Senior Visual Effects Supervisor
'Stranger Things' Chapter Nine: The Gate (2017)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Senior Visual Effects Supervisor
'Stranger Things' Chapter One: MADMAX (2017)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Senior Visual Effects Supervisor
'Stranger Things' Chapter Two: Trick or Treat, Freak (2017)
Cinematography by: Tim Ives
Edited by: Nat Fuller
Senior Visual Effects Supervisor
'Stranger Things' Chapter Three: The Pollywog (2017)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Senior Visual Effects Supervisor
'Stranger Things' Chapter Four: Will the Wise (2017)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Nat Fuller
Senior Visual Effects Supervisor
'Stranger Things' Chapter Five: Dig Dug (2017)
Directed by: Andrew Stanton
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Senior Visual Effects Supervisor
'Stranger Things' Chapter Six: The Spy (2017)
Directed by: Andrew Stanton
Cinematography by: Tim Ives
Edited by: Nat Fuller
Senior Visual Effects Supervisor
'Stranger Things' Chapter Seven: The Lost Sister (2017)
Directed by: Rebecca Thomas
Cinematography by: David Franco
Edited by: Katheryn Naranjo
Senior Visual Effects Supervisor
'Stranger Things' Chapter Eight: The Mind Flayer (2017)
Cinematography by: Tim Ives
Edited by: Nat Fuller
Senior Visual Effects Supervisor - 9 Episodes, 2017, Senior Visual Effects Supervisor / Visual Effects Supervisor - 17 Episodes, 2017-2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Visual Effects: Crazy Horse Effects
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Visual Effects Supervisor: Crazy Horse Effects
'Game of Thrones' Unbowed, Unbent, Unbroken (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects Supervisor: Crazy Horse Effects
'Game of Thrones' The House of Black and White (2015)
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Visual Effects Supervisor: Crazy Horse Effects
'Game of Thrones' High Sparrow (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Visual Effects Supervisor: Crazy Horse Effects
'Game of Thrones' The Wars to Come (2015)
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Visual Effects Supervisor: CHE
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Consultant: Crazy Horse Effects
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Visual Effects Supervisor: Crazy Horse Effects
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Visual Effects Supervisor: Crazy Horse Effects / Visual Effects: Crazy Horse Effects
'Game of Thrones' The Mountain and the Viper (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Visual Effects Supervisor - CHE
'Boardwalk Empire' Eldorado (2014)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor - CHE
'Boardwalk Empire' Devil You Know (2014)
Directed by: Jeremy Podeswa
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor - CHE
'Boardwalk Empire' Cuanto (2014)
Directed by: Jake Paltrow
Cinematography by: William Coleman
Visual Effects Supervisor - CHE
'Boardwalk Empire' What Jesus Said (2014)
Directed by: Ed Bianchi
Cinematography by: Jonathan Freeman
Visual Effects Supervisor - CHE
'Boardwalk Empire' The Good Listener (2014)
Directed by: Allen Coulter
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor - CHE
'Boardwalk Empire' Golden Days for Boys and Girls (2014)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' Marriage and Hunting (2013)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' The Old Ship of Zion (2013)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor: CHE
'Boardwalk Empire' White Horse Pike (2013)
Directed by: Jake Paltrow
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' William Wilson (2013)
Directed by: Jeremy Podeswa
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Supervisor: CHE
'Boardwalk Empire' Erlkönig (2013)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' All In (2013)
Directed by: Ed Bianchi
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor: Crazy Horse East
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Visual Effects Supervisor: CHE
'Boardwalk Empire' Acres of Diamonds (2013)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Consultant: Crazy Horse Effects
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Visual Effects Supervisor: Crazy Horse Effects
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' New York Sour (2013)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' Farewell Daddy Blues (2013)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor: Crazy Horse Effects
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects Supervisor: CHE
'Boardwalk Empire' Havre de Grace (2013)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' The Pony (2012)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' Margate Sands (2012)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' The Milkmaid's Lot (2012)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' Blue Bell Boy (2012)
Directed by: Kari Skogland
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' You'd Be Surprised (2012)
Directed by: Timothy Van Patten
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' Ging Gang Goolie (2012)
Directed by: Ed Bianchi
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects: Crazy Horse Effects
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Visual Effects Supervisor
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Visual Effects Supervisor
We Bought a Zoo (2011)
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Supervisor: Crazy Horse Effects / Visual Effects: Crazy Horse Effects - 5 Episodes, 2014-2015
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Supervisor
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Visual Effects Supervisor: Crazy Horse Effects
'Boardwalk Empire' Boardwalk Empire (2010)
Directed by: Martin Scorsese
Cinematography by: Stuart Dryburgh
Edited by: Sidney Wolinsky
Visual Effects Supervisor
'Boardwalk Empire' Broadway Limited (2010)
Directed by: Timothy Van Patten
Cinematography by: Jonathan Freeman
Edited by: Kate Sanford
Visual Effects Supervisor: Crazy Horse Effects
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Visual Effects Supervisor: Crazy Horse Effects
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Visual Effects Supervisor: Crazy Horse Effects / Visual Effects Supervisor / Visual Effects Supervisor: CHE - 24 Episodes, 2010-2014
Boardwalk Empire (2010)
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Visual Effects Supervisor
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Crazy Horse Effects
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Supervisor: Crazy Horse Effects
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Digital Backlot
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Visual Effects Supervisor
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Visual Effects Supervisor: Digital Backlot
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Compositing Supervisor: Digital Backlot
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Visual Effects Supervisor: Digital Backlot
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Compositing Supervisor: Digital Backlot
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Compositing Supervisor: Digital Backlot
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Compositing Supervisor
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Compositing Supervisor
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Compositing Supervisor
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Lead Compositor
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Lead Compositor
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Compositing Supervisor: Digital Backlot
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Digital Compositor
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Digital Compositor
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Digital Compositor
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
2D Artist: Gray Matter FX
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Digital Compositor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler