Mike Edmonson

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The Hateful Eight | ShotOnWhat?

Special Effects Supervisor

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

American Sniper | ShotOnWhat?

Special Effects Supervisor

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Iron Man Three | ShotOnWhat?

The Avengers | ShotOnWhat?

Special Effects Foreman

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Special Effects Foreman

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Cowboys & Aliens | ShotOnWhat?

Special Effects Foreman: Second Unit

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Iron Man 2 | ShotOnWhat?

Special Effects Foreman

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Gamer | ShotOnWhat?

Special Effects Supervisor

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Special Effects Foreman

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Special Effects Foreperson: Second Unit

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Iron Man | ShotOnWhat?

Special Effects Foreman: Second Unit

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Elite Squad | ShotOnWhat?

Special Effects Technician

Elite Squad (2007)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Daniel Rezende

Cameras: Panavision Cameras

Flags of Our Fathers | ShotOnWhat?

Special Effects Set Coordinator

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Smokin' Aces | ShotOnWhat?

Special Effects Foreman

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Letters from Iwo Jima | ShotOnWhat?

Special Effects Set Coordinator / Special Effects Supervisor

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sky High | ShotOnWhat?

Special Effects Coordinator: Second Unit

Sky High (2005)

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

The Alamo | ShotOnWhat?

Special Effects Set Foreman

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Italian Job | ShotOnWhat?

Special Effects Supervisor

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Hunted | ShotOnWhat?

Special Effects Supervisor

The Hunted (2003)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Daredevil | ShotOnWhat?

Special Effects Supervisor

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

Windtalkers | ShotOnWhat?

Special Effects Foreman

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

Spy Kids | ShotOnWhat?

Special Effects Foreman

Spy Kids (2001)

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

The Extreme Adventures of Super Dave | ShotOnWhat?

Special Effects Foreman

The Extreme Adventures of Super Dave (2000)

Direct to Video

Directed by: Peter MacDonald

Cinematography by: Bernd Heinl

Edited by: Mike Murphy

U-571 | ShotOnWhat?

Special Effects Technician: Underwater Unit

U-571 (2000)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

Virus | ShotOnWhat?

Gopher

Virus (1999)

Directed by: John Bruno

Cinematography by: David Eggby

Edited by: M. Scott Smith

Wild Wild West | ShotOnWhat?

Special Effects Technician

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Mafia! | ShotOnWhat?

Special Effects Set Lead Man: Dynamic F/X

Mafia! (1998)

Directed by: Jim Abrahams

Cinematography by: Pierre Letarte

Edited by: Terry Stokes

The Faculty | ShotOnWhat?

Special Effects Foreman

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Gone Fishin' | ShotOnWhat?

Second Unit Supervisor, Special Effects Supervisor

Gone Fishin' (1997)

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

Independence Day | ShotOnWhat?

Supervisor: Second Unit, Mechanical Effects

Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Species | ShotOnWhat?

Special Effects Crew

Species (1995)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Fair Game | ShotOnWhat?

First Unit Supervisor

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

The Specialist | ShotOnWhat?

Special Effects

The Specialist (1994)

Directed by: Luis Llosa

Cinematography by: Jeffrey L. Kimball

Edited by: Jack Hofstra

Blown Away | ShotOnWhat?

Special Effects Crew

Blown Away (1994)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

Demolition Man | ShotOnWhat?

Special Effects Foreman

Demolition Man (1993)

Directed by: Marco Brambilla

Cinematography by: Alex Thomson

Edited by: Stuart Baird

Batman Returns | ShotOnWhat?

Special Effects Foreman

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

McBain | ShotOnWhat?

Pyrotechnician / Special Effects Foreman

McBain (1991)

Directed by: James Glickenhaus

Cinematography by: Robert M. Baldwin

Edited by: Jeffrey Wolf

The Addams Family | ShotOnWhat?

Special Effects Foreperson

The Addams Family (1991)

Directed by: Barry Sonnenfeld

Cinematography by: Owen Roizman

Edited by: Dede Allen, Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Edward Scissorhands | ShotOnWhat?

Special Effects Foreman

Edward Scissorhands (1990)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Colleen Halsey, Richard Halsey

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Another 48 Hrs. | ShotOnWhat?

Pyrotechnician , Special Effects Technician

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

DeepStar Six | ShotOnWhat?

Pyrotechnician / Special Effects Foreman

DeepStar Six (1989)

Directed by: Sean S. Cunningham

Cinematography by: Mac Ahlberg

Edited by: David Handman

Always | ShotOnWhat?

Special Effects Foreman

Always (1989)

Directed by: Steven Spielberg

Cinematography by: Mikael Salomon

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Short Circuit 2 | ShotOnWhat?

Pyrotechnician / Special Effects Assistant

Short Circuit 2 (1988)

Directed by: Kenneth Johnson

Cinematography by: John McPherson

Edited by: Conrad Buff IV

Death Wish 4: The Crackdown | ShotOnWhat?

Pyrotechnician / Special Effects Foreman

Death Wish 4: The Crackdown (1987)

Directed by: J. Lee Thompson

Cinematography by: Gideon Porath

Edited by: Peter Lee-Thompson

The Money Pit | ShotOnWhat?

Special Effects

The Money Pit (1986)

Directed by: Richard Benjamin

Cinematography by: Gordon Willis

Edited by: Jacqueline Cambas

Cameras: Panavision Cameras

Armed and Dangerous | ShotOnWhat?

Special Effects Supervisor

Armed and Dangerous (1986)

Directed by: Mark L. Lester

Cinematography by: Fred Schuler

Edited by: Daniel P. Hanley, Mike Hill, Gregory Prange

Firestarter | ShotOnWhat?

Pyrotechnician / Special Effects Foreman

Firestarter (1984)

Directed by: Mark L. Lester

Cinematography by: Giuseppe Ruzzolini

Edited by: David Rawlins, Ronald Sanders

Love Is Forever | ShotOnWhat?

Underwater Special Effects

Love Is Forever (1983)

Television Movie

Directed by: Hall Bartlett

Cinematography by: Andrew Laszlo

Edited by: Marshall M. Borden, Jay Cassidy

TRON | ShotOnWhat?

Special Effects Technician

TRON (1982)

Directed by: Steven Lisberger

Cinematography by: Bruce Logan

Edited by: Jeff Gourson

Cameras: Panavision Cameras, Panavision System 65 Camera, Super Panavision-70 Camera

Lenses: Panavision Lenses

Modern Problems | ShotOnWhat?

Special Effects Foreman

Modern Problems (1981)

Directed by: Ken Shapiro

Cinematography by: Edmond L. Koons

Edited by: Michael Jablow

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