Visual Effects Artist
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Digital Compositor
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Visual Effects Artist
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Visual Effects Artist
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Artist
Project X (2012)
Directed by: Nima Nourizadeh
Cinematography by: Ken Seng
Edited by: Jeff Groth
Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera
Lenses: Canon Lenses
Visual Effects Artist
Man on a Ledge (2012)
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
Visual Effects Supervisor
Hall Pass (2011)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Visual Effects Supervisor: Perpetual Motion Pictures
The Cabin in the Woods (2011)
Directed by: Drew Goddard
Cinematography by: Peter Deming
Edited by: Lisa Lassek
Paint And Rotoscope Artist: Hammerhead
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Compositor: Wildfire VFX
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Visual Effects Supervisor
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Visual Effects Artist
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Visual Effects Supervisor
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Visual Effects Artist
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Visual Effects Artist
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Digital Compositor
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Visual Effects Supervisor
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Visual Effects Supervisor
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Visual Effects Supervisor
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Visual Effects Supervisor: Perpetual Motion Pictures
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Visual Effects Supervisor: Perpetual Motion Pictures
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Supervisor: Perpetual Motion Pictures
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Visual Effects Supervisor
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Perpetual Motion Pictures
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Motion Control
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Visual Effects Supervisor
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Visual Effects Supervisor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Visual Effects Supervisor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Visual Effects Supervisor
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Compositor: Perpetual Motion Pictures / Visual Effects Supervisor: Perpetual Motion Pictures
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Digital Visual Effects
Masked and Anonymous (2003)
Directed by: Larry Charles
Cinematography by: Rogier Stoffers
Visual Effects Supervisor: Perpetual Motion Pictures
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Visual Effects Supervisor
Big Fat Liar (2002)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Visual Effects Supervisor
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Visual Effects Supervisor: Perpetual Motion Pictures
See Spot Run (2001)
Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman
Visual Effects Supervisor
The Forsaken (2001)
Directed by: J.S. Cardone
Cinematography by: Steven Bernstein
Edited by: Norman Buckley
Visual Effects Supervisor: Perpetual Motion Pictures
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Visual Effects Supervisor
How High (2001)
Directed by: Jesse Dylan
Cinematography by: Francis Kenny
Edited by: Larry Bock
Visual Effects Producer: Perpetual Motion Pictures
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Visual Effects Supervisor: Perpetual Motion Pictures
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Digital Effects
The Corruptor (1999)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Visual Effects Supervisor: Perpetual Motion Pictures
Black Dog (1998)
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Visual Effects: Perpetual Motion Pictures
Bride of Chucky (1998)
Directed by: Ronny Yu
Cinematography by: Peter Pau
Animation Supervisor: Perpetual Motion Pictures
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Visual Effects Supervisor
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Effects
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: Perpetual Motion Pictures
Cabin Boy (1994)
Directed by: Adam Resnick
Cinematography by: Steve Yaconelli
Edited by: Jon Poll
Visual Effects Supervisor: Perpetual Motion Pictures
Baby's Day Out (1994)
Directed by: Patrick Read Johnson
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Visual Effects Supervisor: Perpetual Motion Pictures
Teenage Mutant Ninja Turtles III (1993)
Directed by: Stuart Gillard
Cinematography by: David Gurfinkel
Trailer Support: Additional Photography
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Visual Effects Supervisor: Perpetual Motion Pictures
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Title Photography
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Supervisor: Perpetual Motion Studios
Army of Darkness (1992)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Software Programer: Perpetual Motion Pictures
Warlock (1989)
Directed by: Steve Miner
Cinematography by: David Eggby
Edited by: David Finfer
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Motion Control Programmer
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Storyboard Artist, Visual Effects Graphics
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Model Maker
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
