Digital Compositor - 2 Episodes, 2022
The Sandman (2022)
Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat
Cameras: Red Monstro 8K Camera
Compositor: ILM , Digital Compositor
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Compositor
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Artist: ILM
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Digital Compositor
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Digital Compositor
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Digital Compositor
Pelé: Birth of a Legend (2016)
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Digital Compositor
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Digital Compositor
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Digital Compositor
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Digital Compositor
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Digital Compositor
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Compositor
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Digital Compositor
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Digital Compositor
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Compositor: Method
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Compositor
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Digital Compositor
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Compositor: Atmosphere
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Compositor: Zoic Studios
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Digital Compositor
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Digital Compositor - 1 Episode, 2011
Once Upon a Time (2011)
Directed by: Ralph Hemecker, Ron Underwood, Dean White, Romeo Tirone, Steve Pearlman, Gwyneth Horder-Payton, Billy Gierhart, David Solomon, Milan Cheylov, Alrick Riley, Eagle Egilsson, David Barrett, Paul A. Edwards, Guy Ferland, Mario Van Peebles, Geofrey Hildrew, Jon Amiel, Morgan Beggs, Mick Garris, Sharat Raju, Greg Beeman, Mark Mylod, Victor Nelli Jr., Anthony Hemingway, Bryan Spicer, Michael Waxman, David Boyd, Ciaran Donnelly, Andy Goddard, Alex Zakrzewski, Ernest R. Dickerson, Adam Horowitz, Mairzee Almas, Norman Buckley, Rob Duncan, Eriq La Salle, Jennifer Lynch, Craig Powell, Alex Kalymnios, Michael Schultz, Tara Nicole Weyr, Kate Woods, Tessa Blake, Nina Lopez-Corrado, Steve Miner, Antonio Negret, Lana Parrilla, Ellen S. Pressman
Digital Compositor
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Digital Compositor
'Once Upon a Time' Snow Falls (2011)
Directed by: Dean White
Cinematography by: Stephen Jackson
Edited by: Geofrey Hildrew
Digital Compositor
'Psych' Think Tank (2010)
Directed by: Stephen Surjik
Cinematography by: Michael McMurray
Edited by: David Crabtree
Digital Compositor
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Compositor
Gunless (2010)
Directed by: William Phillips
Cinematography by: Gregory Middleton
Edited by: Susan Maggi
Digital Compositor
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
'Psych' Mr. Yin Presents (2010)
Directed by: James Roday
Cinematography by: Michael McMurray
Edited by: Dexter N. Adriano
Digital Compositor
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Visual Effects Artist: The Moving Picture Company
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Compositor: Technicolor Creative Services, Vancouver
Rampage (2009)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Thomas Sabinsky
Digital Compositor
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Digital Compositor
'Psych' Let's Get Hairy (2009)
Directed by: Andrew Bernstein
Cinematography by: Michael McMurray
Edited by: David Crabtree
Digital Compositor
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Compositor: Technicolor Creative Services Vancouver
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Digital Compositor
Kung Fu Killer (2008)
Directed by: Philip Spink
Cinematography by: Man-Ching Ng
Edited by: Mike Banas
Cameras: Sony HDW-F900 Camera
Compositor: Technicolor Creative Services
Far Cry (2008)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
Digital Compositor
Fifty Dead Men Walking (2008)
Directed by: Kari Skogland
Cinematography by: Jonathan Freeman
Edited by: Jim Munro
Digital Compositor
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Digital Compositor
Nightwatching (2007)
Directed by: Peter Greenaway
Cinematography by: Reinier van Brummelen
Edited by: Karen Porter
Compositor: Technicolor Creative Services Vancouver
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Digital Compositor
Ji jie hao (2007)
Directed by: Xiaogang Feng
Cinematography by: Yue Lü
Edited by: Miaomiao Liu
Digital Compositor: Technicolor Creative Services
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Digital Compositor
Jack Brooks: Monster Slayer (2007)
Directed by: Jon Knautz
Cinematography by: Joshua Allen
Edited by: Matthew Brulotte
Digital Compositor
Are We Done Yet? (2007)
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Compositor: Technicolor Creative Services, Vancouver
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Digital Compositor - 3 Episodes, 2009-2010
Psych (2006)
Directed by: Mel Damski, Steve Franks, James Roday, Stephen Surjik, John Badham, Matt Shakman, David Crabtree, Jay Chandrasekhar, Andrew Bernstein, Andy Berman, Michael Zinberg, Tim Matheson, John Landis, Brad Turner, Jennifer Lynch, Joanna Kerns, Eric Laneuville, Michael McMurray, Tawnia McKiernan, Reginald Hudlin, Richard Coleman, Michael Engler, John Fortenberry, John T. Kretchmer, Michael Lange, Jeff Melman, James L. Conway, Paul Lazarus, Arlene Sanford, Oz Scott, Lev L. Spiro, Jason Ensler, Steve Miner, Martha Coolidge, Timothy Busfield, Saladin K. Patterson, Fred Mendes, Kirsten Nelson
Compositor
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Compositor: Rainmaker
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Digital Artist
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Digital Effects Artist
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Digital Artist
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Digital Artist
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
