Post-production Supervisor
'Scrubs' Our True Lies (2010)
Directed by: Michael Spiller
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Post-production Supervisor
'Scrubs' Our Stuff Gets Real (2010)
Directed by: John Putch
Cinematography by: Dave Perkal
Edited by: Rick Blue
Post-production Supervisor
'Scrubs' Our Couples (2010)
Directed by: Chris Koch
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Post-production Supervisor
'Scrubs' Our White Coats (2010)
Directed by: John Putch
Cinematography by: Dave Perkal
Edited by: Rick Blue
Post-production Supervisor
'Scrubs' Our New Girl-Bro (2010)
Directed by: Michael McDonald
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Post-production Supervisor
'Scrubs' Our Thanks (2010)
Directed by: Rick Blue
Cinematography by: Dave Perkal
Edited by: Rick Blue
Post-production Supervisor
'Scrubs' Our Driving Issues (2010)
Directed by: Eren Celeboglu
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Post-production Supervisor
'Scrubs' Our Dear Leaders (2010)
Directed by: Peter Lauer
Cinematography by: Dave Perkal
Edited by: Rick Blue
Post-production Supervisor
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Post-production Supervisor
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Post-production Supervisor / Production Manager
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Post-production Supervisor
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Post-production Supervisor / Production Manager
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Post-production Supervisor
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Production Manager
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Post-production Supervisor
Mr. Bean's Holiday (2007)
Directed by: Steve Bendelack
Cinematography by: Baz Irvine
Edited by: Tony Cranstoun
Post-production Supervisor
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Post-production Supervisor / Production Manager
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Post-production Supervisor
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Production Manager
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Production Manager
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Post-production Supervisor
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Post-production Supervisor
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Post-production Supervisor
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Post-production Supervisor
Holes (2003)
Directed by: Andrew Davis
Cinematography by: Stephen St. John
Post-production Supervisor
Freaky Friday (2003)
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Post-production Supervisor
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Post-production Supervisor
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Post-production Supervisor
Hope Springs (2003)
Directed by: Mark Herman
Cinematography by: Ashley Rowe
Edited by: Michael Ellis
Post-production Supervisor
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Producer
Una preciosa puesta de sol (2003)
Directed by: Álvaro del Amo
Cinematography by: Carlos Suárez
Edited by: Irene Blecua
Post-production Supervisor
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Post-production Supervisor
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Post-production Supervisor
Moonlight Mile (2002)
Directed by: Brad Silberling
Cinematography by: Phedon Papamichael
Edited by: Lisa Zeno Churgin
Cameras: Panavision Panaflex Camera
Post-production Supervisor
Get a Clue (2002)
Directed by: Maggie Greenwald
Cinematography by: Rhett Morita
Edited by: Keith Reamer
Post-production Supervisor - International Version
Monsters, Inc. (2001)
Post-production Supervisor - 8 Episodes, 2010
Scrubs (2001)
Directed by: Michael Spiller, Bill Lawrence, Adam Bernstein, Ken Whittingham, Chris Koch, Gail Mancuso, Marc Buckland, Will Mackenzie, John Putch, John Inwood, Zach Braff, Craig Zisk, Lawrence Trilling, Victor Nelli Jr., Linda Mendoza, Michael McDonald, John Michel, Rick Blue, Richard A. Wells, Peter Lauer, Matthew Diamond, Joanna Kerns, Randall Keenan Winston, Henry Chan, Mark Stegemann, Elodie Keene, Jeff Melman, Paul Quinn, Jason Ensler, Matthew Perry, Jay Alaimo, Rob Greenberg, Richard W. Davis, Ted Wass, Eren Celeboglu
Cinematography by: John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan
Editing System: Final Cut Pro Editing System
Post-production Supervisor
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Post-production Supervisor
High Heels and Low Lifes (2001)
Directed by: Mel Smith
Cinematography by: Steven Chivers
Edited by: Chris Blunden
Post-production Supervisor
Zenon: The Zequel (2001)
Directed by: Manny Coto
Cinematography by: Donald Duncan
Post-production Supervisor
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Post-production Supervisor
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Post-production Supervisor
Halloweentown II: Kalabar's Revenge (2001)
Directed by: Mary Lambert
Cinematography by: Tony Westman
Edited by: Sharyn L. Ross
Post-production Supervisor
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Post-production Supervisor
10 Things I Hate About You (1999)
Directed by: Gil Junger
Cinematography by: Mark Irwin
Edited by: O. Nicholas Brown
Cameras: Moviecam Compact Camera
Post-production Supervisor
NetForce (1999)
Directed by: Robert Lieberman
Cinematography by: David Hennings
Edited by: Alan L. Shefland
Post-production Supervisor
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Post-production Supervisor
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Post-production Supervisor
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Post-production Supervisor
Krippendorf's Tribe (1998)
Directed by: Todd Holland
Cinematography by: Dean Cundey
Edited by: Jon Poll
Cameras: Panavision Cameras
Post-production Supervisor
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Post-production Supervisor
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Post-production Supervisor
Max Q (1998)
Directed by: Michael Shapiro
Cinematography by: Glen MacPherson
Edited by: Michael Schweitzer
Post-production Supervisor
He Got Game (1998)
Directed by: Spike Lee
Edited by: Barry Alexander Brown
Post-production Supervisor
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Post-production Supervisor
A Bug's Life (1998)
Cinematography by: Sharon Calahan
Edited by: Lee Unkrich
Post-production Supervisor
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Post-production Supervisor
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Post-production Supervisor
G.I. Jane (1997)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Post-production Supervisor
Firelight (1997)
Directed by: William Nicholson
Cinematography by: Nic Morris
Edited by: Chris Wimble
Post-production Supervisor
Gone Fishin' (1997)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Post-production Supervisor
'The Wonderful World of Disney' Flash (1997)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Corky Ehlers
Post-production Supervisor
Evita (1996)
Directed by: Alan Parker
Cinematography by: Darius Khondji
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Post-production Supervisor
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Post-production Supervisor
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Supervisor
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Post-production Supervisor
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Post-production Supervisor
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Post-production Supervisor
Mad Love (1995)
Directed by: Antonia Bird
Cinematography by: Fred Tammes
Edited by: Jeff Freeman
Cameras: Panavision Cameras
Post-production Supervisor
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Post-production Supervisor
Powder (1995)
Directed by: Victor Salva
Cinematography by: Jerzy Zielinski
Edited by: Dennis M. Hill
Post-production Supervisor
Quiz Show (1994)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Cameras: ARRIFLEX 35mm Cameras
Post-production Supervisor
Blank Check (1994)
Directed by: Rupert Wainwright
Cinematography by: Bill Pope
Cameras: Panavision Cameras
Post-production Supervisor
A Low Down Dirty Shame (1994)
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
Post-production Supervisor
My Father the Hero (1994)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Marshall Harvey
Post-production Supervisor
In the Army Now (1994)
Directed by: Daniel Petrie Jr.
Cinematography by: William Wages
Edited by: O. Nicholas Brown
Post-production Supervisor
Léon: The Professional (1994)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Post-production Supervisor
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Post-production Supervisor
Indian Summer (1993)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Post-production Supervisor
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Post-production Supervisor
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
