On-set Special Effects Coordinator
Promising Young Woman (2020)
Directed by: Emerald Fennell
Cinematography by: Benjamin Kracun
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA Mini Camera
Special Effects Coordinator
'Young Sheldon' A Solar Calculator, a Game Ball, and a Cheerleader's Bosom (2017)
Directed by: Chris Koch
Cinematography by: Buzz Feitshans IV
Special Effects Coordinator
'Young Sheldon' A Therapist, a Comic Book, and a Breakfast Sausage (2017)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Special Effects Coordinator
'Young Sheldon' Poker, Faith and Eggs (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Special Effects Coordinator
'Young Sheldon' Rockets, Communists, and the Dewey Decimal System (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Special Effects Coordinator - 4 Episodes, 2017
Young Sheldon (2017)
Directed by: Jaffar Mahmood, Alex Reid, Chris Koch, Howard Deutch, Mark Cendrowski, Rebecca Asher, Melissa Joan Hart, Michael Zinberg, Jude Weng, Jon Favreau, Peter Lauer, Don Scardino, Jonathan Judge, Richie Keen, Nikki Lorre, Beth McCarthy-Miller, Jeremy Howe, Lea Thompson, Michael Judd
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Style Lenses, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Pyrotechnician
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Special Effects Technician: Additional Photography
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Special Effects Foreman
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Pyrotechnician
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Special Effects Foreman
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Special Effects Foreman
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Special Effects Foreman
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Special Effects Coordinator
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Special Effects Foreman
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Special Effects Foreman: Re-shoots
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Special Effects Foreman
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Miniature Effects, Visual Effects: New Deal Studios
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Pyrotechnician: Los Angeles
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Special Effects Crew
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Special Effects Crew
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Pyrotechnician
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Pyrotechnician
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Miniature Effects Unit
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Pyrotechnician
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Special Effects Coordinator - 1 Episode, 2007
Californication (2007)
Directed by: David Von Ancken, Adam Bernstein, John Dahl, Bart Freundlich, Michael Lehmann, David Duchovny, Seith Mann, Scott Winant, Michael Weaver, Stephen Hopkins, Ken Whittingham, Scott Z. Burns, Tucker Gates, Michael Lembeck, Daniel Ducovny, Jake Kasdan, Beth McCarthy-Miller, Helen Hunt, Millicent Shelton, Eric Stoltz
Edited by: Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Special Effects Coordinator
'Californication' Pilot (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: David Brixton
Miniature Effects Crew: New Deal Studios
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Special Effects Foreman: Los Angeles
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Coordinator
'Arrested Development' Development Arrested (2006)
Directed by: John Fortenberry
Cinematography by: Greg Harrington
Special Effects Coordinator
'Arrested Development' Exit Strategy (2006)
Directed by: Rebecca Asher
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Family Ties (2006)
Directed by: Robert Berlinger
Cinematography by: Greg Harrington
Edited by: Stuart Bass
Special Effects Coordinator
'Arrested Development' Fakin' It (2006)
Directed by: Lev L. Spiro
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' S.O.B.s (2006)
Directed by: Robert Berlinger
Cinematography by: Greg Harrington
Edited by: Stuart Bass
Special Effects Coordinator
'Arrested Development' Spring Breakout (2005)
Directed by: Anthony Russo
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Meat the Veals (2005)
Directed by: Joe Russo
Cinematography by: Greg Harrington
Special Effects Coordinator
'Arrested Development' The Immaculate Election (2005)
Directed by: Anthony Russo
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Sword of Destiny (2005)
Directed by: Peter Lauer
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Coordinator
Faith of My Fathers (2005)
Directed by: Peter Markle
Cinematography by: Bill Roe
Edited by: Scott Boyd
Special Effects Coordinator
'Arrested Development' Righteous Brothers (2005)
Directed by: Chuck Martin
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Hand to God (2005)
Directed by: Joe Russo
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Motherboy XXX (2005)
Directed by: Joe Russo
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Coordinator
'Arrested Development' Out on a Limb (2005)
Directed by: Danny Leiner
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Coordinator
'Arrested Development' Ready, Aim, Marry Me (2005)
Directed by: Paul Feig
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Burning Love (2005)
Directed by: Paul Feig
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Coordinator
'Arrested Development' Queen for a Day (2005)
Directed by: Andrew Fleming
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Switch Hitter (2005)
Directed by: Paul Feig
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Technician
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Special Effects Coordinator
'Arrested Development' For British Eyes Only (2005)
Directed by: John Fortenberry
Cinematography by: Greg Harrington
Edited by: Stuart Bass
Special Effects Coordinator
'Arrested Development' Notapusy (2005)
Directed by: Lev L. Spiro
Cinematography by: Greg Harrington
Edited by: Stuart Bass
Special Effects Coordinator
'Arrested Development' Forget Me Now (2005)
Directed by: John Amodeo
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Mr. F (2005)
Directed by: Arlene Sanford
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' The Ocean Walker (2005)
Directed by: Paul Feig
Cinematography by: Greg Harrington
Edited by: Stuart Bass
Special Effects Coordinator
'Arrested Development' Prison Break-In (2005)
Directed by: Robert Berlinger
Cinematography by: Greg Harrington
Edited by: Stuart Bass
Special Effects Coordinator
'Arrested Development' Making a Stand (2005)
Directed by: Peter Lauer
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects: Additional Miniatures
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Special Effects Coordinator
'Arrested Development' The Cabin Show (2005)
Directed by: Paul Feig
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Sad Sack (2004)
Directed by: Peter Lauer
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Technician
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Special Effects Coordinator
'Arrested Development' The One Where Michael Leaves (2004)
Directed by: Lee Shallat Chemel
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Coordinator
'Arrested Development' The One Where They Build a House (2004)
Directed by: Patty Jenkins
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Amigos (2004)
Directed by: Lee Shallat Chemel
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Special Effects Coordinator
'Arrested Development' Good Grief! (2004)
Directed by: Jeff Melman
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator
'Arrested Development' Afternoon Delight (2004)
Directed by: Jason Bateman
Cinematography by: Greg Harrington
Edited by: Richard Candib
Special Effects Coordinator - 31 Episodes, 2004-2006
Arrested Development (2003)
Directed by: Troy Miller, Mitchell Hurwitz, Joe Russo, Paul Feig, Anthony Russo, Lee Shallat Chemel, Jay Chandrasekhar, Greg Mottola, John Fortenberry, Peter Lauer, Robert Berlinger, Lev L. Spiro, Jason Bateman, Patty Jenkins, Jeff Melman, John Amodeo, Andrew Fleming, Danny Leiner, Chuck Martin, Arlene Sanford, Rebecca Asher
Cinematography by: Greg Harrington, Patrick Alexander Stewart, Peter Lyons Collister, James Hawkinson, Chuck Ozeas
Edited by: Richard Candib, Seth Clark, Christopher M. Stewart, Kabir Akhtar, Robert Bramwell, A.J. Dickerson, Lee Haxall, Steven Sprung, Stuart Bass, Lane Farnham, Ruthie Aslan, Todd Zelin, Mark Scheib, Frank McGrath
Lenses: Angenieux Optimo Zoom Lenses
Special Effects Technician
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Special Effects: Additional Miniatures
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Coordinator
The Banger Sisters (2002)
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian
Miniature Pyro Coordinator
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Special Effects Technician
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Special Effects
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Pyro Technician: Visual Effects Pyro Unit, Sony Pictures Imageworks Inc.
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Pyro Technician
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Special Effects Technician
Virtuosity (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Special Effects Floor Supervisor
Stargate (1994)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
