J.A.C. Redford

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Elemental | ShotOnWhat?

Supervising Orchestrator

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Lead Orchestrator

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

1917 | ShotOnWhat?

Orchestrator

1917 (2019)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Editing System: Avid Editing System

Victoria & Abdul | ShotOnWhat?

Orchestrator

Victoria & Abdul (2017)

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Melanie Oliver

Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses

Passengers | ShotOnWhat?

Orchestrator

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Finding Dory | ShotOnWhat?

Orchestrator

Finding Dory (2016)

Directed by: Andrew Stanton, Angus MacLane

Cinematography by: Jeremy Lasky

Edited by: Axel Geddes

Spectre | ShotOnWhat?

Orchestrator

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Le dernier loup | ShotOnWhat?

Orchestrator

Le dernier loup (2015)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Reynald Bertrand

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens

The 33 | ShotOnWhat?

Conductor / Orchestrator

The 33 (2015)

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Michael Tronick

Cameras: ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Bridge of Spies | ShotOnWhat?

Orchestrator

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Get on Up | ShotOnWhat?

Orchestrator

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

The Judge | ShotOnWhat?

Orchestrator

The Judge (2014)

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Saving Mr. Banks | ShotOnWhat?

Orchestrator

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Monsters University | ShotOnWhat?

Score Orchestrator

Monsters University (2013)

Directed by: Dan Scanlon

Edited by: Greg Snyder

The Amazing Spider-Man | ShotOnWhat?

Orchestrator

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

For Greater Glory: The True Story of Cristiada | ShotOnWhat?

Orchestrator

For Greater Glory: The True Story of Cristiada (2012)

Directed by: Dean Wright

Cinematography by: Eduardo Martínez Solares

Edited by: Richard Francis-Bruce, Mike Jackson

Cameras: ARRIFLEX 435 Camera

Lenses: Zeiss Lenses

Skyfall | ShotOnWhat?

Orchestrator

Skyfall (2012)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Adjustment Bureau | ShotOnWhat?

Orchestrator

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Day of the Falcon | ShotOnWhat?

Orchestrator

Day of the Falcon (2011)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Hervé Schneid

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Best Exotic Marigold Hotel | ShotOnWhat?

Orchestrator

The Best Exotic Marigold Hotel (2011)

Directed by: John Madden

Cinematography by: Ben Davis

Edited by: Chris Gill

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Help | ShotOnWhat?

Orchestrator

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Iron Lady | ShotOnWhat?

Orchestrator

The Iron Lady (2011)

Directed by: Phyllida Lloyd

Cinematography by: Elliot Davis

Edited by: Justine Wright

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Karate Kid | ShotOnWhat?

Orchestrator

The Karate Kid (2010)

Directed by: Harald Zwart

Cinematography by: Roger Pratt

Edited by: Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Orchestrator

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

WALL·E | ShotOnWhat?

Orchestrator

WALL·E (2008)

Directed by: Andrew Stanton

Cinematography by: Martin Rosenberg

Edited by: Stephen Schaffer

Revolutionary Road | ShotOnWhat?

Orchestrator

Revolutionary Road (2008)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Leatherheads | ShotOnWhat?

Orchestrator

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

The Spiderwick Chronicles | ShotOnWhat?

Orchestrator

The Spiderwick Chronicles (2008)

Directed by: Mark Waters

Cinematography by: Caleb Deschanel

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Bobby Jones: Stroke of Genius | ShotOnWhat?

Orchestrator

Bobby Jones: Stroke of Genius (2004)

Directed by: Rowdy Herrington

Cinematography by: Tom Stern

Edited by: Pasquale Buba

Cameras: Panavision Cameras

Holes | ShotOnWhat?

Orchestrator

Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

xXx | ShotOnWhat?

Music Arranger: Vocals

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Windtalkers | ShotOnWhat?

Orchestrator

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

Iris | ShotOnWhat?

Orchestrator

Iris (2001)

Directed by: Richard Eyre

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Enemy at the Gates | ShotOnWhat?

Orchestrator

Enemy at the Gates (2001)

Directed by: Jean-Jacques Annaud

Cinematography by: Robert Fraisse

Edited by: Noëlle Boisson, Humphrey Dixon

How the Grinch Stole Christmas | ShotOnWhat?

Orchestrator

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

The Perfect Storm | ShotOnWhat?

Orchestrator

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

The Other Sister | ShotOnWhat?

Conductor: Orchestra

The Other Sister (1999)

Directed by: Garry Marshall

Cinematography by: Dante Spinotti

Edited by: Bruce Green

Bicentennial Man | ShotOnWhat?

Orchestrator

Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Deep Impact | ShotOnWhat?

Additional Orchestrator

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Mighty Joe Young | ShotOnWhat?

Orchestrator

Mighty Joe Young (1998)

Directed by: Ron Underwood

Cinematography by: Donald Peterman, Oliver Wood

Edited by: Paul Hirsch

Two Voices | ShotOnWhat?

Composer

Two Voices (1997)

Television Movie

Directed by: Peter Levin

Cinematography by: James Glennon

Edited by: John A. Martinelli

D2: The Mighty Ducks | ShotOnWhat?

Original Score By

D2: The Mighty Ducks (1994)

Directed by: Sam Weisman

Cinematography by: Mark Irwin

Edited by: John F. Link, Eric A. Sears

Is There Life Out There? | ShotOnWhat?

Composer

Is There Life Out There? (1994)

Television Movie

Directed by: David Hugh Jones

Cinematography by: Andrew Dunn

Edited by: Pamela Malouf

The Joy Luck Club | ShotOnWhat?

Conductor: Orchestra

The Joy Luck Club (1993)

Directed by: Wayne Wang

Cinematography by: Amir Mokri

Edited by: Maysie Hoy

Billy Bathgate | ShotOnWhat?

Conductor

Billy Bathgate (1991)

Directed by: Robert Benton

Cinematography by: Néstor Almendros

Edited by: Alan Heim, David Ray, Robert M. Reitano

Stamp of a Killer | ShotOnWhat?

Composer

Stamp of a Killer (1987)

Television Movie

Directed by: Larry Elikann

Cinematography by: William Wages

Edited by: Harry Kaye

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