Edouard F. Henriques

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Transformers: The Last Knight | ShotOnWhat?

Department Head Makeup Artist

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Makeup Department Head

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Trumbo | ShotOnWhat?

Key Makeup Artist

Trumbo (2015)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Transformers: Age of Extinction | ShotOnWhat?

Makeup Department Head

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

American Sniper | ShotOnWhat?

Makeup Artist

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Gangster Squad | ShotOnWhat?

Makeup Artist

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

A Good Day to Die Hard | ShotOnWhat?

Makeup Artist

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Pain & Gain | ShotOnWhat?

Makeup Department Head

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Makeup Artist

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

The Hunger Games | ShotOnWhat?

Makeup Artist

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Department Head Makeup Artist

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Makeup Department Head: Second Unit

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Unstoppable | ShotOnWhat?

Department Head Makeup Artist

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Way Back | ShotOnWhat?

Makeup Department Head

The Way Back (2010)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Makeup Department Head

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Frost/Nixon | ShotOnWhat?

Makeup Department Head

Frost/Nixon (2008)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill, Robert Komatsu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Editing System: Avid Editing System

National Treasure: Book of Secrets | ShotOnWhat?

Makeup Department Head

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers | ShotOnWhat?

Live Free or Die Hard | ShotOnWhat?

Makeup Department Head: Second Unit

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Poseidon | ShotOnWhat?

Makeup Department Head

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Deja Vu | ShotOnWhat?

Makeup Department Head

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

The Island | ShotOnWhat?

Makeup Department Head

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Terminal | ShotOnWhat?

Makeup Department Head

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

The Alamo | ShotOnWhat?

Makeup Department Head

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Master and Commander: The Far Side of the World | ShotOnWhat?

Makeup Department Head

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Sum of All Fears | ShotOnWhat?

Makeup Artist: Mr. Affleck

The Sum of All Fears (2002)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

Austin Powers in Goldmember | ShotOnWhat?

Makeup Artist: Mr. Caine

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

K-PAX | ShotOnWhat?

Makeup Artist: Mr. Bridges

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

Pearl Harbor | ShotOnWhat?

Makeup Artist: Mr. Affleck

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

All the Pretty Horses | ShotOnWhat?

Makeup Artist

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Cell | ShotOnWhat?

Key Makeup Artist

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Arlington Road | ShotOnWhat?

Makeup Artist: Mr. Bridges

Arlington Road (1999)

Directed by: Mark Pellington

Cinematography by: Bobby Bukowski

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Simpatico | ShotOnWhat?

Makeup Department Head

Simpatico (1999)

Directed by: Matthew Warchus

Cinematography by: John Toll

Edited by: Pasquale Buba, Seth Flaum

Armageddon | ShotOnWhat?

Makeup Department Head

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Big Lebowski | ShotOnWhat?

Makeup Artist: Mr. Bridges

The Big Lebowski (1998)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera

Batman & Robin | ShotOnWhat?

Makeup Artist

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Matilda | ShotOnWhat?

Makeup Artist

Matilda (1996)

Directed by: Danny DeVito

Cinematography by: Stefan Czapsky

Edited by: Lynzee Klingman, Brent White

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Mirror Has Two Faces | ShotOnWhat?

Makeup Artist

The Mirror Has Two Faces (1996)

Directed by: Barbra Streisand

Cinematography by: Andrzej Bartkowiak, Dante Spinotti

Edited by: Jeff Werner

Cameras: Panavision Panaflex Camera

Batman Forever | ShotOnWhat?

Makeup Artist

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Wild Bill | ShotOnWhat?

Makeup Artist: Jeff Bridges

Wild Bill (1995)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

North | ShotOnWhat?

Makeup Artist

North (1994)

Directed by: Rob Reiner

Cinematography by: Adam Greenberg

Edited by: Robert Leighton

Blown Away | ShotOnWhat?

Key Makeup Artist

Blown Away (1994)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

Fearless | ShotOnWhat?

Makeup Artist

Fearless (1993)

Directed by: Peter Weir

Cinematography by: Allen Daviau

Edited by: William M. Anderson, Armen Minasian, Lee Smith

The Vanishing | ShotOnWhat?

Makeup Supervisor

The Vanishing (1993)

Directed by: George Sluizer

Cinematography by: Peter Suschitzky

Edited by: Bruce Green

Far and Away | ShotOnWhat?

Makeup Artist

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

A Few Good Men | ShotOnWhat?

Makeup Artist

A Few Good Men (1992)

Directed by: Rob Reiner

Cinematography by: Robert Richardson

Edited by: Robert Leighton, Steven Nevius

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Three Fugitives | ShotOnWhat?

Makeup Artist: Nick Nolte

Three Fugitives (1989)

Directed by: Francis Veber

Cinematography by: Haskell Wexler

Edited by: Bruce Green

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Extreme Prejudice | ShotOnWhat?

Makeup Artist: Mr. Nolte

Extreme Prejudice (1987)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Freeman A. Davies, David Holden, Billy Weber

Down and Out in Beverly Hills | ShotOnWhat?

Additional Makeup Artist

Down and Out in Beverly Hills (1986)

Directed by: Paul Mazursky

Cinematography by: Donald McAlpine

Edited by: Richard Halsey

Blue City | ShotOnWhat?

Makeup Artist

Blue City (1986)

Directed by: Michelle Manning

Cinematography by: Steven Poster

Edited by: Ross Albert

Warning Sign | ShotOnWhat?

Supervising Makeup Artist

Warning Sign (1985)

Directed by: Hal Barwood

Cinematography by: Dean Cundey

Edited by: Robert Lawrence

48 Hrs. | ShotOnWhat?

Makeup Artist

48 Hrs. (1982)

Directed by: Walter Hill

Cinematography by: Ric Waite

Edited by: Freeman A. Davies, Mark Warner, Billy Weber

Cannery Row | ShotOnWhat?

Makeup Artist

Cannery Row (1982)

Directed by: David S. Ward

Cinematography by: Sven Nykvist

Edited by: David Bretherton

Cat People | ShotOnWhat?

Effects Makeup Artist

Cat People (1982)

Directed by: Paul Schrader

Cinematography by: John Bailey

Edited by: Jacqueline Cambas, Jere Huggins, Ned Humphreys

Heart Beat | ShotOnWhat?

Makeup Artist

Heart Beat (1980)

Directed by: John Byrum

Cinematography by: László Kovács

Edited by: Eric Jenkins

Prophecy | ShotOnWhat?

Prop Manufacturer: Artifacts, The Burman's Studio , Special Makeup: Manufacturer, The Burman's Studio

Prophecy (1979)

Directed by: John Frankenheimer

Cinematography by: Harry Stradling Jr.

Edited by: Tom Rolf

Who'll Stop the Rain | ShotOnWhat?

Makeup Artist

Who'll Stop the Rain (1978)

Directed by: Karel Reisz

Cinematography by: Richard H. Kline

The Deep | ShotOnWhat?

Makeup Artist

The Deep (1977)

Directed by: Peter Yates

Cinematography by: Christopher Challis

Edited by: David Berlatsky

Cameras: ARRIFLEX 35 IIC Camera

Lenses: Panavision Lenses

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