United States | 1624 Titles
Home Alone (1990)
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Speed Panchro Lenses, Zeiss Lenses
Terminator 2: Judgment Day (1991)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Warlock (1989)
Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Another Earth (2011)
Directed by | Mike Cahill | Cinematography by | Mike Cahill | Editing by | Mike Cahill
Cameras | Sony PMW-EX3 Camera
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
The Beach House (2019)
Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier
Cameras | ARRI ALEXA Mini Camera
Noctambulous (2011)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo
Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses
The Enchantress of Number (2018)
Directed by | Rebecca Murga | Cinematography by | David Auner
Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
On the Battlefield (1972)
Directed by | Peter Biskind | Cinematography by | Peter Biskind | Editing by | Peter Biskind
Cameras | Bolex H16 RX4 Camera, Éclair NPR Camera
Lenses | Angenieux Lenses
Law & Order: Special Victims Unit (1999)
| Cinematography by | Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee | Editing by | Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras | ARRI ALEXA Series Cameras
Lenses | ARRI Lenses, Panavision Lenses
American: The Bill Hicks Story (2009)
Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas
Cameras | Sony PMW-350 Camera
Lenses | Fujinon Lenses
Hart of Dixie (2011)
| Cinematography by | Buzz Feitshans IV, Robert Gantz, Jeffrey Jur, Bradford Lipson, Larry Reibman | Editing by | Jeff Granzow, Brandi Bradburn, Les Butler, Barbara Gerard, Benjamin J. Bumgarner, Luke Pebler
Cameras | Sony CineAlta F35 Camera
Disaster Movie (2008)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
Rampage (1987)
Directed by | William Friedkin | Cinematography by | Robert D. Yeoman | Editing by | Jere Huggins
Cameras | Panavision Cameras
The Paint Job (1992)
Directed by | Michael Taav | Cinematography by | Robert D. Yeoman | Editing by | Nancy Richardson
Cameras | Panavision Cameras
It’s Always Sunny in Philadelphia (2005)
| Cinematography by | Peter Smokler, John Tanzer, Eric Zimmerman | Editing by | Josh Drisko, Tim Roche, Robert Bramwell, Sung-Jin Lee, Patrick Walsh, Trevor Penna
Cameras | Panasonic AG-DVX100 Camera
Back to the Future (1985)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
Contact (1997)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Miami Vice (1984)
Directed by | John Nicolella, Richard Compton, Leon Ichaso, Vern Gillum, Don Johnson, Jim Johnston, David Jackson, Colin Bucksey, Virgil W. Vogel, Paul Michael Glaser, Rob Cohen, Jan Eliasberg, Aaron Lipstadt, James Quinn, Georg Stanford Brown, Lee H. Katzin, David Anspaugh, Abel Ferrara, Michael O'Herlihy, Mario DiLeo, Gabrielle Beaumont, Paul Krasny, George Mendeluk, Michelle Manning, Russ Mayberry, Alan Myerson, Thomas Carter, Richard A. Colla, Stan Lathan, Alan J. Levi, John Llewellyn Moxey, Bobby Roth, David Soul, Harry Mastrogeorge, Edward James Olmos, Tim Zinnemann, Daniel Attias, Craig Bolotin, Christopher Crowe, Dick Miller, Fred Walton, Ate de Jong, Tony Wharmby, Bill Duke, Donald L. Gold, Randy Roberts, Chip Chalmers, James A. Contner, Eugene Corr, Michael B. Hoggan, Robert Iscove | Cinematography by | Oliver Wood, Tom Priestley Jr., Duke Callaghan, James A. Contner, Michael McGowan, Robert E. Collins, William Cronjager, Victor Hammer | Editing by | Robert A. Daniels, Michael D. Ornstein, Michael B. Hoggan, Kevin Krasny, Douglas Ibold, Dick Williams, Casey O. Rohrs, Robert L. Sinise, Steve Shultz, Jack Horger, Eric A. Sears, Barry B. Leirer, Gene Foster, Buford F. Hayes, David Rosenbloom, David Solomon, Joel Goodman, Dov Hoenig, Sidney Wolinsky, Lawrence J. Gleason, Richard Leeman
Cameras | Panavision Panaflex Series Cameras
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
