Digital Compositor: Artemple-Hollywood
Mank (2020)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Cameras: Red Digital Cinema Cameras
Lenses: Leitz Summilux-C Series Lenses
Compositing Supervisor: Artemple - Hollywood
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Compositor: Scanline VFX
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Senior Visual Effects Supervisor
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Digital Compositor: LOOK Effects
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Visual Effects Supervisor
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects: LOOK Effects
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Visual Effects: Look Effects
'Game of Thrones' Mhysa (2013)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Oral Norrie Ottey
Visual Effects: Look Effects
'Game of Thrones' The Bear and the Maiden Fair (2013)
Directed by: Michelle MacLaren
Cinematography by: Chris Seager
Edited by: Frances Parker
Digital Artist: Look Effects
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Senior Visual Effects Supervisor
Alex Cross (2012)
Directed by: Rob Cohen
Cinematography by: Ricardo Della Rosa
Digital Compositor
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Digital Compositor
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects: Look Effects - 2 Episodes, 2013
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Digital Effects Supervisor: Look Effects
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Digital Effects Supervisor: LOOK Effects
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Digital Compositor: Look Effects
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Digital Compositor: LOOK Effects
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Digital Compositor: LOOK Effects
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects Supervisor: LOOK Effects Inc.
Ace Ventura: Pet Detective Jr. (2009)
Directed by: David Mickey Evans
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Visual Effects Supervisor
'Bones' The End in the Beginning (2009)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Critic in the Cabernet (2009)
Directed by: Kevin Hooks
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Beaver in the Otter (2009)
Directed by: Brad Turner
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Girl in the Mask (2009)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Double Death of the Dearly Departed (2009)
Directed by: Milan Cheylov
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' Mayhem on a Cross (2009)
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Cinderella in the Cardboard (2009)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Science in the Physicist (2009)
Directed by: Brad Turner
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Bones That Foam (2009)
Directed by: David Boreanaz
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Salt in the Wounds (2009)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Doctor in the Den (2009)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Princess and the Pear (2009)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Hero in the Hold (2009)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' Fire in the Ice (2009)
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' Double Trouble in the Panhandle (2009)
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Digital Compositor: Look Effects Inc.
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Compositor: Look Effects
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Digital Compositor
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Digital Compositor
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Visual Effects Supervisor
'Bones' The Bone That Blew (2008)
Directed by: Jessica Landaw
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Passenger in the Oven (2008)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The He in the She (2008)
Directed by: Craig Ross Jr.
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Skull in the Sculpture (2008)
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Con Man in the Meth Lab (2008)
Directed by: Allison Liddi-Brown
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Crank in the Shaft (2008)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Perfect Pieces in the Purple Pond (2008)
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Finger in the Nest (2008)
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Man in the Outhouse (2008)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Yanks in the U.K.: Parts 1 and 2 (2008)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Visual Effects Supervisor
'Bones' The Pain in the Heart (2008)
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Wannabe in the Weeds (2008)
Directed by: Gordon Lonsdale
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Verdict in the Story (2008)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Baby in the Bough (2008)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' Player Under Pressure (2008)
Directed by: Jessica Landaw
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Man in the Mud (2008)
Directed by: Scott Lautanen
Cinematography by: Gregory Paul Collier
Edited by: Andrea Folprecht
Digital Compositor
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Digital Compositor
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Digital Compositor
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Visual Effects Supervisor
'Bones' The Santa in the Slush (2007)
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' The Knight on the Grid (2007)
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' Boy in the Time Capsule (2007)
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' Intern in the Incinerator (2007)
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' Mummy in the Maze (2007)
Directed by: Marita Grabiak
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Secret in the Soil (2007)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Visual Effects Supervisor
'Bones' Death in the Saddle (2007)
Directed by: Craig Ross Jr.
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' Soccer Mom in the Mini-Van (2007)
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Widow's Son in the Windshield (2007)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Visual Effects Supervisor
'Bones' Stargazer in a Puddle (2007)
Directed by: Tony Wharmby
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Visual Effects Supervisor
'Bones' The Glowing Bones in 'The Old Stone House' (2007)
Directed by: Caleb Deschanel
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Visual Effects Supervisor
'Bones' Spaceman in a Crater (2007)
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Priest in the Churchyard (2007)
Directed by: Scott Lautanen
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Killer in the Concrete (2007)
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Visual Effects Supervisor
'Bones' The Boneless Bride in the River (2007)
Directed by: Tony Wharmby
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Visual Effects Supervisor
'Bones' The Bodies in the Book (2007)
Directed by: Craig Ross Jr.
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Visual Effects Supervisor
'Bones' The Man in the Mansion (2007)
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Girl in the Gator (2007)
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Visual Effects Supervisor
'Bones' The Man in the Cell (2007)
Directed by: Jesús Salvador Treviño
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Digital Supervisor
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Compositor: LOOK! Effects Inc.
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Digital Compositor: LOOK! Effects
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Digital Compositor
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Visual Effects Supervisor
'Bones' Judas on a Pole (2006)
Directed by: David Duchovny
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Headless Witch in the Woods (2006)
Directed by: Tony Wharmby
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Visual Effects Supervisor
'Bones' Aliens in a Spaceship (2006)
Directed by: Craig Ross Jr.
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Visual Effects Supervisor
'Bones' The Woman in the Sand (2006)
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Girl with the Curl (2006)
Directed by: Thomas J. Wright
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Visual Effects Supervisor
'Bones' The Girl in Suite 2103 (2006)
Directed by: Karen Gaviola
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Visual Effects Supervisor
'Bones' The Truth in the Lye (2006)
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Blonde in the Game (2006)
Directed by: Bryan Spicer
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Visual Effects Supervisor
'Bones' Mother and Child in the Bay (2006)
Directed by: Jesús Salvador Treviño
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Visual Effects Supervisor
'Bones' The Boy in the Shroud (2006)
Directed by: Sanford Bookstaver
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Visual Effects Supervisor
'Bones' The Titan on the Track (2006)
Directed by: Tony Wharmby
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Digital Compositor
Final Approach (2005)
Directed by: James Becket
Cinematography by: Denis Maloney
Edited by: Langdon Page
Cameras: ARRIFLEX Camera
Digital Compositor
Aurora Borealis (2005)
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Digital Compositor: LOOK! Effects
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Compositor: LOOK! Effects Inc.
Santa's Slay (2005)
Directed by: David Steiman
Cinematography by: Matthew F. Leonetti
Visual Effects Supervisor - 61 Episodes, 2006-2009
Bones (2005)
Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi
Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli
Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera
Digital Compositor
Kinsey (2004)
Directed by: Bill Condon
Cinematography by: Frederick Elmes
Edited by: Virginia Katz
Digital Compositor
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Digital Compositor
Napoleon Dynamite (2004)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Jeremy Coon
Cameras: Panavision Cameras
Editing System: Final Cut Pro Editing System
Digital Compositor
Mean Creek (2004)
Directed by: Jacob Estes
Cinematography by: Sharone Meir
Edited by: Madeleine Gavin
Digital Compositor
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Digital Compositor
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
Saw (2004)
Directed by: James Wan
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Digital Compositor
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Digital Compositor
Godsend (2004)
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Digital Compositor
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Compositor
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
