United States | 1624 Titles
Parks and Recreation (2009)
| Cinematography by | Tom Magill, Michael Trim, John Inwood, Peter Smokler, Matt Sohn, Shana Hagan, Johnny Martin, Jacob Pinger | Editing by | Ivan Victor, Dean Holland, Mark Sadlek, Dan Schalk, John M. Valerio, Richie Edelson, Jeff Seibenick, Shawn Paper, Jon Corn, Daniel S. Russ
Cameras | Sony HDW-F900R Camera, Sony PDW-F800 Camera
Lenses | Fujinon Lenses
Friendship’s Field (1995)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
American Pastime (2007)
Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
King Kong (1933)
Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman
Cameras | Mitchell Standard Camera
The American Mall (2008)
Directed by | Shawn Ku | Cinematography by | Matthew Williams | Editing by | Don Brochu
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Chinatown (1974)
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen
Cameras | Panavision Cameras
Hearst Castle: Building the Dream (1996)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams | Editing by | Stephen L. Johnson
Cameras | Iwerks MSM 8870 Camera
The Thin Red Line (1998)
Directed by | Terrence Malick | Cinematography by | John Toll | Editing by | Leslie Jones, Saar Klein, Billy Weber
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
24 (2001)
| Cinematography by | Rodney Charters, Jeffrey C. Mygatt, Guy Skinner, Peter Levy | Editing by | David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Cameras | Bell & Howell Eyemo Camera, JVC HD110 Camera, Panavision Cameras, Panavision Panaflex Millennium XL Camera, Sony DSR-PD150 Camera
Shazam! (2019)
Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller
Lenses | Zeiss Master Prime Lenses
8MM (1999)
Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
Ralph Breaks the Internet (2018)
Directed by | Phil Johnston, Rich Moore | Cinematography by | Nathan Warner | Editing by | Jeremy Milton, Fabienne Rawley
Pawn Stars (2009)
| Cinematography by | Joe Murgia, Jeff Alberts, Brian Mills, Mike Turnbull | Editing by | Grant Rogers, Matt Miller, Sean Glassman, Luke Spencer, Jimmy Higgins, Ron Douglas, Justin Barnes, Deanna Markoff, Sean Moran, David Abelson, Ian Kuhnert, Michael Weinreich, Jonathan Brown, Brandon Jennings, Angel Nieves, Duncan Adams, Nimmers Stern, David Lee, Nathan Ochiltree, James Monohan, George Sinfield, Carrie Kim, Eric Dow, Frank Bologna, Heather Spilkin, Kirven Blount, Brian Havelka, Michael Vasiliou, Scott Speed, Marisa Simpson, Mathew C. Ein, Steve Gilson, Larilyn Sanchez, Matthew Braley, Phillip Chernyak, James Machado, Lars Woodruffe, Eric Quievryn, David Schewel, Mike Kobialka, David Marcus, Greg Rogers, Mike Ennis, Toshiharu Takatsuka, David Miller, Hannah Carpenter, Jamie Klispie, Robyn Braun, Nate Pommer, Dave Solomon, Michael Brown, Paul Loomis, Arthur 'Art' Citron, Justin Rev Barns, Jessica Vale, Dmitry Torgovitsky, Teresa Cicala, Erik Zimmermann, Grant Goodman, Eric Siegelstein, Daniel Garriga, Kevin Nibley, Zsa Ho-Sang, Misha George, David Kausch, Toni Crey, Matt Sarno, Larry Tempesta, Laura Van Schendel, Jorge Velez, Michael Niemcewicz, Katriona Macnab, Bert Mains, Ari Bassin-Hill, Chris Miller, Keith Reiner, Jim Mancini, Josh Lombard, Nicholas Wiczynski, Leo Curbelo, Brian Pearson, Gregory Corwin, Laura Flynn, Paul Andriello, Arnold Branch, Justin Ciambra, Khomari Flash, Scott Silva, Tony Zajkowski, Ryan Philander
Five Feet Apart (2019)
Directed by | Justin Baldoni | Cinematography by | Frank G. DeMarco | Editing by | Angela M. Catanzaro
Cameras | ARRI AMIRA Camera
Lenses | Cooke Lenses, Cooke Spherical Lenses
Skin (2018)
The Kid Stays in the Picture (2002)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | John Bailey | Editing by | Jun Diaz
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Boxboarders! (2007)
Directed by | Rob Hedden | Cinematography by | Matthew Williams | Editing by | David L. Bertman
Cameras | Panasonic AJ-HDC27 Varicam Camera
Lenses | Canon Lenses
A Star Is Born (2018)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Andi Mack (2017)
| Cinematography by | Matthew Williams | Editing by | Jane Choi, Marcelo Sansevieri
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Pi (1998)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch
Cameras | Aaton XTR Prod Camera, Bolex H16 Camera
Lenses | Angenieux Lenses, Canon Lenses
