Miss Vera
'Them' Day 7: Morning (2021)
Directed by: Craig William Macneill
Cinematography by: Xavier Grobet
Edited by: Kevin D. Ross
Miss Vera
'Them' Day 3 (2021)
Directed by: Nelson Cragg
Cinematography by: Xavier Grobet
Edited by: David Kashevaroff
Miss Vera
Them (2021)
Cinematography by: Checco Varese
Edited by: David Kashevaroff, Jeff Israel, Kevin D. Ross, Genevieve Butler, Dan Downer, Andrew Parkhurst, Daniel Williams
Cameras: Sony CineAlta VENICE Camera
Lab Tech For K.N.B. Efx Group
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effect Lab Tech: K.N.B. Efx Group
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Special Effects Tech: K.N.B. Efx Group
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Special Effects Technician: K.N.B. Efx Group
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Make-up Artist: KNB EFX Group
'The Walking Dead' Not Tomorrow Yet (2016)
Directed by: Greg Nicotero
Cinematography by: Michael E. Satrazemis
Edited by: Avi Youabian
Special Effects Technician: K.N.B. Efx Group
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Make-up Artist: KNB EFX Group
'The Walking Dead' The Distance (2015)
Directed by: Larysa Kondracki
Cinematography by: Michael E. Satrazemis
Edited by: Dan Liu
Special Effects Technician: K.N.B. Efx Group
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Make-up Artist: KNB EFX Group
'The Walking Dead' Start to Finish (2015)
Directed by: Michael E. Satrazemis
Cinematography by: Stephen Campbell
Edited by: Dan Liu
Special Effects Tech: K.N.B. Efx Group
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Lab Tech: K.N.B. EFX Group
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Special Effects Technician: K.N.B. Efx Group
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Lab Technician: KNB EFX Group, Inc.
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Silicone Casting For Fractured Fx
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Special Effects Tech: K.N.B. Efx Group
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Special Effects Lab Tech K.N.B. Efx Group
Machete Kills (2013)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: ARRI ALEXA Plus Camera
Lab Tech: K.N.B. EFX Group
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Special Effects Tech: K.N.B. Efx Group
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Lab Tech: K.N.B. EFX Group
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Special Effects Technician For K.N.B. Efx Group
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Special Effects Tech: K.N.B. Efx Group
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Special Effects Technician
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Lab Tech: K.N.B. EFX Group
Maniac (2012)
Directed by: Franck Khalfoun
Cinematography by: Maxime Alexandre
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Special Makeup Effects Fabricator/art Department
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Special Effects Tech: K.N.B. Efx Group
The Man with the Iron Fists (2012)
Directed by: RZA
Cinematography by: Chi-Ying Chan
Edited by: Joe D'Augustine
Lab Tech: K.N.B. Efx Group
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Silicone Replica Department: KNB EFX Group
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Special Effects Tech: K.N.B. Efx Group
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Lab Tech And Silicone Casting: K.N.B. Efx Group
'Breaking Bad' Face Off (2011)
Directed by: Vince Gilligan
Cinematography by: Michael Slovis
Edited by: Skip Macdonald
Special Effects Tech: K.N.B. Efx Group
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Special Effects Lab Tech: KNB EFX Group
'The Walking Dead' Bloodletting (2011)
Directed by: Ernest R. Dickerson
Cinematography by: David Boyd
Edited by: Nathan Gunn
Special Effects Lab Tech: KNB EFX Group
'The Walking Dead' What Lies Ahead (2011)
Cinematography by: David Boyd
Special Effects Technician
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Special Effects Lab Tech: K.N.B. Efx Group
Drive (2011)
Directed by: Nicolas Winding Refn
Cinematography by: Newton Thomas Sigel
Edited by: Matthew Newman
Special Effects Lab Tech: K.N.B. Efx Group
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Art Department: KNB EFX Group
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Special Effects Tech: K.N.B. Efx Group
The Ward (2010)
Directed by: John Carpenter
Cinematography by: Yaron Orbach
Edited by: Patrick McMahon
Cameras: Moviecam Compact MK2 Camera
Lenses: Zeiss Ultra Prime Lenses
Special Effects Tech For Quantum Creations
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Special Effects Technician: KNB EFX Group
'The Walking Dead' Days Gone Bye (2010)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Hunter M. Via
Make-up Artist: KNB EFX Group
'The Walking Dead' Guts (2010)
Directed by: Michelle MacLaren
Cinematography by: David Boyd
Edited by: Julius Ramsay
Special Effects Technician: KNB EFX Group
'The Walking Dead' Tell It to the Frogs (2010)
Directed by: Gwyneth Horder-Payton
Cinematography by: David Boyd
Edited by: Hunter M. Via
Make-up Artist: KNB EFX Group - 3 Episodes, 2015-2016, Special Effects Lab Tech: KNB EFX Group - 2 Episodes, 2011, Special Effects Technician: KNB EFX Group / Make-up Artist: KNB EFX Group - 3 Episodes, 2010
The Walking Dead (2010)
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Special Effects Tech: Quantum Creations
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Art Department: KNB EFX Group / Fabricator: KNB EFX Group
Shorts (2009)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Lab Technician: K.N.B. EFX Group
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Makeup Effects Art Department
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Mold And Lab Crew: KNB EFX Group, Special Effects Technician: K.N.B. Effects Group
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Special Effects Tech: K.N.B. Efx Group
Survival of the Dead (2009)
Directed by: George A. Romero
Cinematography by: Adam Swica
Edited by: Michael Doherty
Special Effects Technician: K.N.B. Effects Group
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Special Effects Technician: K.N.B. Effects Group
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Art Department: KNB EFX Group, Special Effects Technician: K.N.B. Effects Group
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Technician: K.N.B. Effects Group
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Lab Technician: K.N.B. EFX Group
Parasomnia (2008)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Anthony Adler
Lab Tech And Silicone Casting: K.N.B. Efx Group - 1 Episode, 2011
Breaking Bad (2008)
Directed by: Michelle MacLaren, Adam Bernstein, Vince Gilligan, Colin Bucksey, Michael Slovis, Bryan Cranston, Terry McDonough, Johan Renck, Rian Johnson, Scott Winant, Peter Gould, Tricia Brock, Bronwen Hughes, Tim Hunter, Jim McKay, Phil Abraham, John Dahl, Félix Enríquez Alcalá, Charles Haid, Peter Medak, John Shiban, David Slade, George Mastras, Thomas Schnauz, Sam Catlin
Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams
Special Effects Technician: K.N.B. Effects Group
Seven Pounds (2008)
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lab Tech: K.N.B. EFX Group
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Special Effects Technician: K.N.B. Effects Group
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Special Makeup Effects Art Department: K.N.B. EFX Group, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Special Effects Lab Tech: K.N.B. Efx Group
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Prop Animal Effects: K.N.B. Efx
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Special Effects Technician: K.n.b. Efx Group
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Special Effects Technician
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Special Makeup Effects Mold Department
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Silicone Department: KNB EFX Group
Hostel: Part II (2007)
Directed by: Eli Roth
Cinematography by: Milan Chadima
Edited by: George Folsey Jr.
Special Effects Technician: Quantum Creation Fx
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Lab Technician: K.N.B. EFX Group
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Lab Technician: KNB EFX Group
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lab Technician: K.N.B. EFX
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Lab Technician
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Special Effects Technician: K.N.B. EFX
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Special Effects Technician: M.M.I.
Hatchet (2006)
Directed by: Adam Green
Cinematography by: Will Barratt
Edited by: Christopher Roth
Prop Fabrication: K.N.B. EFX
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Special Effects Technician: KNB EFX
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Special Effects Technician: K.N.B. EFX
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Special Effects Technician
'Salem's Lot' Episode #1.2 (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Special Effects Technician
'Salem's Lot' Episode #1.1 (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Life Cast, Mold Maker, Prop Fabrication: W.M. Creations
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Special Effects Technician: W.M. Creations
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Special Effects Technician - 2 Episodes, 2004
Salem's Lot (2004)
Directed by: Mikael Salomon
Cinematography by: Ben Nott
Edited by: Robert A. Ferretti
Lenses: Cooke S4 Lenses
Corpse Fabricator: Ghostride Production
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Mold Maker/special Makeup Effects Artist: S.M.G. EFX
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Feather Dyeing & Airbrushing: Vincent Guastini Productions
Dogma (1999)
Directed by: Kevin Smith
Cinematography by: Robert D. Yeoman
Special Effects Technician: Altered Anatomy EFX
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
