Special Effects Foreman
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Special Effects Foreman
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Special Effects Supervisor
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Pyrotechnician
'Sleepy Hollow' The Vessel (2014)
Directed by: Romeo Tirone
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Pyrotechnician
'Sleepy Hollow' The Indispensable Man (2014)
Directed by: Adam Kane
Cinematography by: Robert LaBonge
Edited by: Imelda Betiong
Pyrotechnician
'Sleepy Hollow' Bad Blood (2014)
Directed by: Ken Olin
Cinematography by: Tod Campbell
Edited by: Neil Felder
Pyrotechnician
'Sleepy Hollow' Pilot (2013)
Directed by: Len Wiseman
Cinematography by: Kramer Morgenthau
Edited by: John Refoua
Pyrotechnician
'Sleepy Hollow' The Sin Eater (2013)
Directed by: Ken Olin
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Pyrotechnician
'Sleepy Hollow' Necromancer (2013)
Directed by: Paul A. Edwards
Cinematography by: Robert LaBonge
Edited by: Scott Gamzon
Pyrotechnician
'Sleepy Hollow' Sanctuary (2013)
Directed by: Liz Friedlander
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Special Effects Supervisor: Second Unit/additional Photography
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Special Effects Foreman
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Pyrotechnician
'Sleepy Hollow' The Golem (2013)
Directed by: J. Miller Tobin
Cinematography by: Robert LaBonge
Edited by: Neil Felder
Special Effects 2nd Unit Coordinator
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Pyrotechnician - 8 Episodes, 2013-2014
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Pyrotechnic Foreman
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Pyrotechnics Fx Supervisor
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects On-set Foreman
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Special Effects Coordinator
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Special Effects Foreman: Second Unit
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Special Effects Foreperson: Second Unit
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Special Effects Coordinator
Pineapple Express (2008)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Special Effects Foreman
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Special Effects Pyrotechnical Foreman
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Coordinator
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Special Effects Supervisor
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Special Effects Coordinator
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Special Effects Foreman / Special Effects Technician
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Lead Miniature Pyro Technician: Digital Domain
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Pyrotechnics Fx Supervisor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Special Effects Foreman
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Coordinator
'Angel' Supersymmetry (2002)
Directed by: Bill Norton
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Special Effects Coordinator - 1 Episode, 2002
Angel (1999)
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Special Effects Coordinator: Los Angeles
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Special Effects Foreman
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Special Effects Coordinator
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Special Effects Coordinator
Trojan War (1997)
Directed by: George Huang
Cinematography by: Dean Semler
Edited by: Ed Marx
Pyrotechnics Fx Supervisor
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Special Effects
A Low Down Dirty Shame (1994)
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
Special Effects
Poetic Justice (1993)
Directed by: John Singleton
Cinematography by: Peter Lyons Collister
Edited by: Bruce Cannon
Pyrotechnics Fx Supervisor
Schindler's List (1993)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Special Effects: Stetson Visual Services
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
