Lead Visual Effects Artist: BlueBolt
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
2D Supervisor: BlueBolt
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Compositing Supervisor: Folks VFX
'Designated Survivor' #truthorconsequences (2019)
Directed by: Chris Grismer
Cinematography by: Michael McMurray
Edited by: Michael Schweitzer
Compositing Supervisor: Folks VFX
'Designated Survivor' #undecided (2019)
Directed by: Peter Leto
Edited by: Bryan Darling
Compositing Supervisor: Folks VFX
'Designated Survivor' #thesystemisbroken (2019)
Directed by: Chris Grismer
Cinematography by: David A. Harp
Edited by: Michael Schweitzer
Compositing Supervisor: Folks VFX
'Designated Survivor' #slipperyslope (2019)
Directed by: Peter Leto
Edited by: Damien Smith
Compositing Supervisor: Folks VFX
'Designated Survivor' #privacyplease (2019)
Directed by: Timothy Busfield
Edited by: Jennifer Van Goethem
Compositing Supervisor: Folks VFX
'Designated Survivor' #makehistory (2019)
Directed by: Chris Grismer
Edited by: Michael Schweitzer
Compositing Supervisor: Folks VFX
'Designated Survivor' #nothingpersonal (2019)
Directed by: Peter Leto
Edited by: Damien Smith
Compositing Supervisor: Folks VFX
'Designated Survivor' #whocares (2019)
Directed by: Chris Grismer
Edited by: Michael Schweitzer
Compositing Supervisor: Folks VFX
'Designated Survivor' #identity/crisis (2019)
Directed by: Sudz Sutherland
Edited by: Jennifer Van Goethem
Compositing Supervisor: Folks VFX
'Designated Survivor' #scaredsh*tless (2019)
Directed by: Sudz Sutherland
Edited by: Damien Smith
Digital Compositor: Mr. X Inc.
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Digital Compositor: Mr. X Inc.
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Compositing Supervisor: Folks VFX - 10 Episodes, 2019
Designated Survivor (2016)
Directed by: Chris Grismer, Frederick E.O. Toye, Timothy Busfield, Peter Leto, Paul A. Edwards, Joe Lazarov, Leslie Libman, Sharat Raju, Mike Listo, Sudz Sutherland, Michael Katleman, Richard J. Lewis, Paul McGuigan, Sergio Mimica-Gezzan, Brad Turner, Norberto Barba, Milan Cheylov, Kenneth Fink, Fred Gerber, Stephen Surjik, Jeannot Szwarc, Ian Toynton, Tara Nicole Weyr, Carol Banker, Jeff T. Thomas, David Warry-Smith, Bosede Williams
Cinematography by: Jeffrey C. Mygatt, Michael Storey, Adam Suschitzky, Cort Fey, Colin Hoult, Darran Tiernan, M. David Mullen, David A. Harp, Michael McMurray
Edited by: Damien Smith, Charissa Sanjarernsuithikul, Ned Bastille, Pamela Malouf, David Beatty, John L. Roberts, Michael Schweitzer, James Coblentz, Monty DeGraff, Jennifer Van Goethem, Roy C. Poole, Bryan Darling
Cameras: ARRI ALEXA LF Camera
Editing System: Avid Editing System
Digital Compositor: Mr. X Inc.
Collateral Beauty (2016)
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Digital Compositor: Mr. X Inc.
Legends of the Hidden Temple (2016)
Directed by: Joe Menendez
Cinematography by: Tom Harting
Edited by: Damon Fecht
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Compositing Lead: Mr. X Inc.
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Digital Compositor: Mr. X Inc.
Ben-Hur (2016)
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Compositing Lead: Mr. X Inc.
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor: Mr. X Inc.
'Vikings' The Dead (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Compositor: Mr. X Inc.
'Vikings' Breaking Point (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Compositor
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Compositing Lead: Mr. X
'Penny Dreadful' Night Work (2014)
Directed by: J.A. Bayona
Cinematography by: Xavi Giménez
Compositing Lead: Mr. X
'Penny Dreadful' Séance (2014)
Directed by: J.A. Bayona
Cinematography by: Xavi Giménez
Compositing Lead: Mr. X
'Penny Dreadful' Resurrection (2014)
Directed by: Dearbhla Walsh
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Compositing Lead: Mr. X
'Penny Dreadful' Grand Guignol (2014)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Compositing Lead: Mr. X
'Penny Dreadful' Demimonde (2014)
Directed by: Dearbhla Walsh
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Compositing Lead: Mr. X
'Penny Dreadful' Closer Than Sisters (2014)
Directed by: Coky Giedroyc
Cinematography by: P.J. Dillon
Edited by: Christopher Donaldson
Compositing Lead: Mr. X
'Penny Dreadful' Possession (2014)
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Gareth C. Scales
Compositing Lead: Mr. X - 8 Episodes, 2014
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
2D Sequence Lead: Mr. X Inc.
Pompeii (2014)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Compositing Lead: Mr. X
'Penny Dreadful' What Death Can Join Together (2014)
Directed by: Coky Giedroyc
Cinematography by: P.J. Dillon
Edited by: Michele Conroy
2D Sequence Lead: Mr. X Inc.
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
Digital Compositor: Mr. X Inc. - 2 Episodes, 2015
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Compositor: Double Negative
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Compositor: Double Negative
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Compositor: Double Negative
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Compositor: Double Negative
Les Misérables (2012)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Compositor: Double Negative
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Digital Compositor: Double Negative
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Compositor: Double Negative
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor: Framestore
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: Double Negative
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
2d Artist: Double Negative
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Digital Compositor: Framestore London
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Digital Compositor: Framestore
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Digital Compositor: Framestore
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Compositor: Framestore
Triangle (2009)
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Senior Prep Artist: MPC
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Roto/prep Artist: MPC
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Roto/prep Artist: MPC
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Roto/prep Artist: MPC
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Roto/prep Artist: MPC
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
