Compositor: Light VFX
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Digital Compositor: SSVFX
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Postvis Compositor: Proof
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Compositor
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Compositor
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects: Mackevision
'Game of Thrones' Oathkeeper (2014)
Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green
Visual Effects Crew: Scanline VFX
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Digital Compositor: ScanlineVFX
Snowpiercer (2013)
Directed by: Joon-ho Bong
Cinematography by: Kyung-pyo Hong
Digital Compositor
Cloclo (2012)
Directed by: Florent-Emilio Siri
Cinematography by: Giovanni Fiore Coltellacci
Edited by: Olivier Gajan
Visual Effects: Mackevision - 1 Episode, 2014
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Compositor: Mobius
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Artist: Men From Mars / Lead Compositor
Mutant Chronicles (2008)
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Compositor: Photon VFX
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Digital Compositor: Rainmaker
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Compositor: Rainmaker UK
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
2D Artist
'Doctor Who' Love & Monsters (2006)
Directed by: Dan Zeff
Cinematography by: Rory Taylor
Edited by: Alan Levy
2D Artist
'Doctor Who' The Satan Pit (2006)
Directed by: James Strong
Cinematography by: Ernest Vincze
Edited by: Mike Jones
2D Artist
'Doctor Who' The Impossible Planet (2006)
Directed by: James Strong
Cinematography by: Ernest Vincze
Edited by: Mike Jones
2D Artist
'Doctor Who' The Idiot's Lantern (2006)
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Crispin Green
2D Artist - 4 Episodes, 2006
Doctor Who (2005)
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
Compositing Artist
Don't Come Knocking (2005)
Directed by: Wim Wenders
Cinematography by: Franz Lustig
Digital Compositor
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Digital Compositor
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Compositor
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Compositor
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Compositor: MPC
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Digital Preparation: Mill Film Ltd.
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Digital Compositor
Gangster No. 1 (2000)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Cameras: Aaton Cameras, Panavision Cameras
Assistant Production Coordinator
Zero Effect (1998)
Directed by: Jake Kasdan
Cinematography by: Bill Pope
Edited by: Tara Timpone
Illusion Compositor
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist
Seven Years in Tibet (1997)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Digital Effects: CFC
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Digital Effects Designer: CFC
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Assistant Production Coordinator
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Production Office Assistant
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
