Re-recording Mixer
The Boy and the Heron (2023)
Directed by: Hayao Miyazaki
Cinematography by: Atsushi Okui
Re-recording Mixer
Les Misérables (2019)
Directed by: Ladj Ly
Cinematography by: Julien Poupard
Edited by: Flora Volpelière
Cameras: ARRI ALEXA Mini Camera
Sound Re-recording Mixer: Italian Version
'Marco Polo' Hunter and the Sable Weaver (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Sound Re-recording Mixer: Italian Version
'Marco Polo' Whitehorse (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Re-recording Mixer
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Re-recording Mixer - 4 Episodes, 2014
Fargo (2014)
Directed by: Michael Uppendahl, Keith Gordon, Randall Einhorn, Adam Bernstein, Colin Bucksey, Matt Shakman, Scott Winant, Noah Hawley, Adam Arkin, Jeffrey Reiner, Mike Barker, Dearbhla Walsh, John Cameron
Edited by: Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Re-recording Mixer
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Sound Re-recording Mixer: Italian Version
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Re-recording Mixer
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Re-recording Mixer
Brick Mansions (2014)
Directed by: Camille Delamarre
Cinematography by: Christophe Collette
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses
Re-recording Mixer
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Re-recording Mixer: Italian Version
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Sound Re-recording Mixer: Italian Version - 2 Episodes, 2016
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Re-recording Mixer
'Fargo' Eating the Blame (2014)
Directed by: Randall Einhorn
Cinematography by: Dana Gonzales
Edited by: Skip Macdonald
Re-recording Mixer
'Fargo' A Muddy Road (2014)
Directed by: Randall Einhorn
Cinematography by: Dana Gonzales
Edited by: Regis Kimble
Re-recording Mixer
'Fargo' The Rooster Prince (2014)
Directed by: Adam Bernstein
Cinematography by: Matthew J. Lloyd
Edited by: Bridget Durnford
Re-recording Mixer
'Fargo' The Crocodile's Dilemma (2014)
Directed by: Adam Bernstein
Cinematography by: Matthew J. Lloyd
Edited by: Skip Macdonald
Re-recording Mixer
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Re-recording Mixer
Turbo (2013)
Directed by: David Soren
Cinematography by: Chris Stover
Edited by: James Ryan
Re-recording Mixer
Escape Plan (2013)
Directed by: Mikael Håfström
Cinematography by: Brendan Galvin
Edited by: Elliot Greenberg
Cameras: ARRI ALEXA Camera
Re-recording Mixer
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Re-recording Mixer
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
The Intouchables (2011)
Cinematography by: Mathieu Vadepied
Edited by: Dorian Rigal-Ansous
Re-recording Mixer
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Re-recording Mixer
Carnage (2011)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Re-recording Mixer
The Last Exorcism (2010)
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Re-recording Mixer
Tooth Fairy (2010)
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Re-recording Mixer
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Re-recording Mixer
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Re-recording Mixer
The Hole (2009)
Directed by: Joe Dante
Cinematography by: Theo van de Sande
Edited by: Marshall Harvey
Re-recording Mixer
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Re-recording Mixer
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Re-recording Mixer
Antichrist (2009)
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Cameras: Phantom HD Camera, Red One Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Re-recording Mixer
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Re-recording Mixer
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Re-recording Mixer
JCVD (2008)
Directed by: Mabrouk El Mechri
Cinematography by: Pierre-Yves Bastard
Edited by: Kako Kelber
Lenses: Panavision Lenses
Re-recording Mixer
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Re-recording Mixer
The Duchess (2008)
Directed by: Saul Dibb
Cinematography by: Gyula Pados
Edited by: Masahiro Hirakubo
Re-recording Mixer
The Wrestler (2008)
Directed by: Darren Aronofsky
Cinematography by: Maryse Alberti
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera
Re-recording Mixer
The Other Man (2008)
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Re-recording Mixer
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Re-recording Mixer
Three Monkeys (2008)
Directed by: Nuri Bilge Ceylan
Cinematography by: Gökhan Tiryaki
Re-recording Mixer
The Diving Bell and the Butterfly (2007)
Directed by: Julian Schnabel
Cinematography by: Janusz Kaminski
Edited by: Juliette Welfling
Cameras: ARRIFLEX 435 Camera
Re-recording Mixer
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
30 Days of Night (2007)
Directed by: David Slade
Cinematography by: Jo Willems
Edited by: Art Jones
Re-recording Mixer
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Re-recording Mixer
The Secret of the Grain (2007)
Directed by: Abdellatif Kechiche
Cinematography by: Lubomir Bakchev
Cameras: Sony HDW-F900 Camera
Re-recording Mixer
Battle in Seattle (2007)
Directed by: Stuart Townsend
Cinematography by: Barry Ackroyd
Re-recording Mixer
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Re-recording Mixer
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Re-recording Mixer
The Ron Clark Story (2006)
Directed by: Randa Haines
Cinematography by: Derick V. Underschultz
Edited by: Heather Persons
Re-recording Mixer
Die Höhle des gelben Hundes (2005)
Directed by: Byambasuren Davaa
Cinematography by: Daniel Schönauer
Edited by: Sarah Clara Weber
Re-recording Mixer
Ashura-jô no hitomi (2005)
Directed by: Yôjirô Takita
Cinematography by: Katsumi Yanagijima
Edited by: Nobuko Tomita
Re-recording Mixer
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Re-recording Mixer
Yogen (2004)
Directed by: Norio Tsuruta
Cinematography by: Naoki Kayano
Edited by: Hiroshi Sunaga
Re-recording Mixer
Casshern (2004)
Directed by: Kazuaki Kiriya
Cinematography by: Kazuaki Kiriya
Edited by: Kazuaki Kiriya
Re-recording Mixer
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
Il fuggiasco (2003)
Directed by: Andrea Manni
Cinematography by: Massimo Pau
Edited by: Alberto Lardani
Re-recording Mixer
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Re-recording Mixer
Luther (2003)
Directed by: Eric Till
Cinematography by: Robert Fraisse
Edited by: Clive Barrett
Cameras: ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Re-recording Mixer
The Good Girl (2002)
Directed by: Miguel Arteta
Cinematography by: Enrique Chediak
Edited by: Jeff Betancourt
Re-recording Mixer
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Adr Sound Technician
Vajont - La diga del disonore (2001)
Directed by: Renzo Martinelli
Cinematography by: Blasco Giurato
Edited by: Massimo Quaglia
Re-recording Mixer
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Re-recording Mixer
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Re-recording Mixer
Dungeons & Dragons (2000)
Directed by: Courtney Solomon
Cinematography by: Douglas Milsome
Edited by: Caroline Ross
Re-recording Mixer
RKO 281 (1999)
Directed by: Benjamin Ross
Cinematography by: Mike Southon
Edited by: Alex Mackie
Sound Dubbing Mixer
Stealing Beauty (1996)
Directed by: Bernardo Bertolucci
Cinematography by: Darius Khondji
Edited by: Pietro Scalia
Adr Mixer
DragonHeart (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson