Visual Effects Supervisor
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Visual Effects Supervisor: Method Studios
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Visual Effects Supervisor: Atomic Fiction
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Visual Effects Supervisor: Atomic Fiction
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Visual Effects Supervisor: Atomic Fiction
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Visual Effects Supervisor: Atomic Fiction
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Visual Effects Supervisor: Atomic Fiction
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects Supervisor: Atomic Fiction
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Atomic Fiction
'Game of Thrones' The Gift (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Crispin Green
Visual Effects Supervisor: Atomic Fiction
'Game of Thrones' High Sparrow (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Visual Effects Supervisor: Atomic Fiction
'Game of Thrones' Unbowed, Unbent, Unbroken (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects Supervisor: Atomic Fiction
'Game of Thrones' Mother's Mercy (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Tim Porter
Visual Effects Supervisor: Atomic Fiction
'Game of Thrones' The Dance of Dragons (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Visual Effects Supervisor: Atomic Fiction
'Game of Thrones' Hardhome (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects Supervisor: Atomic Fiction
'Game of Thrones' Kill the Boy (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects Supervisor: Atomic Fiction
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Senior Staff: Atomic Fiction
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Visual Effects Supervisor: Atomic Fiction
Looper (2012)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Supervisor: Atomic Fiction
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Visual Effects Producer: Atomic Fiction
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Producer: Atomic Fiction
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Atomic Fiction - 7 Episodes, 2015
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Supervisor: Atomic Fiction
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor
Just Go with It (2011)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Visual Effects Supervisor: The Orphanage
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Visual Effects Supervisor: The Orphanage, Inc.
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Visual Effects Supervisor: The Orphanage
Grindhouse (2007)
Visual Effects Supervisor: The Orphanage, Inc.
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Visual Effects Supervisor: The Orphanage
In the Name of the King: A Dungeon Siege Tale (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Visual Effects Supervisor: The Orphanage
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Environment Supervisor: The Orphanage
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects Supervisor: The Orphanage
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Associate Visual Effects Supervisor: The Orphanage
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Associate Visual Effects Supervisor: The Orphanage
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Cg Sequence Supervisor
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Cg Supervisor: The Orphanage
Iron Jawed Angels (2004)
Directed by: Katja von Garnier
Cinematography by: Robbie Greenberg
Edited by: Hans Funck
Digital Environment Supervisor
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Digital Artist
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Digital Artist: The Orphanage
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Cg Supervisor: The Orphanage
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Digital Artist
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Digital Artist
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Pre-visualization/effects Artist
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Compositor: The Orphanage - 2007 Final Cut Version
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
