Steven Cueva

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12 Strong | ShotOnWhat?

First Assistant Camera: "b" Camera

12 Strong (2018)

Directed by: Nicolai Fuglsig

Cinematography by: Rasmus Videbæk

Edited by: Lisa Lassek

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Blindspotting | ShotOnWhat?

First Assistant Camera: "a" Camera

Blindspotting (2018)

Directed by: Carlos López Estrada

Cinematography by: Robby Baumgartner

Edited by: Gabriel Fleming

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Finest Hours | ShotOnWhat?

B Cam First Ac

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Captain America: The Winter Soldier | ShotOnWhat?

First Assistant Camera: "a" Camera, Los Angeles

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Godzilla | ShotOnWhat?

"b" Camera: Additional Photography

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Divergent | ShotOnWhat?

First Assistant Camera: "a" Camera, Second Unit

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Cake | ShotOnWhat?

B Camera 1st Assistant Camera

Cake (2014)

Directed by: Daniel Barnz

Cinematography by: Rachel Morrison

Edited by: Kristina Boden, Michelle Harrison

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Inherent Vice | ShotOnWhat?

First Assistant Camera: "b" Camera

Inherent Vice (2014)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Nightcrawler | ShotOnWhat?

First Assistant Camera

Nightcrawler (2014)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Selma | ShotOnWhat?

First Assistant Camera: A Camera 2nd Unit

Selma (2014)

Directed by: Ava DuVernay

Cinematography by: Bradford Young

Edited by: Spencer Averick

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses

After Earth | ShotOnWhat?

First Assistant Camera: "b" Camera

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

First Assistant Camera

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Way Way Back | ShotOnWhat?

First Assistant Camera: "a" Camera

The Way Way Back (2013)

Directed by: Nat Faxon, Jim Rash

Cinematography by: John Bailey

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lovelace | ShotOnWhat?

First Assistant Camera: "b" Camera

Lovelace (2013)

Directed by: Rob Epstein, Jeffrey Friedman

Cinematography by: Eric Alan Edwards

Edited by: Robert Dalva, Matt Landon

Cameras: ARRIFLEX 416 Camera

Lenses: Canon Lenses, Clairmont Anamorphic Lenses, Zeiss Lenses

2 Guns | ShotOnWhat?

First Assistant Camera: "a" Camera, Second Unit, Los Angeles

2 Guns (2013)

Directed by: Baltasar Kormákur

Cinematography by: Oliver Wood

Edited by: Michael Tronick

Cameras: Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses

Lone Survivor | ShotOnWhat?

First Assistant Camera: Action Unit

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Gangster Squad | ShotOnWhat?

First Assistant Camera: "c" Camera, Second Unit/additional Photography

Gangster Squad (2013)

Directed by: Ruben Fleischer

Cinematography by: Dion Beebe

Edited by: Alan Baumgarten, James Herbert

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Ray Donovan | ShotOnWhat?

First Assistant Camera: "b" Camera - 12 Episodes, 2013

Ray Donovan (2013)

Television Series

Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff

Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

"Ray Donovan" The Bag or the Bat | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' The Bag or the Bat (2013)

Television Episode

Directed by: Allen Coulter

Cinematography by: Matthew Jensen

Edited by: Sidney Wolinsky

"Ray Donovan" A Mouth Is a Mouth | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' A Mouth Is a Mouth (2013)

Television Episode

Directed by: Allen Coulter

Cinematography by: Matthew Jensen

Edited by: Sidney Wolinsky

"Ray Donovan" Twerk | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Twerk (2013)

Television Episode

Directed by: Greg Yaitanes

Cinematography by: Matthew Jensen

Edited by: Peter B. Ellis

"Ray Donovan" Black Cadillac | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Black Cadillac (2013)

Television Episode

Directed by: John Dahl

Cinematography by: Matthew Jensen

Edited by: Lynne Willingham

"Ray Donovan" The Golem | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' The Golem (2013)

Television Episode

Directed by: Daniel Attias

Cinematography by: Loren S. Yaconelli

Edited by: Sidney Wolinsky

"Ray Donovan" Housewarming | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Housewarming (2013)

Television Episode

Directed by: Michael Uppendahl

Cinematography by: Matthew Jensen

Edited by: Peter B. Ellis

"Ray Donovan" New Birthday | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' New Birthday (2013)

Television Episode

Directed by: Lesli Linka Glatter

Cinematography by: Matthew Jensen, Robert McLachlan

Edited by: Lynne Willingham

"Ray Donovan" Bridget | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Bridget (2013)

Television Episode

Directed by: Guy Ferland

Cinematography by: Matthew Jensen

Edited by: Sidney Wolinsky

"Ray Donovan" Road Trip | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Road Trip (2013)

Television Episode

Directed by: Jeremy Podeswa

Cinematography by: Matthew Jensen

Edited by: Peter B. Ellis

"Ray Donovan" Fite Nite | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Fite Nite (2013)

Television Episode

Directed by: Tucker Gates

Cinematography by: Matthew Jensen

Edited by: Lynne Willingham

"Ray Donovan" Bucky Fuckn' Dent | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Bucky Fuckin' Dent (2013)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Matthew Jensen

Edited by: Sidney Wolinsky

"Ray Donovan" Same Exactly | ShotOnWhat?

First Assistant Camera: "b" Camera

'Ray Donovan' Same Exactly (2013)

Television Episode

Directed by: Michael Apted

Cinematography by: Matthew Jensen

Edited by: Peter B. Ellis

Playing for Keeps | ShotOnWhat?

First Assistant Camera: "a" Camera

Playing for Keeps (2012)

Directed by: Gabriele Muccino

Cinematography by: Peter Menzies Jr.

Edited by: Padraic McKinley

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Hunger Games | ShotOnWhat?

First Assistant Camera: "c" Camera

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Argo | ShotOnWhat?

First Assistant Camera: "a" Camera, Second Unit

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Columbus Circle | ShotOnWhat?

First Assistant Camera

Columbus Circle (2012)

Directed by: George Gallo

Cinematography by: Anastas N. Michos

Edited by: Malcolm Campbell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Big Miracle | ShotOnWhat?

First Assistant Camera: "a" Camera

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Water for Elephants | ShotOnWhat?

First Assistant Camera: "c" Camera

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Priest | ShotOnWhat?

First Assistant Camera

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Muppets | ShotOnWhat?

First Assistant Camera: "b" Camera

The Muppets (2011)

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Horrible Bosses | ShotOnWhat?

First Assistant Camera: Second Unit

Horrible Bosses (2011)

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

TRON | ShotOnWhat?

First Assistant Camera: "b" Camera, Additional Photography

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Edge of Darkness | ShotOnWhat?

Second Assistant Camera

Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

ExTerminators | ShotOnWhat?

First Assistant Camera

ExTerminators (2009)

Directed by: John Inwood

Cinematography by: Robby Baumgartner

Edited by: Gordon Grinberg

State of Play | ShotOnWhat?

Second Assistant Camera

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

500 Days of Summer | ShotOnWhat?

"b" Camera First Assistant Camera

500 Days of Summer (2009)

Directed by: Marc Webb

Cinematography by: Eric Steelberg

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses

All About Steve | ShotOnWhat?

Second Assistant Camera

All About Steve (2009)

Directed by: Phil Traill

Cinematography by: Tim Suhrstedt

Edited by: Rod Dean, Virginia Katz

Cameras: Panavision Cameras

Next | ShotOnWhat?

Second Assistant Camera: "a" Camera

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Pirates of the Caribbean: At World's End | ShotOnWhat?

Additional Second Assistant Camera

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Live Free or Die Hard | ShotOnWhat?

Second Assistant Camera

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

National Treasure: Book of Secrets | ShotOnWhat?

Second Assistant Camera

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers | ShotOnWhat?

First Assistant Camera: Aerial Unit

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Beowulf | ShotOnWhat?

Assistant Camera

Beowulf (2007)

Directed by: Robert Zemeckis

Cinematography by: Robert Presley

Edited by: Jeremiah O'Driscoll

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Second Assistant Camera: Second Unit

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

xXx: State of the Union | ShotOnWhat?

Second Assistant Camera

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

The Polar Express | ShotOnWhat?

Assistant Camera

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Christmas with the Kranks | ShotOnWhat?

Second Assistant Camera: "a" Camera

Christmas with the Kranks (2004)

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

13 Going on 30 | ShotOnWhat?

Second Assistant Camera

13 Going on 30 (2004)

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

Second Assistant Camera

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Radio | ShotOnWhat?

Second Assistant Camera: "a" Camera

Radio (2003)

Directed by: Michael Tollin

Cinematography by: Don Burgess

Edited by: Chris Lebenzon, Harvey Rosenstock

Cameras: Panavision Cameras

Men in Black II | ShotOnWhat?

Film Loader

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Spider-Man | ShotOnWhat?

Camera Loader

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

We Were Soldiers | ShotOnWhat?

Second Assistant Camera: Second Unit

We Were Soldiers (2002)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: William Hoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cast Away | ShotOnWhat?

Camera Loader

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Story of Us | ShotOnWhat?

Camera Loader

The Story of Us (1999)

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

Wild Wild West | ShotOnWhat?

Film Loader

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

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