Re-recording Mixer: Soundtrack New York
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Re-recording Mixer
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Re-recording Mixer
Uncut Gems (2019)
Cinematography by: Darius Khondji
Re-recording Mixer
BlacKkKlansman (2018)
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Re-recording Mixer
Monster (2018)
Directed by: Anthony Mandler
Cinematography by: David Devlin
Edited by: Joe Klotz
Cameras: Red Epic Dragon Camera
Re-recording Mixer - 10 Episodes, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
Re-recording Mixer
'Vinyl' Alibi (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Re-recording Mixer
'Vinyl' Rock and Roll Queen (2016)
Directed by: Carl Franklin
Cinematography by: David Franco
Re-recording Mixer
'Vinyl' The King and I (2016)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Vinyl' He in Racist Fire (2016)
Directed by: Peter Sollett
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Vinyl' The Racket (2016)
Directed by: S.J. Clarkson
Cinematography by: Reed Morano
Edited by: Tim Streeto
Re-recording Mixer
'Vinyl' Whispered Secrets (2016)
Directed by: Mark Romanek
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Vinyl' Yesterday Once More (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Re-recording Mixer
'Vinyl' Pilot (2016)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: David Tedeschi
Re-recording Mixer
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Re-recording Mixer
'Boardwalk Empire' Eldorado (2014)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Friendless Child (2014)
Directed by: Allen Coulter
Cinematography by: Eric Moynier
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Devil You Know (2014)
Directed by: Jeremy Podeswa
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' What Jesus Said (2014)
Directed by: Ed Bianchi
Cinematography by: Jonathan Freeman
Re-recording Mixer
'Boardwalk Empire' Golden Days for Boys and Girls (2014)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' New York Sour (2013)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
'Boardwalk Empire' Farewell Daddy Blues (2013)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Erlkönig (2013)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Re-recording Mixer
'Boardwalk Empire' William Wilson (2013)
Directed by: Jeremy Podeswa
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' The Old Ship of Zion (2013)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Marriage and Hunting (2013)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Re-recording Mixer
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Re-recording Mixer
'Boardwalk Empire' Resolution (2012)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Spaghetti and Coffee (2012)
Directed by: Alik Sakharov
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Bone for Tuna (2012)
Directed by: Jeremy Podeswa
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Blue Bell Boy (2012)
Directed by: Kari Skogland
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' You'd Be Surprised (2012)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Ging Gang Goolie (2012)
Directed by: Ed Bianchi
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Sunday Best (2012)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' The Pony (2012)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' The Milkmaid's Lot (2012)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' A Man, a Plan... (2012)
Directed by: Jeremy Podeswa
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Two Imposters (2012)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Margate Sands (2012)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Re-recording Mixer
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Re-recording Mixer
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Re-recording Mixer
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Re-recording Mixer
'Boardwalk Empire' 21 (2011)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Ourselves Alone (2011)
Directed by: David Petrarca
Cinematography by: David Franco
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' A Dangerous Maid (2011)
Directed by: Susanna White
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' What Does the Bee Do? (2011)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Gimcrack and Bunkum (2011)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' To the Lost (2011)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Edited by: Tim Streeto
Re-recording Mixer
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Re-recording Mixer - 41 Episodes, 2010-2014
Boardwalk Empire (2010)
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Re-recording Mixer
'Boardwalk Empire' Boardwalk Empire (2010)
Directed by: Martin Scorsese
Cinematography by: Stuart Dryburgh
Edited by: Sidney Wolinsky
Re-recording Mixer
'Boardwalk Empire' The Ivory Tower (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Broadway Limited (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Anastasia (2010)
Directed by: Jeremy Podeswa
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Nights in Ballygran (2010)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Family Limitation (2010)
Directed by: Timothy Van Patten
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Home (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' Hold Me in Paradise (2010)
Directed by: Brian Kirk
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Belle Femme (2010)
Directed by: Brad Anderson
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' The Emerald City (2010)
Directed by: Simon Cellan Jones
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Re-recording Mixer
'Boardwalk Empire' Paris Green (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Re-recording Mixer
'Boardwalk Empire' A Return to Normalcy (2010)
Directed by: Timothy Van Patten
Cinematography by: Kramer Morgenthau
Edited by: Tim Streeto
Re-recording Mixer
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Re-recording Mixer
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Re-recording Mixer
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Re-recording Mixer
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Re-recording Mixer
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Re-recording Mixer
Reservation Road (2007)
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Re-recording Mixer
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Additional Sound Re-recording Mixer
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Re-recording Mixer / Supervising Sound Mixer
Freedomland (2006)
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Re-recording Mixer
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
Neil Young: Heart of Gold (2006)
Directed by: Jonathan Demme
Cinematography by: Ellen Kuras
Edited by: Andy Keir
Supervising Sound Mixer
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Re-recording Mixer
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Re-recording Mixer
Everything Is Illuminated (2005)
Directed by: Liev Schreiber
Cinematography by: Matthew Libatique
Re-recording Mixer
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Re-recording Mixer
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Re-recording Mixer
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Re-recording Mixer
She Hate Me (2004)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Cameras: Aaton A-Minima Camera, ARRI Cameras
Re-recording Mixer
School of Rock (2003)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Re-recording Mixer
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Re-recording Mixer
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Re-recording Mixer
The Truth About Charlie (2002)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Re-recording Mixer
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Re-recording Mixer
Y Tu Mamá También (2001)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Book of Shadows: Blair Witch 2 (2000)
Directed by: Joe Berlinger
Cinematography by: Nancy Schreiber
Re-recording Mixer
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Re-recording Mixer
Bamboozled (2000)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Re-recording Mixer: Sound One Corp.
Chocolat (2000)
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Re-recording Mixer
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Re-recording Mixer
The Astronaut's Wife (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Re-recording Mixer
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Re-recording Mixer
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Re-recording Mixer
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Re-recording Mixer: Sound One Corporation
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Re-recording Mixer
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Re-recording Mixer: English Dubbed Version
Life Is Beautiful (1997)
Directed by: Roberto Benigni
Cinematography by: Tonino Delli Colli
Edited by: Simona Paggi
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Picture Perfect (1997)
Directed by: Glenn Gordon Caron
Cinematography by: Paul Sarossy
Edited by: Robert M. Reitano
Sound Re-recording Engineer
She's the One (1996)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: Susan Graef
Re-recording Mixer
Get on the Bus (1996)
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Cameras: Aaton XTR Camera, Krasnogorsk-3 Camera
Re-recording Mixer
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Re-recording Mixer
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Re-recording Mixer
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Re-recording Mixer
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Re-recording Mixer
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Re-recording Mixer
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Natural Born Killers (1994)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Re-recording Mixer: Sound One Corp.
Oleanna (1994)
Directed by: David Mamet
Cinematography by: Andrzej Sekula
Edited by: Barbara Tulliver
Re-recording Mixer
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Re-recording Mixer
Household Saints (1993)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: Elizabeth Kling
Re-recording Mixer
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Re-recording Mixer
Prelude to a Kiss (1992)
Directed by: Norman René
Cinematography by: Stefan Czapsky
Edited by: Stephen A. Rotter
Re-recording Mixer
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Re-recording Mixer: New York, Sound One Corporation
Honeymoon in Vegas (1992)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Re-recording Mixer
Billy Bathgate (1991)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Re-recording Mixer
The Silence of the Lambs (1991)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Jungle Fever (1991)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Re-recording Mixer
Mo' Better Blues (1990)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Super Speed Lenses
Rerecording Mixer
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
A Shock to the System (1990)
Directed by: Jan Egleson
Cinematography by: Paul Goldsmith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Miami Blues (1990)
Directed by: George Armitage
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: ARRI Cameras
Re-recording Mixer
An Innocent Man (1989)
Directed by: Peter Yates
Cinematography by: William A. Fraker
Re-recording Mixer
Do the Right Thing (1989)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Re-recording Mixer
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon
Re-recording Mixer
Second Sight (1989)
Directed by: Joel Zwick
Cinematography by: Dana Christiaansen
Edited by: David Ray
Cameras: Panavision Cameras
Re-recording Mixer
She-Devil (1989)
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Re-recording Mixer
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Re-recording Mixer
School Daze (1988)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Re-recording Mixer
Running on Empty (1988)
Directed by: Sidney Lumet
Cinematography by: Gerry Fisher
Edited by: Andrew Mondshein
Re-recording Mixer
White Water Summer (1987)
Directed by: Jeff Bleckner
Cinematography by: John Alcott
Edited by: David Ray
Re-recording Mixer
Peggy Sue Got Married (1986)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Re-recording Mixer
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Re-recording Mixer
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Re-recording Mixer
Death of a Salesman (1985)
Directed by: Volker Schlöndorff
Cinematography by: Michael Ballhaus
Re-recording Mixer
The Brother from Another Planet (1984)
Directed by: John Sayles
Cinematography by: Ernest R. Dickerson
Edited by: John Sayles
Cameras: ARRIFLEX 35 BL2 Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Re-recording Mixer
Places in the Heart (1984)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Carol Littleton
Re-recording Mixer
Silkwood (1983)
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen
Sound Re-recording Supervisor
The World According to Garp (1982)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Stephen A. Rotter
Re-recording Mixer
The King of Comedy (1982)
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Re-recording Mixer
Blow Out (1981)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Paul Hirsch
Re-recording Mixer
Reds (1981)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Sound Re-recordist
Melvin and Howard (1980)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
