Michael Stewart

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The Creator | ShotOnWhat?

Compositor: ILM

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

The Batman | ShotOnWhat?

Lead Digital Artist: ILM

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

John Wick: Chapter 3 - Parabellum | ShotOnWhat?

Compositor: Method Studios

John Wick: Chapter 3 - Parabellum (2019)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Lead Digital Artist: ILM

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Doctor Strange | ShotOnWhat?

Lead Compositor: ILM

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Chappie | ShotOnWhat?

Compositing Supervisor: The Embassy VFX

Chappie (2015)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Star Wars: The Force Awakens | ShotOnWhat?

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Compositing Supervisor: The Embassy VFX

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Compositing Supervisor: The Embassy VFX

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Digital Artist: ILM

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Pacific Rim | ShotOnWhat?

Digital Compositor: ILM

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Elysium | ShotOnWhat?

Compositor: The Embassy VFX

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Lone Ranger | ShotOnWhat?

Digital Compositor: ILM

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Battleship | ShotOnWhat?

Compositor: The Embassy VFX

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Green Hornet | ShotOnWhat?

Digital Compositor: Luma Pictures

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Immortals | ShotOnWhat?

Digital Compositor: Image Engine

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fright Night | ShotOnWhat?

Digital Compositor: Luma Pictures

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Thor | ShotOnWhat?

Digital Compositor: Luma Pictures

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Salt | ShotOnWhat?

Digital Compositor: CIS Vancouver

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

The Last Airbender | ShotOnWhat?

Digital Compositor: CIS Vancouver

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Nutcracker in 3D | ShotOnWhat?

Digital Compositor: Luma Pictures

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

True Grit | ShotOnWhat?

Compositor: Luma Pictures

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Underworld: Rise of the Lycans | ShotOnWhat?

Compositor: Luma Pictures

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

X-Men Origins: Wolverine | ShotOnWhat?

Pre-vis Artist

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Surrogates | ShotOnWhat?

Digital Compositor: MPC

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

Invictus | ShotOnWhat?

Compositing And Roto Artist: CIS Vancouver

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Haunting in Connecticut | ShotOnWhat?

Digital Compositor: Technicolor

The Haunting in Connecticut (2009)

Directed by: Peter Cornwell

Cinematography by: Adam Swica

Edited by: Tom Elkins

Cameras: Moviecam Compact Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses

Passchendaele | ShotOnWhat?

Digital Compositor: Technicolor

Passchendaele (2008)

Directed by: Paul Gross

Cinematography by: Gregory Middleton

Edited by: David Wharnsby

Far Cry | ShotOnWhat?

Digital Compositor: Technicolor

Far Cry (2008)

Directed by: Uwe Boll

Cinematography by: Mathias Neumann

Edited by: Karen Porter

Ji jie hao | ShotOnWhat?

Digital Compositor: Technicolor

Ji jie hao (2007)

Directed by: Xiaogang Feng

Cinematography by: Yue Lü

Edited by: Miaomiao Liu

Hot Rod | ShotOnWhat?

Digital Compositor: Brainstorm Digital

Hot Rod (2007)

Directed by: Akiva Schaffer

Cinematography by: Andrew Dunn

Edited by: Malcolm Campbell

Balls of Fury | ShotOnWhat?

Digital Compositor: Mr. X Inc.

Balls of Fury (2007)

Directed by: Robert Ben Garant

Cinematography by: Thomas E. Ackerman

Edited by: John Refoua

Cameras: Panavision Genesis Camera

Editing System: Final Cut Pro Editing System

Shoot 'Em Up | ShotOnWhat?

Digital Compositor: Mr. X Inc.

Shoot 'Em Up (2007)

Directed by: Michael Davis

Cinematography by: Peter Pau

Edited by: Peter Amundson

The Brave One | ShotOnWhat?

Digital Compositor: Brainstorm Digital

The Brave One (2007)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Tony Lawson

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Music and Lyrics | ShotOnWhat?

Digital Compositor: Brainstorm Digital

Music and Lyrics (2007)

Directed by: Marc Lawrence

Cinematography by: Xavier Grobet

Edited by: Susan E. Morse

Cameras: ARRI Cameras

Lenses: Zeiss Lenses

Skinwalkers | ShotOnWhat?

Digital Compositor: Mr. X

Skinwalkers (2006)

Directed by: James Isaac

Cinematography by: David A. Armstrong, Adam Kane

Edited by: Allan Lee

Cameras: Panavision Cameras

Silent Hill | ShotOnWhat?

Digital Compositor: Mr. X Inc.

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

Waist Deep | ShotOnWhat?

Digital Compositor: Mr. X Inc.

Waist Deep (2006)

Directed by: Vondie Curtis-Hall

Cinematography by: Shane Hurlbut

Edited by: Terilyn A. Shropshire

Hollywoodland | ShotOnWhat?

Digital Compositor: Mr. X Inc.

Hollywoodland (2006)

Directed by: Allen Coulter

Cinematography by: Jonathan Freeman

Edited by: Michael Berenbaum

Man of the Year | ShotOnWhat?

Digital Artist: Mr. X / Digital Compositor: Mr. X Inc.

Man of the Year (2006)

Directed by: Barry Levinson

Cinematography by: Dick Pope

Edited by: Blair Daily, Steven Weisberg

16 Blocks | ShotOnWhat?

Digital Compositor: Mr. X Inc.

16 Blocks (2006)

Directed by: Richard Donner

Cinematography by: Glen MacPherson

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

A History of Violence | ShotOnWhat?

Digital Compositor: Mr. X Inc.

A History of Violence (2005)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Four Brothers | ShotOnWhat?

Visual Effects Compositor: Mr. X Inc.

Four Brothers (2005)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon, Billy Fox

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Spymate | ShotOnWhat?

Compositor: Lost Boys Studios

Spymate (2003)

Directed by: Robert Vince

Cinematography by: Mike Southon

Edited by: Kelly Herron

Air Bud: Spikes Back | ShotOnWhat?

Visual Effects Compositor

Air Bud: Spikes Back (2003)

Direct to Video

Directed by: Mike Southon

Cinematography by: Mike Southon

Edited by: Kelly Herron, Jason Pielak

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