First Assistant Camera
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
First Assistant Camera: Second Unit
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
First Assistant Camera: "a" Camera
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
First Assistant A Camera: South Africa
Le crocodile du Botswanga (2014)
Cinematography by: Stéphane Le Parc
Edited by: Frédérique Olszak
Cameras: ARRI ALEXA Camera
First Assistant Camera: "a" Camera, Johannesburg
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
First Assistant Camera: "a" Camera, Second Unit, South Africa
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
First Assistant Camera
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
First Assistant Camera: "b" Camera
Killer Elite (2011)
Directed by: Gary McKendry
Cinematography by: Simon Duggan
Edited by: John Gilbert
First Assistant Camera: "a" Camera, Second Unit
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
First Assistant Camera: "a" Camera
Animal Kingdom (2010)
Directed by: David Michôd
Cinematography by: Adam Arkapaw
Edited by: Luke Doolan
First Assistant Camera
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera: "a" Camera - Second Unit
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
First Assistant Camera: "a" Camera - Australia
Oranges and Sunshine (2010)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Additional "b" Camera First Assistant Camera
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Underwater Focus Puller
Fool's Gold (2008)
Directed by: Andy Tennant
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera: "a" Camera
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
First Assistant Camera: "a" Camera
Dance of the Dragon (2008)
Cinematography by: John Radel
Edited by: David Cole
First Assistant Camera
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
First Assistant Camera
The Book of Revelation (2006)
Directed by: Ana Kokkinos
Cinematography by: Tristan Milani
Edited by: Martin Connor
First Assistant Camera
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Focus Puller
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Focus Puller
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
First Assistant Camera
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by: Dwight H. Little
Cinematography by: Stephen F. Windon
Lenses: Zeiss Ultra Prime Lenses
First Assistant Camera
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
First Assistant Camera: "a" Camera
Alexandra's Project (2003)
Directed by: Rolf de Heer
Cinematography by: Ian Jones
Edited by: Tania Nehme
First Assistant Camera
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
First Assistant Camera: "b" Camera
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
First Assistant Camera: "a" Camera - Phillipines Shoot
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Focus Puller: Second Unit
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Focus Puller
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
A Camera First Assistant: Second Unit
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Underwater Camera Operator
Robinson Crusoe (1997)
Cinematography by: David Connell
Edited by: Sue Blainey, Richard Bracken, Tod Scott Brody, Gregg Featherman, Keith Reamer, Kevin Stitt, David Zieff
First Assistant Camera: 'b' Camera
The Ripper (1997)
Directed by: Janet Meyers
Cinematography by: Martin McGrath
Edited by: Elba Sanchez-Short
Second Assistant Camera / Second Assistant Camera: Second Unit
The Island of Dr. Moreau (1996)
Cinematography by: William A. Fraker
Assistant Camera
No Escape (1994)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
Assistant Camera: Underwater Unit
Till There Was You (1991)
Directed by: John Seale
Cinematography by: Geoffrey Simpson
Edited by: Jill Bilcock
