Plaster Foreman
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Lead Plaster/staff Shop Supervisor
The Butler (2013)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Lead Plasterer
Beautiful Creatures (2013)
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Plaster Gang Boss
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Lead Plaster Foreman
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Lead Plaster/staff Shop Supervisor
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Lead Plasterer
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Plaster Gangboss
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Lead Plaster Foreman
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Plaster Gang Boss
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Lead Plaster Foreman
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Lead Plaster Foreman
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Plaster Foreman
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Plaster Gang Boss
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Lead Plaster Foreman
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Plasterer
Ocean's Thirteen (2007)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Plaster Gang Boss
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lead Plaster Foreman
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Plasterer
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Plaster Gang Boss
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Plaster Gang Boss
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Plaster Gangboss
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Lead Plaster Foreman
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Lead Plaster Foreman
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Plasterer
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Lead Plaster Foreman
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Plaster Gang Boss
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Plaster Foreman
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Plaster Foreman
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Plaster Foreman
Identity (2003)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Plasterer
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Plaster Foreman
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Mold Maker
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Plaster Foreman
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Plaster Gang Boss
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Plaster Foreman
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Lead Plaster Foreman
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Plaster Foreman
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Plasterer Gang Boss
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Plaster Foreman
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Lead Plaster Foreman
The Extreme Adventures of Super Dave (2000)
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Plaster Gang Boss
Coyote Ugly (2000)
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Mold Maker
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Plaster Foreman
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mold Maker
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Mold Maker
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Plasterer Foreman
Out of Sight (1998)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Plasterer
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Plaster Foreman
Krippendorf's Tribe (1998)
Directed by: Todd Holland
Cinematography by: Dean Cundey
Edited by: Jon Poll
Cameras: Panavision Cameras
Plaster Foreman
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Plaster Gang Boss
Liar Liar (1997)
Directed by: Tom Shadyac
Cinematography by: Russell Boyd
Edited by: Don Zimmerman
