Adr Coordinator
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Adr Coordinator
Cockneys vs Zombies (2012)
Directed by: Matthias Hoene
Cinematography by: Daniel Bronks
Cameras: ARRI Cameras
Lenses: Bausch & Lomb Lenses
Adr Coordinator
Grabbers (2012)
Directed by: Jon Wright
Cinematography by: Trevor Forrest
Edited by: Matt Platts-Mills
Adr Coordinator
One in the Chamber (2012)
Directed by: William Kaufman
Cinematography by: Mark Rutledge
Edited by: Russell White
Adr Coordinator
Death of a Superhero (2011)
Directed by: Ian Fitzgibbon
Cinematography by: Tom Fährmann
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Coordinator
Late Bloomers (2011)
Directed by: Julie Gavras
Cinematography by: Nathalie Durand
Edited by: Pierre Haberer
Adr Coordinator
Horrid Henry: The Movie (2011)
Directed by: Nick Moore
Cinematography by: Sam McCurdy
Edited by: Simon Cozens
Adr Coordinator
Melancholia (2011)
Directed by: Lars von Trier
Cinematography by: Manuel Alberto Claro
Edited by: Molly Malene Stensgaard
Cameras: ARRI ALEXA Camera, Phantom HD Gold Camera
Adr Coordinator: Soundfirm Australia
Red Dog (2011)
Directed by: Kriv Stenders
Cinematography by: Geoffrey Hall
Edited by: Jill Bilcock
Cameras: Red One Camera
Editing System: Lightworks Editing System
Adr Coordinator
Assassination Games (2011)
Directed by: Ernie Barbarash
Cinematography by: Phil Parmet
Edited by: Peter Devaney Flanagan
Adr Coordinator
The Decoy Bride (2011)
Directed by: Sheree Folkson
Cinematography by: Nanu Segal
Edited by: Dan Farrell
Adr Coordinator
The Lost Future (2010)
Directed by: Mikael Salomon
Cinematography by: Paul Gilpin
Edited by: Allan Lee
Adr Coordinator
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Adr Coordinator
I Am Slave (2010)
Directed by: Gabriel Range
Cinematography by: Robbie Ryan
Edited by: Brand Thumim
Adr Coordinator
Thorne: Sleepyhead (2010)
Directed by: Stephen Hopkins
Cinematography by: Joel Ransom
Edited by: John Smith
Adr Coordinator
Black Death (2010)
Directed by: Christopher Smith
Cinematography by: Sebastian Edschmid
Edited by: Stuart Gazzard
Adr Coordinator
Tracker (2010)
Directed by: Ian Sharp
Cinematography by: Harvey Harrison
Edited by: Sean Barton
Adr Coordinator
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Adr Coordinator
It's a Wonderful Afterlife (2010)
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Oral Norrie Ottey
Adr Coordinator
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Adr Coordinator
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Adr Coordinator
Africa United (2010)
Directed by: Debs Paterson
Cinematography by: Sean Bobbitt
Edited by: Victoria Boydell
Adr Coordinator
Blood Creek (2009)
Directed by: Joel Schumacher
Cinematography by: Darko Suvak
Edited by: Mark Stevens
Adr Coordinator
In the Loop (2009)
Directed by: Armando Iannucci
Cinematography by: Jamie Cairney
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Adr Coordinator
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Adr Coordinator
The Heavy (2009)
Directed by: Marcus Warren
Cinematography by: Robert Morris
Edited by: David Head
Adr Coordinator
Duplicity (2009)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Adr Coordinator
The Damned United (2009)
Directed by: Tom Hooper
Cinematography by: Ben Smithard
Edited by: Melanie Oliver
Adr Coordinator
The Young Victoria (2009)
Directed by: Jean-Marc Vallée
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Adr Coordinator
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Adr Coordinator
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Adr Coordinator
The Bank Job (2008)
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Adr Coordinator
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Adr Coordinator
Hunger (2008)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Lenses: Cooke S4 Lenses
Adr Coordinator
Rise of the Footsoldier (2007)
Directed by: Julian Gilbey
Cinematography by: Ali Asad
Adr Coordinator
Eichmann (2007)
Directed by: Robert Young
Cinematography by: Michael Connor
Edited by: Saska Simpson
Adr Coordinator
The Last King of Scotland (2006)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Lenses: Panavision Lenses
Adr Supervisor
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Adr Coordinator
The Merchant of Venice (2004)
Directed by: Michael Radford
Cinematography by: Benoît Delhomme
Edited by: Lucia Zucchetti
Post-production Supervisor
The Tulse Luper Suitcases, Part 1: The Moab Story (2003)
Directed by: Peter Greenaway
Cinematography by: Reinier van Brummelen
Cameras: Sony HDW-F900 Camera
Adr Mixer
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Adr Mixer
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Adr Mixer
Chaplin (1992)
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Adr Recordist
Wuthering Heights (1992)
Directed by: Peter Kosminsky
Cinematography by: Mike Southon
Edited by: Tony Lawson
Cameras: ARRI Cameras
Adr Mixer
Let Him Have It (1991)
Directed by: Peter Medak
Cinematography by: Oliver Stapleton
Edited by: Ray Lovejoy
Adr Mixer
Meeting Venus (1991)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Jim Clark
Adr Mixer
The Josephine Baker Story (1991)
Directed by: Brian Gibson
Cinematography by: Elemér Ragályi
Edited by: Graham Walker
Adr Mixer
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Adr Mixer
The Fisher King (1991)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Adr Mixer
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Adr Mixer
Sleeping with the Enemy (1991)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Adr Mixer
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Adr Mixer
Shirley Valentine (1989)
Directed by: Lewis Gilbert
Cinematography by: Alan Hume
Edited by: Lesley Walker
Adr Mixer: UK
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Adr Recording
A Man for All Seasons (1988)
Directed by: Charlton Heston
Cinematography by: Dennis C. Lewiston
Cameras: Panavision Cameras
Adr Recordist
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Adr Recordist: Mayflower Film Recording Ltd. London
Dirty Rotten Scoundrels (1988)
Directed by: Frank Oz
Cinematography by: Michael Ballhaus
Adr Mixer
Gorillas in the Mist (1988)
Directed by: Michael Apted
Cinematography by: John Seale
Edited by: Stuart Baird
Cameras: ARRIFLEX 35 BL4s Camera
Adr Mixer
Without a Clue (1988)
Directed by: Thom Eberhardt
Cinematography by: Alan Hume
Edited by: Peter Tanner
Re-recording Mixer
84 Charing Cross Road (1987)
Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: Chris Wimble
Cameras: ARRIFLEX 35 BL Camera
Adr Mixer
Empire of the Sun (1987)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Adr Mixer
Hope and Glory (1987)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ian Crafford
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Adr Mixer
Highlander (1986)
Directed by: Russell Mulcahy
Cinematography by: Gerry Fisher
Edited by: Peter Honess
Adr Mixer
The Mission (1986)
Directed by: Roland Joffé
Cinematography by: Chris Menges
Edited by: Jim Clark
Cameras: ARRIFLEX 35 BL Camera
Lenses: Cooke Xtal Express Lenses
Adr Mixer
Castaway (1986)
Directed by: Nicolas Roeg
Cinematography by: Harvey Harrison
Edited by: Tony Lawson
Cameras: Panavision Cameras
Adr Recording Mixer
Born American (1986)
Directed by: Renny Harlin
Cinematography by: Henrik Paersch
Edited by: Paul Martin Smith
Adr Mixer
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Adr Mixer , Post Synch. Recordist
Labyrinth (1986)
Directed by: Jim Henson
Cinematography by: Alex Thomson
Edited by: John Grover
Adr Mixer
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Scandalous (1984)
Directed by: Rob Cohen
Cinematography by: Jack Cardiff
Edited by: Michael Bradsell
Sound Recordist
A Passage to India (1984)
Directed by: David Lean
Cinematography by: Ernest Day
Edited by: David Lean
Cameras: Panavision Cameras
Adr Mixer
Greystoke: The Legend of Tarzan, Lord of the Apes (1984)
Directed by: Hugh Hudson
Cinematography by: John Alcott
Edited by: Anne V. Coates
Adr Mixer
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Adr Mixer
The Hotel New Hampshire (1984)
Directed by: Tony Richardson
Cinematography by: David Watkin
Edited by: Robert K. Lambert
Adr Mixer
Local Hero (1983)
Directed by: Bill Forsyth
Cinematography by: Chris Menges
Edited by: Michael Bradsell
Adr Mixer
The Hunger (1983)
Directed by: Tony Scott
Cinematography by: Stephen Goldblatt
Edited by: Pamela Power
Adr Mixer
The Man Who Loved Women (1983)
Directed by: Blake Edwards
Cinematography by: Haskell Wexler
Edited by: Ralph E. Winters
Adr Mixer
The French Lieutenant's Woman (1981)
Directed by: Karel Reisz
Cinematography by: Freddie Francis
Edited by: John Bloom
Cameras: Panavision Cameras
Adr Mixer
Chariots of Fire (1981)
Directed by: Hugh Hudson
Cinematography by: David Watkin
Edited by: Terry Rawlings
Adr Mixer
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Adr Mixer
Victory (1981)
Directed by: John Huston
Cinematography by: Gerry Fisher
Edited by: Roberto Silvi
Cameras: Panavision Cameras
Adr Mixer
Excalibur (1981)
Directed by: John Boorman
Cinematography by: Alex Thomson
Cameras: ARRI Cameras, ARRIFLEX 35 BL3 Camera
Sound Recordist
Lion of the Desert (1980)
Directed by: Moustapha Akkad
Cinematography by: Jack Hildyard
Edited by: John Shirley
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Adr Mixer
The Dogs of War (1980)
Directed by: John Irvin
Cinematography by: Jack Cardiff
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Foley Mixer
The Shining (1980)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Ray Lovejoy
Cameras: ARRIFLEX 35 BL Camera
Re-recording Mixer
On Her Majesty's Secret Service (1969)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: John Glen
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Re-recording Mixer
Romeo and Juliet (1968)
Directed by: Franco Zeffirelli
Cinematography by: Pasqualino De Santis
Edited by: Reginald Mills
Cameras: Mitchell BNCR Camera
Re-recording Engineer
Thunderball (1965)
Directed by: Terence Young
Cinematography by: Ted Moore
Edited by: Ernest Hosler
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
