Visual Effects Supervisor
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Visual Effects: Method Studios
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Visual Effects Supervisor: Method Studios Los Angeles
Magic Mike (2012)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Visual Effects Supervisor
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: CIS Hollywood
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Visual Effects Supervisor
Contagion (2011)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Visual Effects Supervisor: Method Studios
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Plate Supervisor
The Last Song (2010)
Directed by: Julie Anne Robinson
Cinematography by: John Lindley
Edited by: Nancy Richardson
Visual Effects Supervisor
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Visual Effects Supervisor
The Men Who Stare at Goats (2009)
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor
The Informant! (2009)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Visual Effects Supervisor
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Visual Effects Supervisor
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Visual Effects Supervisor
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: CIS Hollywood
Wind Chill (2007)
Directed by: Gregory Jacobs
Cinematography by: Dan Laustsen
Edited by: Lee Percy
Visual Effects Supervisor: CIS Hollywood
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Visual Effects Supervisor: CIS Hollywood
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Visual Effects Supervisor: CIS Hollywood
You, Me and Dupree (2006)
Cinematography by: Charles Minsky
Visual Effects Supervisor
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Visual Effects Supervisor: CIS Hollywood
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Visual Effects Supervisor: CIS Hollywood
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Visual Effects Supervisor: CIS Hollywood
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Visual Effects Supervisor: CIS Hollywood
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Visual Effects Supervisor
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Visual Effects Supervisor
Criminal (2004)
Directed by: Gregory Jacobs
Cinematography by: Chris Menges
Compositing Supervisor: Cinesite
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Visual Effects Supervisor: CIS Hollywood
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Visual Effects Supervisor
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Cinesite
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Visual Effects Supervisor: Cinesite
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Cinesite
Ocean's Eleven (2001)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
Digital Effects Supervisor: Cinesite
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Visual Effects Supervisor: Cinesite
Where the Heart Is (2000)
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Visual Effects Supervisor: Cinesite Inc.
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: Cinesite
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Visual Effects Supervisor: Cinesite
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
2D Department Supervisor: Cinesite
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Digital Effects Supervisor: Cinesite
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Supervisor: Cinesite
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
2d Supervisor: Cinesite
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Visual Effects Plate Supervisor: Cinesite
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Senior Visual Effects Compositor
Steel (1997)
Directed by: Kenneth Johnson
Cinematography by: Mark Irwin
Edited by: John F. Link
Visual Effects Digital Compositor
Flipper (1996)
Directed by: Alan Shapiro
Cinematography by: Bill Butler
Edited by: Peck Prior
Senior Composite Designer: The Post Group
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Digital Compositor: Cinesite
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Digital Compositor: Cinesite
French Kiss (1995)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Digital Compositor: Cinesite
Baby's Day Out (1994)
Directed by: Patrick Read Johnson
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Digital Compositing Supervisor: Cinesite
Ri¢hie Ri¢h (1994)
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
Compositor: Cinesite
Naked Gun 33 1/3: The Final Insult (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Digital Effects Artist
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Computer Graphic Artist: ILM
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Digital Operator: ILM
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Optical Camera Operator
Joe Versus the Volcano (1990)
Directed by: John Patrick Shanley
Cinematography by: Stephen Goldblatt
Optical Camera Operator
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Optical Camera Operator: ILM
Die Hard 2 (1990)
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Optical Camera Operator: ILM
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Optical Camera Operator: ILM
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Optical Camera Operator: ILM
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Optical Lab Technician: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Optical Processing
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Optical Camera Operator: ILM
Cocoon: The Return (1988)
Directed by: Daniel Petrie
Cinematography by: Tak Fujimoto
Edited by: Mark Warner
Restoration Supervisor: Cinesite - Restored Version
Snow White and the Seven Dwarfs (1937)
Directed by: William Cottrell, David Hand, Wilfred Jackson, Larry Morey, Perce Pearce, Ben Sharpsteen
Cameras: Bell & Howell 2709 Camera
