Rita E. Zimmerman

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Captain America: The Winter Soldier | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Battleship | ShotOnWhat?

Digital Artist: Industrial Light & Magic

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I Am Number Four | ShotOnWhat?

Digital Artist: ILM

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cowboys & Aliens | ShotOnWhat?

Digital Artist: ILM

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Star Trek | ShotOnWhat?

Digital Artist: ILM

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Digital Artist: ILM

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Love Guru | ShotOnWhat?

Digital Artist: ILM

The Love Guru (2008)

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Evan Almighty | ShotOnWhat?

Digital Artist: ILM

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Rush Hour 3 | ShotOnWhat?

Digital Artist: ILM

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Digital Artist: ILM

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Mission: Impossible III | ShotOnWhat?

Digital Artist: ILM

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

The Bourne Supremacy | ShotOnWhat?

Sabre Artist: ILM

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Master and Commander: The Far Side of the World | ShotOnWhat?

Sabre Artist: ILM

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Sabre Artist: ILM

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Men in Black II | ShotOnWhat?

Sabre Artist: Air Chase And Post Office Sequences, ILM

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Minority Report | ShotOnWhat?

Sabre Artist: ILM

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

The Pledge | ShotOnWhat?

Lead Sabre Artist: ILM

The Pledge (2001)

Directed by: Sean Penn

Cinematography by: Chris Menges

Edited by: Jay Cassidy

Planet of the Apes | ShotOnWhat?

Computer Graphics Artist: Sabre, ILM

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mission to Mars | ShotOnWhat?

Sabre CG Artist: ILM

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

Space Cowboys | ShotOnWhat?

Sabre Artist

Space Cowboys (2000)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Digital Effects Artist: ILM

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Galaxy Quest | ShotOnWhat?

Computer Graphics Artist: ILM

Galaxy Quest (1999)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Deep Impact | ShotOnWhat?

Sabre Artist: ILM

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Amistad | ShotOnWhat?

Sabre Artist: ILM

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

Men in Black | ShotOnWhat?

Digital Effects Artist: ILM

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Contact | ShotOnWhat?

Sabre Artist: ILM

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

The Indian in the Cupboard | ShotOnWhat?

Sabre Artist

The Indian in the Cupboard (1995)

Directed by: Frank Oz

Cinematography by: Russell Carpenter

Edited by: Ian Crafford

Jurassic Park | ShotOnWhat?

Digital Artist

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Sabre Artist - Special Version

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Sabre Artist: ILM - 1997 Special Version

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Sabre Artist: ILM - 1997 Special Version

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras

Lenses: Panavision Lenses

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