Visual Effects Supervisor: Framestore
'The Crown' War (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Celia Haining
Visual Effects Supervisor: Framestore
'The Crown' Avalanche (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Paulo Pandolpho
Visual Effects Supervisor: Framestore
'The Crown' 48:1 (2020)
Directed by: Julian Jarrold
Cinematography by: Stuart Howell
Edited by: Mark Davis
Visual Effects Supervisor: Framestore
'The Crown' The Hereditary Principle (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Morten Højbjerg
Visual Effects Supervisor: Framestore
'The Crown' Terra Nullius (2020)
Directed by: Julian Jarrold
Cinematography by: Stuart Howell
Edited by: Lucia Zucchetti
Visual Effects Supervisor: Framestore
'The Crown' Fagan (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Ben Yeates
Visual Effects Supervisor: Framestore
'The Crown' Favourites (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Richard Graham
Visual Effects Supervisor: Framestore
'The Crown' Fairytale (2020)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Visual Effects Supervisor: Framestore
'The Crown' The Balmoral Test (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Simon Brasse
Visual Effects Supervisor: Framestore
'The Crown' Gold Stick (2020)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Frances Parker
Visual Effects Supervisor: Framestore
'The Crown' Olding (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Visual Effects Supervisor: Framestore
'The Crown' Margaretology (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Tim Porter
Visual Effects Supervisor: Framestore
'The Crown' Dangling Man (2019)
Directed by: Samuel Donovan
Cinematography by: Fabian Wagner
Edited by: Peggy Koretzky
Visual Effects Supervisor: Framestore
'The Crown' Imbroglio (2019)
Directed by: Samuel Donovan
Cinematography by: Fabian Wagner
Edited by: Daniel Greenway
Visual Effects Supervisor: Framestore
'The Crown' Cri de Coeur (2019)
Directed by: Jessica Hobbs
Cinematography by: Adriano Goldman
Edited by: Celia Haining
Digital Artist: One Of Us
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
On-set Team: DNEG
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Generalist Technical Director: Double Negative
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
On-set Visual Effects Lead: Double Negative
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Visual Effects Supervisor: Framestore - 5 Episodes, 2019
The Crown (2016)
Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow
Edited by: Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Generalist Technical Director: Double Negative
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Generalist Technical Director: Double Negative
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Generalist Technical Director: Double Negative
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
3d Artist
The Danish Girl (2015)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
On Set Vfx Support: Double Negative
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Generalist Technical Director: Double Negative
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Lead Digital Artist: Double Negative
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
3d Artist: Double Negative London
Rush (2013)
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Texture Artist: Double Negative
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
On-set Previs: Double Negative
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Lighting Technical Director: Double Negative
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Data Wrangler: Double Negative
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Modelling Artist: Double Negative
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Matchmove Supervisor
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Matchmove Artist: Double Negative
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Matchmove Artist: Double Negative
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Matchmove Supervisor
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Matchmove Artist: Double Negative
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Digital Artist: Double Negative
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Matchmove Artist: Double Negative
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Matchmover: Double Negative
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Matchmove Artist: Double Negative
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
