Special Makeup Effects Artist: Legacy Effects
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Mold Maker
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Special Effects Makeup: Legacy Studios
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Key Prosthetics And Suit Effects Crew: Legacy Effects
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Mold Department: Legacy Effects
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Key Technician: Legacy Effects
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Key Technician: Legacy Effects
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Special Effects Makeup
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Special Effects Makeup
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Art & Mold Mechanical Technician: Stan Winston Studio And Legacy Effects
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Mold/technical Department: Stan Winston Studio
Pandorum (2009)
Directed by: Christian Alvart
Cinematography by: Wedigo von Schultzendorff
Special Effects Makeup
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Special Effects Mold Shop
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Mold Maker / Special Effects Makeup
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Mold Maker
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Key Technician: Stan Winston Studio
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Key Technician: Stan Winston Studio
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Key Special Effects Technician: Stan Winston Studio, Special Makeup Effects Artist
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Key Mold Maker: Stan Winston Studios
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Mold Maker / Special Effects Makeup
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Creature Effects Crew / Special Effects Makeup
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Makeup Effects Moldmaker
'The X-Files' Trust No 1 (2002)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Makeup Effects Moldmaker
'The X-Files' John Doe (2002)
Directed by: Michelle MacLaren
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker
'The X-Files' Hellbound (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker
'The X-Files' Provenance (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker
'The X-Files' Providence (2002)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Makeup Effects Moldmaker
'The X-Files' Audrey Pauley (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker
'The X-Files' Underneath (2002)
Directed by: John Shiban
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Makeup Effects Moldmaker
'The X-Files' Improbable (2002)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Makeup Effects Moldmaker
'The X-Files' Scary Monsters (2002)
Directed by: Dwight H. Little
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Makeup Effects Moldmaker
'The X-Files' Jump the Shark (2002)
Directed by: Cliff Bole
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Makeup Effects Moldmaker
'The X-Files' William (2002)
Directed by: David Duchovny
Cinematography by: Bill Roe
Makeup Effects Moldmaker
'The X-Files' Release (2002)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Mold/technical Department
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Surekill (2001)
Directed by: Terrence O'Hara
Cinematography by: Bill Roe
Edited by: Michael Kewley
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Salvage (2001)
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Badlaa (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Michael Kewley
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' The Gift (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Medusa (2001)
Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Per Manum (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' This Is Not Happening (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Deadalive (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Three Words (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Empedocles (2001)
Directed by: Barry K. Thomas
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Vienen (2001)
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Alone (2001)
Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Essence (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Existence (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Regis Kimble
Makeup Effects Moldmaker
'The X-Files' Nothing Important Happened Today (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker
'The X-Files' Nothing Important Happened Today II (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Makeup Effects Moldmaker
'The X-Files' Dæmonicus (2001)
Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Makeup Effects Moldmaker
'The X-Files' 4-D (2001)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Makeup Effects Moldmaker
'The X-Files' Lord of the Flies (2001)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Moldshop Supervisor
'The X-Files' Orison (2000)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' The Amazing Maleeni (2000)
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Signs & Wonders (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Sein und Zeit (2000)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Closure (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' X-Cops (2000)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' First Person Shooter (2000)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Theef (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' En Ami (2000)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Chimera (2000)
Directed by: Cliff Bole
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' All Things (2000)
Directed by: Gillian Anderson
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Brand X (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Hollywood A.D. (2000)
Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Fight Club (2000)
Directed by: Paul Shapiro
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Je Souhaite (2000)
Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Requiem (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Within (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Without (2000)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Patience (2000)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Roadrunners (2000)
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Invocation (2000)
Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Michael Kewley
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Redrum (2000)
Directed by: Peter Markle
Cinematography by: Bill Roe
Makeup Effects Moldmaker/caster/body Impressions
'The X-Files' Via Negativa (2000)
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Effects Crew: Cannom Creations
Idle Hands (1999)
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Mold Department: Stan Winston Studios / Special Effects Makeup
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Makeup
Angel (1999)
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Moldshop Supervisor
'The X-Files' Terms of Endearment (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' The Rain King (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' S.R. 819 (1999)
Directed by: Daniel Sackheim
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Tithonus (1999)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Two Fathers (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' One Son (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Agua Mala (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Moldshop Supervisor
'The X-Files' Monday (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Arcadia (1999)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Alpha (1999)
Directed by: Peter Markle
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Trevor (1999)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Milagro (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' The Unnatural (1999)
Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Three of a Kind (1999)
Directed by: Bryan Spicer
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Field Trip (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' The Sixth Extinction (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' The Sixth Extinction II: Amor Fati (1999)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Hungry (1999)
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Millennium (1999)
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Rush (1999)
Directed by: Robert Lieberman
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' The Goldberg Variation (1999)
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Drive (1998)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' Triangle (1998)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Louise Innes
Moldshop Supervisor
'The X-Files' Dreamland (1998)
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Moldshop Supervisor
'The X-Files' Dreamland II (1998)
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Moldshop Supervisor
'The X-Files' How the Ghosts Stole Christmas (1998)
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Special Makeup Effects Artist
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Mold/technical Department
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Creature Effects Crew / Special Effects Makeup, Mold/technical Department
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Mold Department: Stan Winston Studio
The Island of Dr. Moreau (1996)
Cinematography by: William A. Fraker
Mold Maker
Mighty Morphin Power Rangers: The Movie (1995)
Directed by: Bryan Spicer
Cinematography by: Paul Murphy
Edited by: Wayne Wahrman
Moldshop Supervisor / Makeup Effects Moldmaker/caster/body Impressions / Makeup Effects Moldmaker - 80 Episodes, 1998-2002
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
