Camera Operator, Cinematographer, Director Of Photography
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Camera Operator: "a" Camera, Cinematographer
Measure of a Man (2018)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRI ALEXA Camera
Director Of Photography: Fairhope Unit
Get Out (2017)
Directed by: Jordan Peele
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Zoom Lenses
Camera Operator: "a" Camera, Director Of Photography
The Dark Horse (2014)
Directed by: James Napier Robertson
Cinematography by: Denson Baker
Edited by: Peter Roberts
Cameras: Sony CineAlta F65 Camera
Camera Operator: "a" Camera, Director Of Photography
Oranges and Sunshine (2010)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera, Director Of Photography
The Black Balloon (2008)
Directed by: Elissa Down
Cinematography by: Denson Baker
Edited by: Veronika Jenet
Video Operator
Mr. Accident (2000)
Directed by: Yahoo Serious
Cinematography by: Steve Arnold
Edited by: Simon Martin
