Director Of Photography: Second Unit
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Cinematographer: Second Unit - 1 Episode, 2018
Maniac (2018)
Directed by: Cary Joji Fukunaga
Cinematography by: Darren Lew
Cameras: Panavision Millennium DXL Camera
Second Unit Dop
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Director Of Photography: Second Unit
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Director Of Photography: Second Unit
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Additional Photography
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Director Of Photography: Second Unit, New York
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Director Of Photography: Second Unit
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Camera Operator - Segments "Homeschooled", "iBabe"
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Director Of Photography: Second Unit
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Director Of Photography: Second Unit
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Director Of Photography: Second Unit, Washington DC
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Director Of Photography: Second Unit
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Director Of Photography: Second Unit
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Director Of Photography: Second Unit
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Director Of Photography: Second Unit
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Director Of Photography: Second Unit
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Director Of Photography: Second Unit
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Director Of Photography: Second Unit
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Director Of Photography: Second Unit
Wall Street: Money Never Sleeps (2010)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Director Of Photography: Second Unit
Every Day (2010)
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Director Of Photography: Second Unit
Going the Distance (2010)
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Director Of Photography: Second Unit
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Director Of Photography: Visual Effects
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Director Of Photography: Second Unit, New York
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
Director Of Photography: Second Unit
Tenderness (2009)
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Director Of Photography: Arizona & Florida
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Director Of Photography: Second Unit
Paul Blart: Mall Cop (2009)
Directed by: Steve Carr
Cinematography by: Russ T. Alsobrook
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera
Camera Operator
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Technocrane Operator
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Camera Operator: Second Unit
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Camera Operator: "b" Camera / Director Of Photography: Splinter Unit
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Director Of Photography: Additional Photography
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Camera Operator
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Camera Operator: "a" Camera, New York
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Camera Operator: "a" Camera, New York
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography: Second Unit
Hide and Seek (2005)
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Camera Operator: "b" Camera / Director Of Photography: Second Unit
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Camera Operator
Kinsey (2004)
Directed by: Bill Condon
Cinematography by: Frederick Elmes
Edited by: Virginia Katz
Director Of Photography: Second Unit
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Camera Operator
People I Know (2002)
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Camera Operator
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Camera Operator
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera
28 Days (2000)
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: New York
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Additional Camera Operator
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Camera Operator
Flawless (1999)
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Camera Operator: New York
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Camera Operator
Rear Window (1998)
Directed by: Jeff Bleckner
Cinematography by: Ken Kelsch
Edited by: Geoffrey Rowland
Cameras: Panavision Cameras
Camera Operator: "b" Camera
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "b" Camera
A Perfect Murder (1998)
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Camera Operator
For Richer or Poorer (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Camera Operator
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Camera Operator: Puerto Rico
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Camera Operator / Director Of Photography: Second Unit
Eddie (1996)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Richard Halsey
First Assistant Camera
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Assistant Camera: Additional Camera Crew
The Mosquito Coast (1986)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Second Assistant Camera: New York
Ghostbusters (1984)
Directed by: Ivan Reitman
Cinematography by: László Kovács
Cameras: Panavision Cameras
Lenses: Panavision Lenses