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Dracula Untold | ShotOnWhat?

Special Effects Supervisor

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Grand Budapest Hotel | ShotOnWhat?

Special Effects Supervisor: Nefzer Babelsberg

The Grand Budapest Hotel (2014)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Editing System: Avid Editing System

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Special Effects Supervisor: Second Unit

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Rush | ShotOnWhat?

Special Effects Supervisor

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

A Good Day to Die Hard | ShotOnWhat?

Special Effects Supervisor: Second Unit

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Book Thief | ShotOnWhat?

Special Effects Supervisor

The Book Thief (2013)

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Cloud Atlas | ShotOnWhat?

Special Effects Supervisor

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Day of the Falcon | ShotOnWhat?

Special Effects Supervisor

Day of the Falcon (2011)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Hervé Schneid

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Largo Winch II | ShotOnWhat?

Special Effects Supervisor

Largo Winch II (2011)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Stan Collet

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-5D Mark II Camera

Your Highness | ShotOnWhat?

Special Effects Supervisor

Your Highness (2011)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Ninja Assassin | ShotOnWhat?

Special Effects Supervisor

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

Pandorum | ShotOnWhat?

Special Effects Supervisor: Splinter Unit

Pandorum (2009)

Directed by: Christian Alvart

Cinematography by: Wedigo von Schultzendorff

Edited by: Philipp Stahl, Yvonne Valdez

Inglourious Basterds | ShotOnWhat?

Special Effects Supervisor

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mr. Nobody | ShotOnWhat?

Special Effects Supervisor

Mr. Nobody (2009)

Directed by: Jaco Van Dormael

Cinematography by: Christophe Beaucarne

Edited by: Susan Shipton, Matyas Veress

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

Speed Racer | ShotOnWhat?

Special Effects Supervisor

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

The Baader Meinhof Complex | ShotOnWhat?

Special Effects Supervisor

The Baader Meinhof Complex (2008)

Directed by: Uli Edel

Cinematography by: Rainer Klausmann

Edited by: Alexander Berner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Master Prime Lenses

Eragon | ShotOnWhat?

Special Effects Supervisor: Second Unit

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Perfume: The Story of a Murderer | ShotOnWhat?

Special Effects Supervisor

Perfume: The Story of a Murderer (2006)

Directed by: Tom Tykwer

Cinematography by: Frank Griebe

Edited by: Alexander Berner

V for Vendetta | ShotOnWhat?

Special Effects Supervisor

V for Vendetta (2005)

Directed by: James McTeigue

Cinematography by: Adrian Biddle

Edited by: Martin Walsh

Doom | ShotOnWhat?

Special Effects Floor Supervisor: Second Unit

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

Two Brothers | ShotOnWhat?

Special Effects Director

Two Brothers (2004)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Noëlle Boisson

Cameras: ARRIFLEX 435 Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Classic Spherical Lenses

Downfall | ShotOnWhat?

Special Effects Supervisor

Downfall (2004)

Directed by: Oliver Hirschbiegel

Cinematography by: Rainer Klausmann

Edited by: Hans Funck

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Ultra Prime Lenses

The Bourne Supremacy | ShotOnWhat?

Special Effects Supervisor

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Equilibrium | ShotOnWhat?

Special Effects Supervisor

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Enemy at the Gates | ShotOnWhat?

Special Effects Supervisor

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

A Dog of Flanders | ShotOnWhat?

Special Effects Supervisor

A Dog of Flanders (1999)

Directed by: Kevin Brodie

Cinematography by: Walther van den Ende

Edited by: Annamaria Szanto

Cameras: ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Schlaraffenland | ShotOnWhat?

Special Effects Supervisor

Schlaraffenland (1999)

Directed by: Friedemann Fromm

Cinematography by: Jo Heim

Edited by: Eva Schnare

Ballermann 6 | ShotOnWhat?

Special Effects Supervisor

Ballermann 6 (1997)

Directed by: Gernot Roll, Tom Gerhardt

Cinematography by: Gernot Roll

Edited by: Norbert Herzner

Rob Roy | ShotOnWhat?

Special Effects Coordinator

Rob Roy (1995)

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter Honess

"Heidi" Part I | ShotOnWhat?

Special Effects Best Boy

'Heidi' Part I (1993)

Television Episode

Directed by: Michael Ray Rhodes

Cinematography by: Dennis C. Lewiston

Edited by: Randy Jon Morgan

"Heidi" Part II | ShotOnWhat?

Special Effects Best Boy

'Heidi' Part II (1993)

Television Episode

Directed by: Michael Ray Rhodes

Cinematography by: Dennis C. Lewiston

Edited by: Randy Jon Morgan

Heidi | ShotOnWhat?

Special Effects Best Boy - 2 Episodes, 1993

Heidi (1993)

Directed by: Michael Ray Rhodes

Cinematography by: Dennis C. Lewiston

Edited by: Randy Jon Morgan

The Bear | ShotOnWhat?

Floor Supervisor

The Bear (1988)

Directed by: Jean-Jacques Annaud

Cinematography by: Philippe Rousselot

Edited by: Noëlle Boisson

The Living Daylights | ShotOnWhat?

Special Effects Technician: Austria

The Living Daylights (1987)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: Peter Davies, John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Babes in Toyland | ShotOnWhat?

Special Effects Technician

Babes in Toyland (1986)

Television Movie

Directed by: Clive Donner

Cinematography by: Arthur Ibbetson

Edited by: Susan Heick

Cameras: ARRI Cameras

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