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United States | 1624 Titles

United States 3.00/5 1 Vote

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This Is Us (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Yasu Tanida, Brett Pawlak | Editing by | Bjørn T. Myrholt, Julia Grove, Howard Leder, Brandi Bradburn, Susan Vaill, Nicholas Rucka, David L. Bertman

Starring | Milo Ventimiglia, Mandy Moore, Sterling K. Brown, Chrissy Metz

Lenses | Panavision Primo Primes Spherical Lenses

Romeo + Juliet (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock

Starring | Leonardo DiCaprio, Claire Danes, John Leguizamo, Harold Perrineau

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

Silicon Valley (2014)

Television Series | 2D | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Tim Suhrstedt, Jim Denault | Editing by | Tim Roche, Brian Merken, Al LeVine, Paul Zucker, Brian Bautista

Starring | Thomas Middleditch, T.J. Miller, Josh Brener, Martin Starr

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

Green Planet (2003)

Short Film | 2D | Color | 1.85:1 | 13 Minutes

Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman

Starring | Jared Cohn, Jonah Keel, Tyler Norman, Roy Parras

Cameras | Canon Scoopic 16 / 16M Camera

Keepers of the Flame (2007)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 36 Minutes

Directed by | Tyler Norman

Cameras | Sony HDR-FX1 Camera

Deconstructing Harry (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 96 Minutes

Directed by | Woody Allen | Cinematography by | Carlo Di Palma | Editing by | Susan E. Morse

Starring | Woody Allen, Judy Davis, Julia Louis-Dreyfus, Stephanie Roth Haberle

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Bloodline (2015)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget

Starring | Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Sissy Spacek

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

House of Cards (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives | Editing by | Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Starring | Kevin Spacey, Michel Gill, Robin Wright, Kate Mara

Cameras | Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Lenses | Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

Enchanted (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1, 2.39:1 | 107 Minutes

Directed by | Kevin Lima | Cinematography by | Don Burgess | Editing by | Gregory Perler, Stephen A. Rotter

Starring | Amy Adams, Susan Sarandon, James Marsden, Patrick Dempsey

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Missed Connection (2017)

Short Film | 2D | HD Project | Color | 2.35:1 | 12 Minutes

Directed by | Paul Abbaszadeh, Tyler Norman | Cinematography by | Paul Abbaszadeh | Editing by | Paul Abbaszadeh

Starring | Kimmie Rodriguez, Nathan DeLaTorre, Geoff Farrell, Jessika Rodriguez

Cameras | Sony NEX-FS700 Camera

Lenses | Nikon - Nikkor Lenses, Samyang Lenses

The Godfather (1972)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 175 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner

Starring | Marlon Brando, Al Pacino, James Caan, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses

A Quiet Place (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen

Starring | Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Can You Ever Forgive Me? (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marielle Heller | Cinematography by | Brandon Trost | Editing by | Anne McCabe

Starring | Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Primo 70 Lenses

Magnum Force (1973)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Ted Post | Cinematography by | Frank Stanley | Editing by | Ferris Webster

Starring | Clint Eastwood, Hal Holbrook, Mitchell Ryan, David Soul

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

Family Obligations (2019)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 81 Minutes

Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring

Starring | Angelica Adams, Eleanor Brandle-Frank, Peppa Brandle-Frank, Grace Chan

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

The Perfect Host (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 93 Minutes

Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay

Starring | David Hyde Pierce, Clayne Crawford, Nathaniel Parker, Tyrees Allen

Cameras | Red One Camera

Lenses | Zeiss Ultra Prime Lenses

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