pearlstein
Assistant Camera
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Camera Operator: "b" Camera
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Camera Operator: Mexico / Steadicam Operator: Mexico
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Assistant Camera / Camera Operator
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Camera
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Focus Puller
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Focus Puller
Felicia's Journey (1999)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Focus Puller: Second Camera
Hilary and Jackie (1998)
Directed by: Anand Tucker
Cinematography by: David Johnson
Edited by: Martin Walsh
Assistant Camera
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Model Effects Camera Assistant
Masterminds (1997)
Directed by: Roger Christian
Cinematography by: Nic Morris
Edited by: Robin Russell
Focus Puller
Firelight (1997)
Directed by: William Nicholson
Cinematography by: Nic Morris
Edited by: Chris Wimble
Focus Puller
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Focus Puller: "a" Camera
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Focus Puller
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Assistant Camera
The Jungle Book (1994)
Directed by: Stephen Sommers
Cinematography by: Juan Ruiz Anchía
Edited by: Bob Ducsay
First Assistant Camera: Second Unit
Frankenstein (1994)
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Focus Puller: "a" Camera
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera
The Power of One (1992)
Directed by: John G. Avildsen
Cinematography by: Dean Semler
Clapper Loader
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Clapper Loader
White Hunter Black Heart (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Clapper Loader
Nuns on the Run (1990)
Directed by: Jonathan Lynn
Cinematography by: Michael Garfath
Edited by: David Martin
Camera Loader: Italy
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Clapper Loader: UK
Great Balls of Fire! (1989)
Directed by: Jim McBride
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Second Assistant Cameraman
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Clapper Loader: UK
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Clapper Loader
Without a Clue (1988)
Directed by: Thom Eberhardt
Cinematography by: Alan Hume
Edited by: Peter Tanner
Clapper Loader
A Fish Called Wanda (1988)
Cinematography by: Alan Hume
Edited by: John Jympson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Clapper Loader: Second Unit
Club Paradise (1986)
Directed by: Harold Ramis
Cinematography by: Peter Hannan
Edited by: Marion Rothman