Visual Effects Supervisor
'Altered Carbon' The Killers (2018)
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
Visual Effects Supervisor / Additional Visual Effects Supervisor - 10 Episodes, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Visual Effects Supervisor
'Altered Carbon' The Wrong Man (2018)
Directed by: Uta Briesewitz
Cinematography by: Neville Kidd
Edited by: Jonathan Chibnall
Visual Effects Supervisor
'Altered Carbon' Force of Evil (2018)
Directed by: Alex Graves
Cinematography by: Martin Ahlgren
Edited by: Amy M. Fleming
Visual Effects Supervisor
'Altered Carbon' In a Lonely Place (2018)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Visual Effects Supervisor
'Altered Carbon' Fallen Angel (2018)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Visual Effects Supervisor
'Altered Carbon' Out of the Past (2018)
Directed by: Miguel Sapochnik
Cinematography by: Martin Ahlgren
Edited by: Barry Alexander Brown
Visual Effects Supervisor
'Altered Carbon' Man with My Face (2018)
Directed by: Alex Graves
Cinematography by: Martin Ahlgren
Edited by: Amy M. Fleming
Visual Effects Supervisor
'Altered Carbon' Nora Inu (2018)
Directed by: Andy Goddard
Cinematography by: Neville Kidd
Edited by: Amy M. Fleming
Visual Effects Supervisor
'Altered Carbon' Rage in Heaven (2018)
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
Edited by: Byron Smith
Additional Visual Effects Supervisor
'Altered Carbon' Clash by Night (2018)
Directed by: Uta Briesewitz
Cinematography by: Neville Kidd
Edited by: Julian Clarke
Visual Effects Supervisor: Zoic Studios
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Zoic BC
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Visual Effects Supervisor - Zoic Studios
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Zoic Studios
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: Zoic BC
Grown Ups 2 (2013)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Red Epic Camera
Visual Effects Supervisor / Visual Effects Supervisor: Zoic BC
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Supervisor: Zoic Studios
Midnight's Children (2012)
Directed by: Deepa Mehta
Cinematography by: Giles Nuttgens
Edited by: Colin Monie
Digital Supervisor: Zoic Studios
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Visual Effects Supervisor: Zoic BC
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Visual Effects: Zoaic Studios
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Visual Effects Supervisor: Zoic BC
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Visual Effects Supervisor: Zoic BC
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Compositor: Tinderbox
30 Days of Night: Dark Days (2010)
Directed by: Ben Ketai
Cinematography by: Eric Maddison
Edited by: Darrin Navarro
Cameras: Sony CineAlta F35 Camera
Visual Effects Supervisor
Gunless (2010)
Directed by: William Phillips
Cinematography by: Gregory Middleton
Edited by: Susan Maggi
Visual Effects Supervisor
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Visual Effects Producer
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Visual Effects Supervisor: Technicolor Creative Services Vancouver
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Visual Effects Supervisor
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Digital Compositor And Matte Painter
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Digital Compositor
Something the Lord Made (2004)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
Visual Effects Supervisor
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Digital Artist: Digiscope
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositor
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Digital Artist: Digiscope
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Composite Supervisor
Angel Eyes (2001)
Directed by: Luis Mandoki
Cinematography by: Piotr Sobocinski
Edited by: Gerald B. Greenberg
Compositing Artist: Digiscope
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Lead Compositor
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Visual Effects Supervisor
Duets (2000)
Directed by: Bruce Paltrow
Cinematography by: Paul Sarossy
Edited by: Gerald B. Greenberg
Visual Effects Supervisor
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Composite Artist: Digiscope / Digital Effects Artist
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Composite Supervisor
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Digital Compositor: Digiscope
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Composite Supervisor: Cinema Research Corp./D-rez
I Dreamed of Africa (2000)
Directed by: Hugh Hudson
Cinematography by: Bernard Lutic
Edited by: Scott Thomas
Visual Effects Supervisor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Composite Supervisor: Cinema Research Corp./D-rez
Rules of Engagement (2000)
Directed by: William Friedkin
Edited by: Augie Hess
Visual Effects Supervisor
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Digital Compositor: Digiscope
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Digital Artist
The Adventures of Elmo in Grouchland (1999)
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Lead Compositor: CRC Digital / Visual Effects Supervisor
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Visual Effects Supervisor: CRC Digital
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Visual Effects Supervisor
The Omega Code (1999)
Directed by: Robert Marcarelli
Cinematography by: Carlos González
Visual Effects Supervisor
Girl, Interrupted (1999)
Directed by: James Mangold
Cinematography by: Jack N. Green
Edited by: Kevin Tent
Digital Effects Supervisor: Cinema Research Corp./D-rez
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Cinema Research Corp./D-rez
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Digital Artist
Best of the Best 4: Without Warning (1998)
Directed by: Phillip Rhee
Cinematography by: Michael D. Margulies
Edited by: Bert Lovitt
Digital Artist: D.Rez Hollywood
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Composite Supervisor: Cinema Research Corp./D-rez
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Digital Magic
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Composite Supervisor: Digital Magic
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Visual Effects Supervisor
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
In House Visual Effects Supervisor: Digital Magic
Wishmaster (1997)
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Digital Visual Effects Supervisor: Digital Magic Company
Money Talks (1997)
Directed by: Brett Ratner
Edited by: Mark Helfrich
Composite Supervisor: Digital Magic
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Visual Effects Supervisor
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Digital Compositor: Cinema Research Corp./D-rez
That Thing You Do! (1996)
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Matte Painter
Larger Than Life (1996)
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Digital Compositor
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Composite Supervisor: Digital Magic
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Digital Effects Department Supervisor: Digital Magic Company
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Digital Compositor: Digiscope
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Digital Compositor: Digital Magic Company
The Prophecy (1995)
Directed by: Gregory Widen
Edited by: Sonny Baskin
Compositor / Previs Design Artist
Powder (1995)
Directed by: Victor Salva
Cinematography by: Jerzy Zielinski
Edited by: Dennis M. Hill
Digital Artist: Cinema Research Corp./D-rez
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Digital Artist - 2001 Version
Siu nin Wong Fei Hung chi: Tit ma lau (1993)
Directed by: Woo-Ping Yuen
