Gray Marshall

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On-set Visual Effects Supervisor: Gray Matters FX

Swing Vote  (2008)

Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy

Visual Effects Supervisor: Gray Matter Visual Effects

Married Life  (2007)

Directed by: Ira Sachs
Cinematography by: Peter Deming

Visual Effects Supervisor: Gray Matter Visual Effects

The Invisible  (2007)

Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart

Visual Effects Supervisor

All the King's Men  (2006)

Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman

Visual Effects Supervisor: Gray Matter

Lords of Dogtown  (2005)

Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson

Visual Effects Supervisor: Grey Matter FX

Fun with Dick and Jane  (2005)

Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman

Visual Effects Supervisor: Gray Matter

Spanglish  (2004)

Directed by: James L. Brooks
Cinematography by: John Seale

Visual Effects Supervisor

Secret Window  (2004)

Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt

Visual Effects Supervisor: Gray Matter

Sky Captain and the World of Tomorrow  (2004)

Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco

Visual Effects Supervisor: Gray Matter

Duplex  (2003)

Directed by: Danny DeVito
Cinematography by: Anastas N. Michos

Visual Effects Supervisor: Gray Matter

The Italian Job  (2003)

Directed by: F. Gary Gray
Cinematography by: Wally Pfister

Visual Effects Supervisor: Gray Matter

Biker Boyz  (2003)

Cinematography by: Greg Gardiner

Visual Effects Supervisor

Old School  (2003)

Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Michael Jablow

Digital Compositor: Gray Matter

Conviction  (2002)

Cinematography by: Miroslaw Baszak
Edited by: Jeff Freeman

Compositing Supervisor: Gray Matter

K-19: The Widowmaker  (2002)

Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch

Visual Effects Supervisor: Gray Matter

Queen of the Damned  (2002)

Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper

Visual Effects Supervisor: Gray Matter

S1m0ne  (2002)

Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell

Compositing Supervisor: Gray Matter

The Majestic  (2001)

Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page

Lead Compositor: Gray Matter / Visual Effects Supervisor: Gray Matter

Fight Club  (1999)

Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood

Compositor: Gray Matter FX / Visual Effects Supervisor: Gray Matter FX

Being John Malkovich  (1999)

Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen

Compositor/visual Effects Supervisor: Gray Matter

The X Files  (1998)

Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark

Digital Effects Supervisor

Sgt. Bilko  (1996)

Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo

Assistant Digital Effects Supervisor: Digital Domain

True Lies  (1994)

Directed by: James Cameron
Cinematography by: Russell Carpenter

Digital Artist

Color of Night  (1994)

Directed by: Richard Rush
Cinematography by: Dietrich Lohmann

Motion Control Operator

Wayne's World  (1992)

Directed by: Penelope Spheeris
Cinematography by: Theo van de Sande
Edited by: Malcolm Campbell

Second Assistant Camera

Double Impact  (1991)

Directed by: Sheldon Lettich
Cinematography by: Richard H. Kline
Edited by: Mark Conte

Second Assistant Camera

Flight of Black Angel  (1991)

Directed by: Jonathan Mostow
Cinematography by: Lee Redmond
Edited by: Barry Zetlin

Motion Control Operator

The Addams Family  (1991)

Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman

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