Visual Effects Coordinator: Pacific Title
The Oh in Ohio (2006)
Directed by: Billy Kent
Cinematography by: Ramsey Nickell
Digital Coordinator: Pacific Title And Art Studio / Visual Effects Coordinator: Pacific Title
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Coordinator: Pacific Title
RV (2006)
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Visual Effects Coordinator: Pacific Title
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Visual Effects Coordinator: Pacific Title
In Her Shoes (2005)
Directed by: Curtis Hanson
Cinematography by: Terry Stacey
Visual Effects Coordinator: Pacific Title
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Visual Effects Coordinator
A Little Trip to Heaven (2005)
Directed by: Baltasar Kormákur
Cinematography by: Óttar Guðnason
Visual Effects Coordinator: Pacific Title
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Visual Effects Coordinator: Pacific Title
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Visual Effects Coordinator: Pacific Title
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Visual Effects Coordinator: Pacific Title
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Visual Effects Coordinator: Pacific Title
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Visual Effects Coordinator: Pacific Title
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
3D Coordinator: Pacific Title
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Visual Effects Coordinator: Pacific Title
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Visual Effects Coordinator: Pacific Title
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Visual Effects Coordinator: Pacific Title
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Visual Effects Coordinator: Pacific Title
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Digital Coordinator: Pacific Title Digital
Me and You and Everyone We Know (2005)
Directed by: Miranda July
Cinematography by: Chuy Chávez
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects Coordinator: Pacific Title
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Visual Effects Coordinator: Pacific Title
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Digital Visual Effects Coordinator: Pacific Title
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Digital Visual Effects Coordinator: Pacific Title
Dandelion (2004)
Directed by: Mark Milgard
Cinematography by: Tim Orr
Edited by: Amy E. Duddleston
Digital Visual Effects Coordinator: Pacific Title
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Digital Visual Effects Coordinator: Pacific Title
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Digital Visual Effects Coordinator: Pacific Title
Suspect Zero (2004)
Directed by: E. Elias Merhige
Cinematography by: Michael Chapman
Digital Visual Effects Coordinator: Pacific Title
Anchorman: The Legend of Ron Burgundy (2004)
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Digital Visual Effects Coordinator: Pacific Title
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Visual Effects Coordinator: Pacific Title
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Digital Visual Effects Coordinator: Pacific Title
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Digital Visual Effects Coordinator: Pacific Title
Million Dollar Baby (2004)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Cameras: Panavision Panaflex Platinum Camera
Digital Visual Effects Coordinator: Pacific Title
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Digital Visual Effects Coordinator: Pacific Title
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Digital Visual Effects Coordinator: Pacific Title
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Visual Effects Coordinator: Pacific Title
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Digital Visual Effects Coordinator: Pacific Title
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Digital Visual Effects Coordinator: Pacific Title
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Digital Visual Effects Coordinator: Pacific Title
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Visual Effects Coordinator: Pacific Title
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Visual Effects Coordinator: Pacific Title
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Digital Visual Effects Coordinator: Pacific Title
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Digital Visual Effects Coordinator: Pacific Title
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Visual Effects Coordinator: Pacific Title
Deliver Us from Eva (2003)
Directed by: Gary Hardwick
Cinematography by: Alexander Gruszynski
Edited by: Earl Watson
Digital Visual Effects Coordinator: Pacific Title
The Medallion (2003)
Directed by: Gordon Chan
Cinematography by: Arthur Wong
Digital Visual Effects Coordinator: Pacific Title
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Visual Effects Coordinator: Pacific Title
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Digital Coordinator: Pacific Title & Arts
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Facility Manager: Digital.art.media
Point of Origin (2002)
Directed by: Newton Thomas Sigel
Cinematography by: Anthony G. Nakonechnyj
Edited by: Cindy Mollo
Digital Visual Effects Coordinator: Pacific Title
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Digital Visual Effects Coordinator: Pacific Title
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Digital Coordinator: Pacific Title Digital
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Digital Visual Effects Coordinator: Pacific Title
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Facility Manager: Digital.art.media
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Digital Visual Effects Coordinator: Pacific Title
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by: Callie Khouri
Cinematography by: John Bailey
Edited by: Andrew Marcus
Cameras: Panavision Panaflex Platinum Camera
Digital Visual Effects Coordinator: Pacific Title
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Digital Visual Effects Coordinator: Pacific Title
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Facility Manager: Digital.art.media
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Digital Visual Effects Coordinator: Pacific Title
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Facility Manager: Digital.art.media
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Facility Manager: Digital.art.media
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Effects Producer: VisionArt
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Digital Effects Coordinator: CFX
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Digital Effects Coordinator: CFX
The Thirteenth Floor (1999)
Directed by: Josef Rusnak
Cinematography by: Wedigo von Schultzendorff
Edited by: Henry Richardson
Digital Effects Coordinator: CFX
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Effects Coordinator: CFX
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Visual Effects Production Coordinator: CFX
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Digital Effects Coordinator: CFX
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Digital Effects Coordinator: CFX
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Effects Coordinator: CFX
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Digital Effects Production Assistant
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
