Steadicam Operator
The Lion King (2019)
Directed by: Jon Favreau
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA 65 Camera
Steadicam Operator
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
A Camera Operator: Additional Photography US / Steadicam Operator: Additional Photography US
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Camera Operator: 2nd Unit
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Camera Operator / Steadicam Operator
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Camera Operator: Second Unit
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Camera Operator: "b" Camera, Boston / Steadicam Operator: Boston
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Camera Operator: Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Camera: "a" Camera / Steadicam Operator
Deliverance Creek (2014)
Directed by: Jon Amiel
Cinematography by: Theo van de Sande
Edited by: Josh Beal
Cameras: ARRI ALEXA Camera
Steadicam Operator
Atlas Shrugged: Who Is John Galt? (2014)
Directed by: James Manera
Cinematography by: Gale Tattersall
Cameras: Canon EOS-C500 Camera
Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Editing System: Adobe Premiere Editing System, Avid Editing System
Camera Operator: "d" Camera, Second Unit
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Camera Operator: "a" Camera, US / Steadicam Operator: US
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Camera Operator: "b" Camera / Steadicam Operator
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Steadicam Operator
Don Jon (2013)
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Camera Operator: "a" Camera / Steadicam Operator
Cirque du Soleil: Worlds Away (2012)
Directed by: Andrew Adamson
Cinematography by: Brett Turnbull
Cameras: Sony HDC-1500 Camera
Camera Operator: Second Unit / Steadicam Operator: Second Unit
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Camera Operator: "b" Camera / Steadicam Operator
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Steadicam Operator: Second Unit
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Camera Operator: "b" Camera / Steadicam Operator
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Camera Operator: "b" Camera, Second Unit / Steadicam Operator: Second Unit
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Camera Operator: "a" Camera, Shreveport Additional Photography
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Camera Operator
'House M.D.' Charity Case (2011)
Directed by: Greg Yaitanes
Cinematography by: Gale Tattersall
Edited by: Chad Mochrie
Camera Operator: "a" Camera, Additional Photography
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator: "a" Camera, Los Angeles / Steadicam Operator: Los Angeles
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera / Steadicam Operator
Straw Dogs (2011)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Camera Operator: "b" Camera / Steadicam Operator
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Camera Operator: "b" Camera / Steadicam Operator
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera / Steadicam Operator
In the Electric Mist (2009)
Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Camera Operator: "b" Camera / Steadicam Operator: Las Vegas Unit
Middle Men (2009)
Directed by: George Gallo
Cinematography by: Lukas Ettlin
Edited by: Malcolm Campbell
Camera Operator: "b" Camera / Steadicam Operator
Armored (2009)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Additional Camera Operator
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Camera Operator: "a" Camera / Steadicam Operator
Nothing But the Truth (2008)
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Camera Operator: "a" Camera, Additional Photography / Steadicam Operator: Additional Photography
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Camera Operator: "b" Camera
'NCIS' Internal Affairs (2008)
Directed by: Tony Wharmby
Cinematography by: Christos Bitsakos
Edited by: Roy C. Poole
Camera Operator: "a" Camera, Second Unit / Steadicam Operator: Second Unit
Drillbit Taylor (2008)
Directed by: Steven Brill
Cinematography by: Fred Murphy
Camera Operator: "a" Camera / Steadicam Operator
Nancy Drew (2007)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Steadicam Operator
'House M.D.' Insensitive (2007)
Directed by: Deran Sarafian
Cinematography by: Gale Tattersall
Edited by: Dorian Harris
Steadicam Operator
Feast of Love (2007)
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein
Steadicam Operator
Vacancy (2007)
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Steadicam Operator
Running with Scissors (2006)
Directed by: Ryan Murphy
Cinematography by: Christopher Baffa
Edited by: Byron Smith
Camera Operator / Steadicam Operator - 2 Episodes, 2007-2011
House M.D. (2004)
Directed by: Greg Yaitanes, Deran Sarafian, David Straiton, Daniel Attias, Daniel Sackheim, Miguel Sapochnik, David Platt, Matt Shakman, Juan José Campanella, Katie Jacobs, Andrew Bernstein, Sanford Bookstaver, Peter O'Fallon, Fred Gerber, David Semel, Lesli Linka Glatter, Newton Thomas Sigel, Bryan Spicer, Bryan Singer, Frederick King Keller, David Shore, James Hayman, Martha Mitchell, Hugh Laurie, Tucker Gates, Tim Southam, Peter Medak, Paris Barclay, Guy Ferland, Keith Gordon, Tim Hunter, Bill Johnson, Nelson McCormick, Gloria Muzio, Randy Zisk, Jace Alexander, Félix Enríquez Alcalá, Laura Innes, John F. Showalter, Tony To, Elodie Keene, Paul McCrane, Matthew Penn, Nick Gomez, S.J. Clarkson, Kate Woods, Colin Bucksey, Julian Higgins, Stefan Schwartz, Peter Weller
Cinematography by: Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger
Edited by: Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Camera Operator: "b" Camera / Steadicam Operator
Win a Date with Tad Hamilton! (2004)
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Camera Operator: "b" Camera - 1 Episode, 2008
NCIS (2003)
Directed by: Dennis Smith, Tony Wharmby, Terrence O'Hara, Thomas J. Wright, James Whitmore Jr., Arvin Brown, Leslie Libman, Rocky Carroll, Bethany Rooney, Michael Zinberg, Alrick Riley, Colin Bucksey, Mark Horowitz, Alan J. Levi, Jeff Woolnough, William Webb, Peter Ellis, Martha Mitchell, Edward Ornelas, Stephen Cragg, Michael Weatherly, Holly Dale, Diana Valentine, Donald P. Bellisario, Bradford May, Ian Toynton, Dan Lerner, Aaron Lipstadt, Oz Scott, Craig Ross Jr., Kevin Rodney Sullivan, Michelle MacLaren, Mario Van Peebles, Allan Arkush
Edited by: Gregory Gontz, Mitchel Stanley, David C. Cook, J. Scott Harvey, Roy C. Poole, Jonathan Poirier, Randy D. Wiles, M. Edward Salier, Jon Koslowsky, Heather MacDougall, Lance Anderson, Stephen Michael, Bert Glatstein, Jordan Goldman
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera
Camera Operator: Second Unit / Steadicam Operator: Second Unit
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Camera Operator: Second Unit / Steadicam Operator: Second Unit
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Camera Operator: "b" Camera / Steadicam Operator
Blow (2001)
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Camera Operator: "b" Camera / Steadicam Operator
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "a" Camera / Steadicam Operator
The Contender (2000)
Directed by: Rod Lurie
Cinematography by: Denis Maloney
Edited by: Michael Jablow
Steadicam Operator: Second Unit
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Steadicam Operator
American Pie (1999)
Cinematography by: Richard Crudo
Edited by: Priscilla Nedd-Friendly
Camera Operator: "b" Camera / Steadicam Operator
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Camera Operator: "b" Camera / Steadicam Operator
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Steadicam Operator
Very Bad Things (1998)
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Steadicam Assistant
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
First Assistant Camera: "b" Camera / Steadicam Assistant
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
First Assistant Camera: "a" Camera / Steadicam Assistant
Set It Off (1996)
Directed by: F. Gary Gray
Cinematography by: Marc Reshovsky
Edited by: John Carter
Camera Operator: "b" Camera / First Assistant Camera: "a" Camera / Steadicam Assistant
Soul of the Game (1996)
Directed by: Kevin Rodney Sullivan
Cinematography by: Sandi Sissel
Edited by: Victor Du Bois
Additional First Assistant Camera
Heat (1995)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
First Assistant Camera: "b" Camera / Steadicam Assistant
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
First Assistant Camera: "b" Camera / Steadicam Assistant
The Brady Bunch Movie (1995)
Directed by: Betty Thomas
Cinematography by: Mac Ahlberg
Edited by: Peter Teschner
Steadicam Assistant
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
First Assistant Camera: "b" Camera / Steadicam Assistant
Father of the Bride Part II (1995)
Directed by: Charles Shyer
Focus Puller: Second Unit
How to Make an American Quilt (1995)
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
First Assistant Camera: "a" Camera / Steadicam Assistant
Surviving the Game (1994)
Directed by: Ernest R. Dickerson
Cinematography by: Bojan Bazelli
Edited by: Samuel D. Pollard
Additional Camera Operator: "b" Camera / First Assistant Camera: "a" Camera / Steadicam Assistant
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
Additional Camera Assistant
The Beverly Hillbillies (1993)
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
First Assistant Camera: "a" Camera / Steadicam Assistant
Army of One (1993)
Directed by: Vic Armstrong
Cinematography by: Daniel L. Turrett
Edited by: Paul Morton
Cameras: Todd-AO CineSpace 70 Camera
First Assistant Photographer
Wayne's World (1992)
Directed by: Penelope Spheeris
Cinematography by: Theo van de Sande
Edited by: Malcolm Campbell
First Assistant Camera: Second Unit
Universal Soldier (1992)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Additional First Assistant Camera
The Indian Runner (1991)
Directed by: Sean Penn
Cinematography by: Anthony B. Richmond
Edited by: Jay Cassidy
Assistant Cameraman
Dances with Wolves (1990)
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Second Assistant Camera
Born on the Fourth of July (1989)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
Assistant Camera
RoboCop (1987)
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses