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United States | 1624 Titles

United States 3.00/5 1 Vote

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Promised: A True Story (2021)

Direct to Video | 2D | HD Project | Color | 2.0:1 | 118 Minutes

Directed by | Yitzchok Zev Weisz | Cinematography by | Duvid Steinberg | Editing by | Duvid Steinberg, Yitzchok Zev Weisz

Cameras | Canon Cameras

Lenses | Canon EF Series Lenses

A Spark in Nothing (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 146 Minutes

Directed by | Griffin Loch | Cinematography by | Rob McPeters

Starring | Arielle Gottesman, Nika Balina, Corrinne Mica

Cameras | Sony α7R II Camera

Uncut Gems (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie

Starring | Adam Sandler, Julia Fox, Idina Menzel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Incredibles 2 (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer

Starring | Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner

Unbreakable Kimmy Schmidt (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | John Inwood | Editing by | Ken Eluto, Elizabeth Merrick, Meg Reticker, Kyle Gilman, Jesse Gordon, Craig Cobb, Alex Minnick, Ellen Tam, Katie Abel, Micah Gardner

Starring | Ellie Kemper, Jane Krakowski, Tituss Burgess, Carol Kane

Cameras | Red Epic Dragon Camera, Red Helium (Weapon) 8K

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Archer (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Editing by | Pierre Cerrato, Brad Lee Zimmerman, Christian Danley, Andy Sipes, Nate Ladd, Ted Murphy

Starring | H. Jon Benjamin, Judy Greer, Amber Nash, Chris Parnell

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

The Daily Show (1996)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 22 Minutes

21 Bridges (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Brian Kirk | Cinematography by | Paul Cameron | Editing by | Tim Murrell

Starring | Chadwick Boseman, Sienna Miller, J.K. Simmons, Stephan James

Cameras | ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

The Yaku and the Undefeated (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 86 Minutes

Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion

Starring | Struggle E. Stylez, Sofia Salgado, Wesley Renard, Robyn Elise

Cameras | Blackmagic Design Cameras

Lenses | Samyang Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

The Magicians (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush | Editing by | Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey

Starring | Stella Maeve, Hale Appleman, Arjun Gupta, Summer Bishil

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summicron-C Series Lenses, Panavision PVintage Prime Lenses

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

Prairie Wind (2018)

Short Film | 2D | 16K Project | Color | 2.76:1 | 4 Minutes

Directed by | Martin Lisius | Cinematography by | Martin Lisius

Cameras | Canon Cameras

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

A Good Reason (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 6 Minutes

Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt

Starring | Scot Scurlock, Daniel Grochowski, Andre L. Burch, Nando Palacios

Cameras | Aaton Penelope Camera

Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

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