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Gregory Creaser

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Lead Digital Colorist

Kung Fu Panda 3  (2016)

| China, USA
Edited by: Clare Knight

Lead Digital Colorist

Penguins of Madagascar  (2014)

| USA
Edited by: Nick Kenway

Lead Digital Colorist

How to Train Your Dragon 2  (2014)

| USA
Directed by: Dean DeBlois
Cinematography by: Gil Zimmerman
Edited by: John K. Carr

Lead Digital Colorist

Mr. Peabody & Sherman  (2014)

| USA
Directed by: Rob Minkoff
Edited by: Mike Andrews

Digital Colorist

The Croods  (2013)

| USA
Cinematography by: Yong Duk Jhun
Edited by: Darren T. Holmes

Digital Colorist

Puss in Boots  (2011)

| USA
Directed by: Chris Miller
Cinematography by: Gil Zimmerman
Edited by: Erika Dapkewicz

Supervising On-set Colorist

The Chronicles of Narnia: The Voyage of the Dawn Treader  (2010)

| USA, UK
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Editing System:

3D Conversion Colorist

Kung Fu Panda  (2008)

| USA
Cinematography by: Yong Duk Jhun
Edited by: Clare Knight

Digital Colorist

Days of Wrath  (2008)

| USA
Directed by: Celia Fox
Cinematography by: Steven Fierberg

Senior Colorist: PICTORION Das Werk

In the Name of the King: A Dungeon Siege Tale  (2007)

| Germany, Canada, USA
Directed by: Uwe Boll
Cinematography by: Mathias Neumann

Digital Intermediate Colorist

ATL  (2006)

| USA
Directed by: Chris Robinson
Cinematography by: Karsten Gopinath
Edited by: David Blackburn

Digital Intermediate Colorist

Hatchet  (2006)

| USA
Directed by: Adam Green
Cinematography by: Will Barratt
Edited by: Christopher Roth

Digital Intermediate Supervisor

A Sound of Thunder  (2005)

| Czech Republic, UK, Germany, USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra

Color Assistant , Digital Intermediate Colorist

The Ring Two  (2005)

| USA
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue

Digital Timing Supervisor

Beyond Borders  (2003)

| Germany, USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman

Imaging Supervisor: Digiscope

View from the Top  (2003)

| USA
Directed by: Bruno Barreto
Cinematography by: Affonso Beato

Digital Imaging Supervisor

Rollerball  (2002)

| USA, Germany, Japan
Directed by: John McTiernan
Cinematography by: Steve Mason

Digital Timing Supervisor

The Tuxedo  (2002)

| USA
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring

Digital Timing Supervisor

All About the Benjamins  (2002)

| USA, Germany
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines

Digital Imaging Supervisor: Digiscope

Scary Movie 2  (2001)

| USA, Canada
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein

Imaging Supervisor: Digiscope

Heist  (2001)

| Canada, USA
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver

Imaging/timing Supervisor: Digiscope

The Fast and the Furious  (2001)

| USA, Germany
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Editing System:

Imaging/timing Supervisor: Digiscope

Monkeybone  (2001)

| USA
Directed by: Henry Selick
Cinematography by: Andrew Dunn

Imaging Supervisor: Digiscope

Zoolander  (2001)

| Germany, USA
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden

Imaging Supervisor: Digiscope

Spy Kids  (2001)

| USA
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez

Digital Timing Supervisor: Digiscope

Don't Say a Word  (2001)

| USA, Australia, Switzerland, Canada
Directed by: Gary Fleder
Cinematography by: Amir Mokri

Imaging Supervisor: Digiscope

Vanilla Sky  (2001)

| USA, Spain
Directed by: Cameron Crowe
Cinematography by: John Toll

Digital Imaging: Digiscope

Hannibal  (2001)

| USA, UK, Italy
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia

Imaging/timing Supervisor: Digiscope

Scary Movie  (2000)

| USA
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich

Imaging/timing Supervisor: Digiscope

U-571  (2000)

| France, USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman

Imaging/timing Supervisor: Digiscope

Little Nicky  (2000)

| USA
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson

Imaging/timing Supervisor: Digiscope

Vertical Limit  (2000)

| USA, Germany
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble

Digital Timer: Pacific Title

Wing Commander  (1999)

| USA, Luxembourg
Directed by: Chris Roberts
Cinematography by: Thierry Arbogast
Edited by: Peter Davies

Digital Imaging: Pacific Title

Deep Impact  (1998)

| USA
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann

Assistant Editor: Digital Magic

Species II  (1998)

| USA
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord

Digital Imaging: Pacific Title

Doctor Dolittle  (1998)

| USA
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner

Digital Timer: Pacific Title

The Faculty  (1998)

| USA
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez

Visual Effects Editor: Digital Magic

Volcano  (1997)

| USA
Directed by: Mick Jackson
Cinematography by: Theo van de Sande

Digital Timer

Money Talks  (1997)

| USA
Directed by: Brett Ratner
Cinematography by: Russell Carpenter, Robert Primes
Edited by: Mark Helfrich

Digital Timer: Digital Magic

Mortal Kombat: Annihilation  (1997)

| USA
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior

Digital Timer: Digital Magic

Wishmaster  (1997)

| USA
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman

Visual Effects Editorial: Digital Magic

Spawn  (1997)

| USA
Directed by: Mark A.Z. Dippé
Cinematography by: Guillermo Navarro

Operator: Digital Magic

The Long Kiss Goodnight  (1996)

| USA
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro

Digital Restoration Colorist

Love Me Tender  (1956)

| USA
Directed by: Robert D. Webb
Cinematography by: Leo Tover
Edited by: Hugh S. Fowler