Liz Radley

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American Sniper | ShotOnWhat?

Video & Computer Graphics Supervisor

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Trouble with the Curve | ShotOnWhat?

Video & Computer Graphics Supervisor

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

J. Edgar | ShotOnWhat?

Video & Computer Graphics Supervisor

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Hereafter | ShotOnWhat?

Video & Computer Graphics Supervisor

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Informant! | ShotOnWhat?

Video & Computer Graphics Supervisor

The Informant! (2009)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One Camera

Invictus | ShotOnWhat?

Video & Computer Graphics Supervisor

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Gran Torino | ShotOnWhat?

Camera Operator: High Definition Camera

Gran Torino (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Changeling | ShotOnWhat?

Video & Computer Graphics Supervisor

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Rails & Ties | ShotOnWhat?

Video & Computer Graphics Supervisor

Rails & Ties (2007)

Directed by: Alison Eastwood

Cinematography by: Tom Stern

Edited by: Gary Roach

Charlie Wilson's War | ShotOnWhat?

Video & Computer Graphics Supervisor

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Letters from Iwo Jima | ShotOnWhat?

Camera Operator: High Definition Camera

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Miami Vice | ShotOnWhat?

Video & Computer Graphics Supervisor

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Flags of Our Fathers | ShotOnWhat?

Camera Operator: HD

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Must Love Dogs | ShotOnWhat?

Computer Graphics Supervisor

Must Love Dogs (2005)

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

The Ring Two | ShotOnWhat?

Video & Computer Graphics Supervisor

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

The Weather Man | ShotOnWhat?

Video & Computer Graphics Supervisor

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

Be Cool | ShotOnWhat?

Computer Graphics Supervisor

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Garfield | ShotOnWhat?

Video & Computer Graphics Supervisor

Garfield (2004)

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

Million Dollar Baby | ShotOnWhat?

Video & Computer Graphics Supervisor

Million Dollar Baby (2004)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Collateral | ShotOnWhat?

Video & Computer Graphics Supervisor

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Mystic River | ShotOnWhat?

Video & Graphics Supervisor , Video And Graphics Supervisor

Mystic River (2003)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Ring | ShotOnWhat?

Video And Computer Graphics Supervisor

The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Blood Work | ShotOnWhat?

Video And Graphics Supervisor

Blood Work (2002)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Men in Black II | ShotOnWhat?

Video Graphics Supervisor

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Collateral Damage | ShotOnWhat?

Video And Graphics Supervisor

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

Murder by Numbers | ShotOnWhat?

Video/computer Graphics Supervisor

Murder by Numbers (2002)

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

Dr. Dolittle 2 | ShotOnWhat?

CG Supervisor / Video Supervisor

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Antitrust | ShotOnWhat?

Second Unit Director, Video & Computer Graphics Supervisor

Antitrust (2001)

Directed by: Peter Howitt

Cinematography by: John Bailey

Edited by: Zach Staenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ali | ShotOnWhat?

Video & Computer Graphics Supervisor

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

K-PAX | ShotOnWhat?

Computer Graphics Supervisor, Video Supervisor

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

61* | ShotOnWhat?

Video Supervisor

61* (2001)

Television Movie

Directed by: Billy Crystal

Cinematography by: Haskell Wexler

Edited by: Michael Jablow

Cameras: ARRIFLEX 435 ES Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Nurse Betty | ShotOnWhat?

Video & Computer Graphics Supervisor

Nurse Betty (2000)

Directed by: Neil LaBute

Cinematography by: Jean-Yves Escoffier

Edited by: Joel Plotch, Steven Weisberg

Space Cowboys | ShotOnWhat?

Video And Computer Graphics Supervisor

Space Cowboys (2000)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Bedazzled | ShotOnWhat?

Video Consultant

Bedazzled (2000)

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

My Favorite Martian | ShotOnWhat?

Video & Computer Graphics Supervisor

My Favorite Martian (1999)

Directed by: Donald Petrie

Cinematography by: Thomas E. Ackerman

Edited by: Malcolm Campbell

The Story of Us | ShotOnWhat?

Computer Design Supervisor

The Story of Us (1999)

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

End of Days | ShotOnWhat?

Video/computer Graphics Supervisor

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

The Insider | ShotOnWhat?

Video & Computer Graphics Supervisor

The Insider (1999)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Perfect Murder | ShotOnWhat?

Video And Graphics Supervisor

A Perfect Murder (1998)

Directed by: Andrew Davis

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, Dennis Virkler

Small Soldiers | ShotOnWhat?

Computer Graphics Consultant

Small Soldiers (1998)

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Primary Colors | ShotOnWhat?

Second Unit Director, Video & Computer Graphics Supervisor

Primary Colors (1998)

Directed by: Mike Nichols

Cinematography by: Michael Ballhaus

Edited by: Arthur Schmidt

Cameras: ARRIFLEX Camera

The Game | ShotOnWhat?

Video/computer Graphics Supervisor

The Game (1997)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

Batman & Robin | ShotOnWhat?

Video And Graphics Supervisor

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Men in Black | ShotOnWhat?

Video And Computer Graphics Supervisor

Men in Black (1997)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Eraser | ShotOnWhat?

Video And Graphics Supervisor

Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Star Trek: First Contact | ShotOnWhat?

Video & Computer Graphics Supervisor

Star Trek: First Contact (1996)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: John W. Wheeler

Cameras: Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision C Series Anamorphic Lenses

A Time to Kill | ShotOnWhat?

Video And Computer Graphics Supervisor

A Time to Kill (1996)

Directed by: Joel Schumacher

Cinematography by: Peter Menzies Jr.

Edited by: William Steinkamp

Cameras: Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Chain Reaction | ShotOnWhat?

Video And Computer Graphics Supervisor

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Batman Forever | ShotOnWhat?

Video And Computer Supervisor

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Under Siege 2: Dark Territory | ShotOnWhat?

Video & Computer Graphics Supervisor

Under Siege 2: Dark Territory (1995)

Directed by: Geoff Murphy

Cinematography by: Robbie Greenberg

Edited by: Michael Tronick

Fair Game | ShotOnWhat?

Computer Graphics Supervisor

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Color of Night | ShotOnWhat?

Video Supervisor

Color of Night (1994)

Directed by: Richard Rush

Cinematography by: Dietrich Lohmann

Edited by: Jack Hofstra, Thom Noble

On Deadly Ground | ShotOnWhat?

Video & Computer Graphics Supervisor

On Deadly Ground (1994)

Directed by: Steven Seagal

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

Wayne's World 2 | ShotOnWhat?

Video And Computer Supervisor

Wayne's World 2 (1993)

Directed by: Stephen Surjik

Cinematography by: Francis Kenny

Edited by: Malcolm Campbell

The Fugitive | ShotOnWhat?

Video & Computer Supervisor

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

My Life | ShotOnWhat?

Video Supervisor

My Life (1993)

Directed by: Bruce Joel Rubin

Cinematography by: Peter James

Edited by: Richard Chew

Sliver | ShotOnWhat?

Video Computer Supervisor

Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Coneheads | ShotOnWhat?

Video Supervisor

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Wayne's World | ShotOnWhat?

Video Supervisor

Wayne's World (1992)

Directed by: Penelope Spheeris

Cinematography by: Theo van de Sande

Edited by: Malcolm Campbell

Under Siege | ShotOnWhat?

Video & Computer Graphics Supervisor

Under Siege (1992)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Robert A. Ferretti, Dov Hoenig, Dennis Virkler

Cameras: Panavision Cameras

Jennifer 8 | ShotOnWhat?

Computer Supervisor, Video Supervisor

Jennifer 8 (1992)

Directed by: Bruce Robinson

Cinematography by: Conrad L. Hall

Edited by: Conrad Buff IV

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Soapdish | ShotOnWhat?

Video Coordinator

Soapdish (1991)

Directed by: Michael Hoffman

Cinematography by: Ueli Steiger

Edited by: Garth Craven

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