Supervising Production Coordinator
He's Just Not That Into You (2009)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Supervising Production Coordinator
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Supervising Production Coordinator
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Supervising Production Coordinator
My Sister's Keeper (2009)
Directed by: Nick Cassavetes
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Platinum Camera
Supervising Production Coordinator
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Supervising Production Coordinator
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Supervising Production Coordinator
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Supervising Production Coordinator
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Supervising Production Coordinator
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Supervising Production Coordinator
Semi-Pro (2008)
Directed by: Kent Alterman
Cinematography by: Shane Hurlbut
Supervising Production Coordinator
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Supervising Production Coordinator
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Supervising Production Coordinator
The Number 23 (2007)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Supervising Production Coordinator
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Supervising Production Coordinator
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Supervising Production Coordinator
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Supervising Production Coordinator
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Supervising Production Coordinator
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Supervising Production Coordinator
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Supervising Production Coordinator
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Supervising Production Coordinator
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Supervising Production Coordinator
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Supervising Production Coordinator
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Supervising Production Coordinator
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Supervising Production Coordinator
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Supervising Production Coordinator
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Supervising Production Coordinator
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Supervising Production Coordinator
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Supervising Production Coordinator
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Coordinator: New Line Cinema
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Supervising Production Coordinator
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Supervising Production Coordinator
Dumb and Dumberer: When Harry Met Lloyd (2003)
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Supervising Production Coordinator
The Sleeping Dictionary (2003)
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Supervising Production Coordinator
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Supervising Production Coordinator / Supervising Production Coordinator
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Supervising Production Coordinator
Cheats (2002)
Directed by: Andrew Gurland
Cinematography by: Fred Murphy
Edited by: Troy Takaki
Supervising Production Coordinator
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Supervising Production Coordinator
All About the Benjamins (2002)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines
Coordinator: New Line Cinema
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Supervising Production Coordinator
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Coordinator: New Line Cinema
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Supervising Production Coordinator
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Supervising Production Coordinator
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Supervising Production Coordinator
Life as a House (2001)
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Supervising Production Coordinator
Blow (2001)
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Supervising Production Coordinator
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Supervising Production Coordinator
Boiler Room (2000)
Directed by: Ben Younger
Cinematography by: Enrique Chediak
Edited by: Chris Peppe
Supervising Production Coordinator
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Supervising Production Coordinator
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
In-house Production Coordinator
The Bachelor (1999)
Directed by: Gary Sinyor
Cinematography by: Simon Archer
Supervising Production Coordinator
The Corruptor (1999)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Supervising Production Coordinator
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Production Coordinator
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Supervising Production Coordinator
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
In-house Production Coordinator
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
In-house Production Coordinator: New York
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
In-house Production Controller
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
In-house Production Coordinator
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
In-house Production Coordinator
Woo (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
In-house Coordinator
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
In-house Coordinator
American History X (1998)
Directed by: Tony Kaye
Cinematography by: Tony Kaye
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
In-house Production Coordinator
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
In-house Production Coordinator
Love Jones (1997)
Directed by: Theodore Witcher
Cinematography by: Ernest Holzman
Edited by: Maysie Hoy
Cameras: Panavision Cameras
In-house Production Coordinator
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Production Coordinator: In-house
Julian Po (1997)
Directed by: Alan Wade
Cinematography by: Bernd Heinl
Edited by: Jeffrey Wolf
In-house Coordinator
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
In-house Coordinator
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
In-house Production Coordinator
B*A*P*S (1997)
Directed by: Robert Townsend
Cinematography by: Bill Dill
Edited by: Patrick Kennedy
Production Coordinator: In-house
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
In-house Production Coordinator
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
In-house Production Coordinator
In Love and War (1996)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
In-house Coordinator
Last Man Standing (1996)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
In-house Production Coordinator
Mother Night (1996)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
In-house Production Coordinator
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
In-house Production Coordinator
Pie in the Sky (1995)
Directed by: Bryan Gordon
Cinematography by: Bernd Heinl
Edited by: Colleen Halsey
Supervising Production Coordinator
Friday (1995)
Directed by: F. Gary Gray
Cinematography by: Gerry Lively
Edited by: John Carter
Assistant Production Coordinator
The Mask (1994)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Cameras: Panavision Panaflex Series Cameras
Lenses: Zeiss Lenses
